Sentences with phrase «physical act of painting»

The term action painting was coined by critic Harold Rosenberg in a groundbreaking 1952 article entitled «The American Action Painters «[2] that described a style of painting in which the physical act of painting was central to the work and the painting was not preplanned.
Like Oehlen, the physical act of painting is the dominant subject matter in Christopher Wool's Untitled (2004).
For the Oxidations (1977 - 78), Warhol created brilliant, lavishly textured surfaces of gold and green, fashioning the «physical presence» he desired while satirizing the physical act of painting privileged by his forefathers, the Abstract Expressionists.
For Wieske Wester, the physical act of painting and drawing is the most direct way to capture the fluidity and forcefulness of the human spirit.
Deeply invested in the technical and physical act of painting, Wool says that he ``... often [wants] a painting to feel like it is the result of a certain process, a process that was not simply the painting / picturing process of putting together a formally successful painting» (C. Wool, quoted by A. Goldstein, «How to Paint,» ibid, p. 171).
«Matino... paints within the western abstract tradition, using color and the physical act of painting with a spirituality akin to the aesthetics of Eastern civilization.»
While Helen Frankenthaler and Jackson Pollack took the physical act of painting to the floor, Benglis saw that the post-minimalist art object would remain «fallen» with her iconic latex and foam floor works of the late 1960s.
The press release states «The title refers to both the physical act of paint application, therapy in the creation of work, and psychologically, making sense of the world from the maker's point of view.»
Working with acrylics on un-stretched canvas, and limiting himself to the temporal constraints of quick - to - dry paint, the works function as archives of the physical act of painting, and as tools to record the passing of time.
In Mr. Motherwell's work, the physical act of painting can always be read.
David Reed's work reveals the processes used to create it — the physical act of painting, the roughness of his brushes, and so much more.
In her laser focus on the physical act of painting, and her employment of a wide array of uncommon hues, she brings to mind the work of Titian and glazing traditions.
Gesturalism also emphasizes the physical act of painting itself, drawing attention to the «process of creating».
Artists like Jackson Pollock, Willem de Kooning, and Franz Kline were associated with this term due to their more spontaneous and / or physical act of painting.
She slows down time, inviting us to absorb the information she eradicates or exposes through the physical act of painting.
The physical act of painting itself appears as a center from which meanings are scaled, codifed and represented.
The physical act of painting was of paramount importance and must be apparent in the finished product.
The artist's physical act of painting is very evident in the work.
Within a few years, he moved his canvas off the easel to attack the surface from all sides, dripping paint from a stiff brush with such gestural fluidity that the physical act of his painting became integral to the painting itself.
What is still not sufficiently appreciated is that the twist Frankenthaler gave to Pollock's drip method removed the heavy breathing from abstract expressionism while retaining the closeness to the physical act of painting.
[1] The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist.
«With concept often trumping craft and the entire medium regularly receiving death notices, revelry in the physical act of painting has hardly been a prized commodity... read more... «Julia Fernandez - Pol in Denver»
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