Sentences with phrase «physical events of this world»

Not exact matches

While this fact is perhaps too often taken for granted, Davies makes no attempt to hide his certainty that all ballyhooed attempts to find a Grand Unified Theory of Everything are to some extent self - defeating precisely because of the quite inexplicable, indeed mysterious, effectiveness of mathematics in explaining events in the physical world.

Instead, we mean that we should first try to explain finite physical events by looking for finite physical causes, by looking to the kind of cause that we know exists and operates in our world.

Deep - seated motives, dispositions and intentions do not appear to have the same kind of temporality as the clocked events of the physical world or the events of a supposed «stream of consciousness.

Simple physical feelings are but «the transmission of a form of energy from event to event in the physical world» (PW 123/131).

Thus we hold that genetic time, what Ford calls the time of concrescence, can not be distinguished from physical time, the time of persons, the time of the world larger than single quantum events.

From the natural order of the world comes its dependability, without which there would be no science, no ordered control of physical forces or events, none of the security which comes from knowing that the physical world is at least in large measure calculable.

If our modern common sense of how the world works is that it is essentially a closed causal system, with finite physical events to be explained by finite physical causes, is there then any room left for God?

Those who defend the view that the resurrection of Jesus was an historical event in the physical world unintentionally detract from the significance of the death of Jesus, the real center of Christian proclamation, by making it dependent upon a subsequent event.

Just what will be the content of God's physical nature is, in part at least, contingent upon the freedom of the particular creative events which constitute the world of process.

That is, there is no world of events without the primordial nature of God; but, conversely, there is no primordial order without God as physical — that is, without a world of events.

Beyond astronomy, the more one understands about the physical sciences and the world we live on, the more you come to see that it is too dang perfect to be the result of some random, godless cosmic event.

The Big Bang is convenient only because it begins with a physical «observable» event yet leaves the question of pre Big Bang cosmology or in the theological world who made God unanswered.

This is such a problem, he says, because of two basic assumptions: physicalism, «the claim that the world is fundamentally a physical world governed by physical law,» and mental realism, «the view that mentality is a real feature of our world,» which «requires that mentality have genuine causal powers, powers to affect other events and processes of this world, whether these are mental or physical» (SM xv).

That is why Whitehead can say that the prehension of an eternal object (conceptual prehension) occurs in a later phase of the becoming of an event than the immediate and unqualified physical prehension of the whole given world of becoming.

Harvey Thomas, who spent 15 years working on Graham's evangelistic events around the world, told Premier: «Billy would not want any kind of physical memorial in that sense.

No physical event can prove anything — not even the reality of a physical world.

It should be noted that while medieval scholars relied heavily on final causes in their descriptions of the natural world, modern developments in the natural sciences since the fifteenth and sixteenth centuries have placed almost exclusive emphasis on efficient cause as the basic determinant of physical and biological events.

The challenge to the physicalist is how to make his belief in the reality of mental causation consistent with his physicalism — in particular, the physicalist must give an account of how mental events can exercise their causal powers in a physical world in a way that is consistent with the supervenience thesis and the physical causal closure.

The code will translate into physical events, so she will enjoy both abstract thinking and observing the tangible results of her hard work in the real world.

And just as the campaign would use new media tools to encourage voter turnout and other action in the real world, they built their list of online activists in part at physical events:

The idea that events occur one after the other in a fixed causal order is part of our intuitive picture of the physical world.

The decision to recreate the event using physical effects (in the world's largest water tank) as appose to recreating digitally was certainly the way to go and gives a genuine feel of realism.

Sure, it is still hard to attend bookish events if you are on the other side of the world or even to get physical ARCs, but it's not something that stops a reader from become a book blogger.

Hideki Hayakawa, President of Konami Digital Entertainment Co., Ltd. said, «I am delighted to be able to work with UEFA for this opportunity not only to bring an exciting experience for the participating players, but to also be able to provide Football fans from all over the world an opportunity to enjoy this competition first - hand at the physical events or through live streams.»

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

As an abstract artist, I am philosophically interested in the subjectivity of the mind, and its capacity for skewing perspectives of external events or the physical world.»

As has frequently been noted, Sehgal seeks to make art without producing any physical artifact of the events that he stages in galleries and museums as a gesture against what he sees as the excessive proliferation of objects in the world.

They both use dramatic religious and mythological iconography to delve inside the psychological worlds of people who suffer from tragic events (the socio - political dimension of human experience in Jerome's Jewish inspired paintings) and physical abnormalities (the transgression of cultural constructions of perversity in Joel - Peter's Catholic inspired photographs).

Over a series of events Melia explores how changes in a virtually - inclined world impact on our bodies and the places we live; reflecting on the relationship between physical and social movement, the abstraction of self and the shifting nature of representation.

Tolle's piece not only troubles one's perception of the physical world, but it also implies an «other,» at once subjective and mechanical, interrupting the ordinary, law - like flow of events.

In exhibitions, graphic works, and events, sometimes produced in collaboration with young people and community - based organizations, Rich creates fantastical spaces for imagining the physical and social transformation of the world.

Whatever is happening in the great outdoors regarding actual climate, inside the minds of men overwhelming evidence indicates that Catastrophic Anthropogenic Global Warming is a self - sustaining narrative that is living off our mental capacity, either in symbiosis or as an outright cultural parasite; a narrative that is very distanced from physical real - world events.

Whatever is happening in the great outdoors regarding actual climate epidemics, inside the minds of men overwhelming evidence indicates that Catastrophic Anthropogenic Global Warming the Germ Theory of Disease is a self - sustaining narrative that is living off our mental capacity, either in symbiosis or as an outright cultural parasite; a narrative that is very distanced from physical real - world events.

Conversely, the distributed energy solar world of Oceans doesn't want to hear about CCS and therefore leaves it until physical climate pressures (e.g. extreme weather events) force action.

Settlements are important because they are where most of the world's population live, often in concentrations that imply vulnerabilities to location - specific events and processes and, like industry and certain other sectors of concern, they are distinctive in the presence of physical capital (buildings, infrastructures) that may be slow to change.

With events from the past, the nature of bitcoin itself and all of the attention on verifying users, as of late, it seems odd that one of the largest exchanges in the world would not have any contact information or transparency in regard to the physical location of the exchange which holds well over 120,000 BTC6 worth of currency.

Each partner is also asked to complete the Trauma Impact Questions, a set of questions designed to elicit each partner's thoughts about how PTSD has affected their relationship and the perceived cause (s) of the traumatic event (s), as well as each partner's thoughts about oneself, his or her partner, and the world in general in the areas of trust, control, emotional closeness, and physical intimacy.