Her works expand on
the physical architecture of the space they are in, defining both the negative and positive.
Not exact matches
Building structure, facility safety plans, lighting,
space, and
architecture — among other
physical attributes
of educational institutions — can contribute to whether a school environment feels, or is in fact, safe or unsafe.
Known for creating work that responds to
architecture and the built environment, Cain embraces the relationship
of psychological and
physical space by encouraging viewers to be fully present and immerse themselves within her work.
These media form a threshold through which Jasper explores the dissonance between imaginary and fragmented cinematic
space and the
physical experience
of architecture, and in his work he also excavates history through postcolonial and experimental anthropological lenses.
Blending the philosophies
of architecture with abstraction,
architecture becomes both a visual and
physical bridge between inside and out, a passageway
of self - reflection, while abstraction is a way to move through, interpret and explore a
space.
The photographs also serve as an extension
of the artist's previous installations, which explore memory,
architecture, and the notion
of home through the modification
of physical space.
In This Hello America... engages both the
physical and social
architecture of Bard College by re-envisioning the cultural
space produced by Sasson Soffer's public art sculpture Hello America (1980), located near the campus center.
He toys with the idea
of the
physical self being one with
architecture and the surrounding
space and brings sexuality into his artwork through the blurring
of these lines.
These observations became translated through the construction
of three - dimensional spatial paintings as pictorial compositions that reconfigure the
space and its
architecture, using specific
physical things.
BYRON WESTBROOK is a sound artist working with the dynamic quality
of physical space through site - specific installations and unique listening formats to activate
architecture and community.
A: Requiem adapts itself to the
architecture of a given
space, yet disrupts the natural rhythms
of its surroundings in both
physical and sensory ways.
Her work is often devised around audio and spatial feedback systems that manipulate the visitor's awareness
of sound and
space, incorporating the
physical and sonic qualities
of surrounding
architecture to engage the viewer's senses.
Titled «Model», at White Cube Bermondsey consists
of an ambitious construction containing 100 tons
of sheet steel forming an architectural installation which challenges the
physical possibilities
of the gallery
space and investigates our experience
of architecture through the body and
of the body through.
Employing the basic elements
of architecture — scale and measurement,
space and light — Adjaye creates a structure that asks visitors to engage with
architecture on a purely
physical and emotional level.
Installed in dialog with the gallery's
architecture, the work frames the viewer's
physical experience
of space.
The performance
of the artist and the virtual environment are both plotted onto the dimensions
of the existing
architecture of the gallery; uniting the
space of two
physical locations through the projection
of virtual
space.
In their work the artists incorporate aspects
of architecture, design and sculpture to create installations and drawings that «negotiate the
space between the functional and the nonfunctional», [2] where they derive their «inspiration from the
physical world» [2] and express their interest in the intersection
of art and society in a humorous manner.
And it is no part
of its goal to reconstruct the original
physical space, as rather than representing the historical void by the artists, the retrospective — working closely with the artist and their estate — considers the void itself, and not the
architecture that hosted the void.
Martin Creed's exuberant installation examines our perceptions
of space by filling a room with balloons and drastically altering one's
physical experience
of the environment as well as exploring the relationship between sculpture and
architecture.
Like other Minimalists
of his generation, Andre constructed his works out
of industrial materials that called attention to the inherent
physical structure
of the piece and to the
architecture of the surrounding
space.
Highlighting the gallery
space through a transformation
of architecture and light, Everett's installation emphasizes the
physical act
of supporting a painting, the routine practice an artist undertakes daily, as well as pedagogical rituals shaped through rehearsal.