Sentences with phrase «physical architecture of the space»

Her works expand on the physical architecture of the space they are in, defining both the negative and positive.

Not exact matches

Building structure, facility safety plans, lighting, space, and architecture — among other physical attributes of educational institutions — can contribute to whether a school environment feels, or is in fact, safe or unsafe.
Known for creating work that responds to architecture and the built environment, Cain embraces the relationship of psychological and physical space by encouraging viewers to be fully present and immerse themselves within her work.
These media form a threshold through which Jasper explores the dissonance between imaginary and fragmented cinematic space and the physical experience of architecture, and in his work he also excavates history through postcolonial and experimental anthropological lenses.
Blending the philosophies of architecture with abstraction, architecture becomes both a visual and physical bridge between inside and out, a passageway of self - reflection, while abstraction is a way to move through, interpret and explore a space.
The photographs also serve as an extension of the artist's previous installations, which explore memory, architecture, and the notion of home through the modification of physical space.
In This Hello America... engages both the physical and social architecture of Bard College by re-envisioning the cultural space produced by Sasson Soffer's public art sculpture Hello America (1980), located near the campus center.
He toys with the idea of the physical self being one with architecture and the surrounding space and brings sexuality into his artwork through the blurring of these lines.
These observations became translated through the construction of three - dimensional spatial paintings as pictorial compositions that reconfigure the space and its architecture, using specific physical things.
BYRON WESTBROOK is a sound artist working with the dynamic quality of physical space through site - specific installations and unique listening formats to activate architecture and community.
A: Requiem adapts itself to the architecture of a given space, yet disrupts the natural rhythms of its surroundings in both physical and sensory ways.
Her work is often devised around audio and spatial feedback systems that manipulate the visitor's awareness of sound and space, incorporating the physical and sonic qualities of surrounding architecture to engage the viewer's senses.
Titled «Model», at White Cube Bermondsey consists of an ambitious construction containing 100 tons of sheet steel forming an architectural installation which challenges the physical possibilities of the gallery space and investigates our experience of architecture through the body and of the body through.
Employing the basic elements of architecture — scale and measurement, space and light — Adjaye creates a structure that asks visitors to engage with architecture on a purely physical and emotional level.
Installed in dialog with the gallery's architecture, the work frames the viewer's physical experience of space.
The performance of the artist and the virtual environment are both plotted onto the dimensions of the existing architecture of the gallery; uniting the space of two physical locations through the projection of virtual space.
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that «negotiate the space between the functional and the nonfunctional», [2] where they derive their «inspiration from the physical world» [2] and express their interest in the intersection of art and society in a humorous manner.
And it is no part of its goal to reconstruct the original physical space, as rather than representing the historical void by the artists, the retrospective — working closely with the artist and their estate — considers the void itself, and not the architecture that hosted the void.
Martin Creed's exuberant installation examines our perceptions of space by filling a room with balloons and drastically altering one's physical experience of the environment as well as exploring the relationship between sculpture and architecture.
Like other Minimalists of his generation, Andre constructed his works out of industrial materials that called attention to the inherent physical structure of the piece and to the architecture of the surrounding space.
Highlighting the gallery space through a transformation of architecture and light, Everett's installation emphasizes the physical act of supporting a painting, the routine practice an artist undertakes daily, as well as pedagogical rituals shaped through rehearsal.
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