Sentences with phrase «physical art pieces»

Not exact matches

The piece brings an embodied physical female presence to what is still largely a male - dominated space, imaging a new way of inhabiting both the art gallery and the world beyond it.

The film and the images around it have been credited with giving rise to Process Art, where the physical actions around artistic creation are documented and foregrounded as integral to the finished piece.

But there's something about having that small physical piece of art to hold in your hand, which makes postcards an endless treat.

Seghal, whose piece in the Tate Modern Turbine Hall last summer saw performers telling intimate stories to visitors, creates art that has no physical form.

Gray refused to formally document the performance piece photographically or by using video adhering to the tropes of conceptual art, lest the documentation became a surrogate for the physical experience of the work itself.

The few pieces of physical art — including a site - specific painting by Luc Tuymans and a photograph by Isa Genzken — looked as though they'd been abandoned by former occupants in a rapid evacuation.

But I know plenty of artists (including many that I represent) that find the marketing / selling aspect of the business is not one they can thrive in and for some art pieces, having a physical space to show them helps to close the deal.

Dawood's New Dream Machine Project, an interactive piece with an imposing physical presence, draws attention to how science, art and mysticism have come together, and the surprising technological innovations that can result.

The piece alludes to unseen forces at play, facilitating access to things few of us can comprehend, while still resonating deeply with the physical body and, of course, dear Tunga's roots in performance art.

The viewer of literalist art was implicated in the «total situation» of a display, so that the shifting physical relationships of his or her body to artworks counted more than his or her ability to scrutinize the particular composition of any one piece.

Challenging our perceptions of what we even consider a portrait, yet also resisting what many misunderstand to be abstract art, Hodgkin's pieces, spanning a 60 - year period, explore a language of representation that captures the «emotional response and feeling of memory when we encounter someone, not just the physical experience»

The line up, selected by Ron Berry, Fusebox founder, and two new curators on the Fusebox team, Anna Gallagher - Ross and Betelhem Makonnen, includes Charles O. Anderson's immersive movement piece, (Re) current Unrest, Rude Mechs's The Cold Record, and Bessie Award winning Abby Z and the New Utility's hyper - physical dance, Abandoned Playground, Grackle Call by Collide Arts / Steve Parker, Justin Shoulder's late night Hub show Carrion, Canadian performing arts group Mammalian Diving Reflex in All the Sex I've Ever Had and much mArts / Steve Parker, Justin Shoulder's late night Hub show Carrion, Canadian performing arts group Mammalian Diving Reflex in All the Sex I've Ever Had and much marts group Mammalian Diving Reflex in All the Sex I've Ever Had and much more.

In March 1992, Hirst showed his infamous tiger - shark - in - a-tank, The Physical Impossibility of Death in the Mind of Someone Living, 1991, at the Saatchi Gallery, and this piece, accompanied by intensive media coverage, projected him for the first time beyond an art audience onto a public stage.

With neuroscience as academic background, she uses and incorporates the scientific findings on human physical possibilities to perceive into pieces of art.

[23] There were «physical / ephemeral» pieces by younger artists, such as Jason Rhoades and Richard Jackson, and the famous large - scale black rats by Katharina Fritsch, which were shown earlier at the Dia Center for the Arts in New York.

These so - called «Op - art» pieces produce a disorienting physical effect on the eye, a bit like the «optical flutter» I feel when looking at Piet Mondrian's Broadway Boogie Woogie, painted in the 40s when captivated by American jazz.

These so - called «Op - art» pieces, such as Fall, 1963 (Tate Gallery T00616), produce a disorienting physical effect on the eye.