Sentences with phrase «physical installation as»

Nest walks you through the physical installation as you add the doorbell to the Nest app.

Not exact matches

@Zaid As for the actual installation and whether or not they are in physical contact I'm not sure.

And of course this time the web is only the beginning — tonight The Archivist's physical installation opens in London at the Pumphouse Gallery as part of Hypercomics: The Shape Of Comics To Come.

I already worked on two VR projects, one spacial game using the Raspberry Pi and the PC, two 3D PC games, one physical game using the Arduino, one exhibition piece using the Arduino as well, one projection mapping installation using openFrameworks, and one narrative project made in Twine.

Each of the installations, which vary in form — from sculpture and photography to sound and architectural intervention — investigates a different element of the in - between as both a physical location and an abstract condition.

A case in point is the current exhibition of painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.

«Through three video installations — Grand Paris Texas, Movie Mountain (Méliès), and the premiere of their most recent film, Giant — Hubbard / Birchler frame the traces that filmmaking leaves behind in physical places as well as in people's psyches,» writes A+C contributor Nancy Zastudil.

Giese views his artistic project as one of repair and re-presentation of natural objects; he employs processes that echo nature's slow and repetitive rhythms as he reconstructs pieces of the physical world in his sculptures and installations.

Centering on the idea that physical spaces can be designed to nurture intellectual enrichment, Azikiwe Mohammed aims to create an installation that acts as a continuation of the visual landscape created by the 1 - 54 New York participating galleries and exhibited artists.

Irwin has also referred to the Whitney's installation Black Line Room Division + Extended Forms — and at five feet, six inches, some may feel the division as a physical obstacle, while others will sense only the light.

Taking form as objects, images and installations, his current works examine our relationship with screen - based technologies, focusing on the convergence of digital experience and physical embodiment.

His films and installations from the seventies such as Line Describing a Cone, Long Film for Four Projectors, and Four Projected Movements, represent an extraordinarily corporeal and sensuous meditation on the medium of film and the politics of the audience's physical and conceptual relationship to it.

Their relationships to social, political and philosophical expressions of feminism are as diverse as their work in sculpture, painting, drawing, video, installation, collage, assemblage and the wearable — yet all six directly consider the literal and allegorical ways in which the female body occupies both physical and semantic space in the modern world.

As an installation artist, he is particularly interested in the physical aspect of sound and its potential to define the form and atmosphere of a spatial environment.»

Her installations create a space for contemplation, while her own emphasis is on physical endurance, providing a backdrop for a more visceral understanding of the body as material with its limitations and capabilities.

«a series of of physical installations are unveiled as public utopia stations for arriving, leaving and staying for a while, over a 14 - day period.

Citing Cy Twombly's scratches and scribbles on canvas, Granat physically etches into her film strips and notes the performative and physical aspect of her film installations — both during the creative process but also as a finished product for the viewer as they take in an environmentally visual and aural experience.

The photographs also serve as an extension of the artist's previous installations, which explore memory, architecture, and the notion of home through the modification of physical space.

These objects in the installation almost act as a gateway from the physical world into this immaterial place.

Additionally, by bringing attention to The Drawing Center's building, York's installation generates opportunities for discussion about the importance of museums continuing as public spaces with permanent, physical presence.

As a natural continuation, Johnson expands her two dimensional practice into the physical space through installations, video animations and most recently virtual reality.

In We Should Be You: A Study for Physical Interpretation (Simon), Los - Angeles based artist Samuel White utilizes the Center for Curatorial Studies Bulletin Board as a platform for an interactive installation that will develop throughout the length of the exhibition.

Remainders and markings of Lewis» physical practice continue to accumulate onto his surfaces until the moment of their installation, rendering his painterly objects as repositories of their own history.

[3] As such, the tape is used as a medium to inscribe physical space and everything within it as a spatial installation, which points to his material considerations as opposed to canonically «dematerialized» Conceptual strategieAs such, the tape is used as a medium to inscribe physical space and everything within it as a spatial installation, which points to his material considerations as opposed to canonically «dematerialized» Conceptual strategieas a medium to inscribe physical space and everything within it as a spatial installation, which points to his material considerations as opposed to canonically «dematerialized» Conceptual strategieas a spatial installation, which points to his material considerations as opposed to canonically «dematerialized» Conceptual strategieas opposed to canonically «dematerialized» Conceptual strategies.

My large - scale photographic installations investigate, deconstruct and interpret «the city,» both as its physical self and as an idea.

The structure acts almost as a partition between Lek's virtual world and the physical reality of Sheila Hicks's textile - based installation entitled Mighty Mathilde and Her Consort (2016).

When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex wall reliefs.

Chris will collaborate in producing the pavilion, specifically managing fabrication and personnel logistics, budgeting, and schedules as well as the physical installation.

Phillipson's videos are often presented in installations taking the form of immersive environments in which the sculptural surroundings manifest themselves as physical projections of onscreen imagery.

The physical and metaphysical potential of such textures is explored further in installations of Caivano's work where touch, tone, pace and pitch are made resonant through juxtaposition and space is orchestrated as much through pauses as paintings.

Since the early 1990s, she has created a wide range of film, video, and installation - based works whose sculptural forms engage spatial perception in physical, as well as conceptual, terms.

Showing here in London for the first time in a public institution, Carlos Garaicoa reflects upon «the city» — its limitations, potential and possibilities — as a physical infrastructure, social network and political space in this exhibition comprised of large - scale installations, sculptures, video and photography.

From his early works in the 1990s, such as the «illusory» optical machine Beauty (1993), to the architectural project developed together with Henning Larsen Architects (Reykjavik Concert Hall, 2005 - 2011), to his recent «total artworks» like Seu corpo da obra (2011) and installations like Big Bang Fountain (2015), Eliasson always expresses his fascination with the world of perceptions, sometimes physical, sometimes immaterial — but always transforming passive visitors into «inhabitants», as well as with the hybridization of different languages, means of expression and temporal planes.

Often composed into dense installations with objects, text, and wall drawings, the discreet works double as prop in sets translating internal states to physical space.

Their installations, paintings, and photographs convey the psychological and physical state of a world engrossed in consumption, and as a result at the cusp or just beyond collapse.

Displayed at London's Victoria Miro Gallery (1 February — 18 March 2017), the Passage / s installation gave physical form to Suh's idea of life as a journey, «with no fixed beginning or destination.»

The images and installations she creates as a result of her tinkering are heavily inï ¬ «uenced by her experiences not just as an artist, but as a member of several communities that are defined by the physical assertions and limitations of a very specific environment.

House Arrest is curated by Terri C Smith whose approach to the installation will significantly alter the physical qualities of the space's three galleries, creating living rooms of artworks that are informed by the history of Franklin Street Works» Victorian row house buildings — originally working class homes — as well as the makeshift domestic situations at recent political protest sites such as Occupy Wall Street's Zuccotti Park.

To this end, Cruz will use the project space not as a site of artistic production in the physical sense: instead, he will purposefully work creatively within the curatorial and display aspects of the installation of this work as an exhibition.

The sculptural objects and installations he has produced refer to topics as varied as High Modernism, topical issues, the landscape — both physical and cultural — as well as music, jokes and cartoons.

An immersive environment, featuring installations by Lisa Park and James Clar that blur boundaries between virtual / real and physical / metaphysical, as well as dynamic light works by Pablo Gnecco and Alex Czetwertynski.

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

Molozzi's installation explores archaeological methodologies and the physical forms they take; museum display strategies; the horizontal orientation required as archaeologists sift across thin topological layers that then becomes vertical as they dig down; and the presence and usage of red ochre; forensic cataloging; etc..

Physical experience is revaluated as an alternative to intellectual experience in Barlow's oeuvre much in a similar vein as it is in that of Brazilian installation artist and painter Lygia Clark (1920 - 1988) or German concept artist Franz Erhard Walther (born 1939): I'm interested in an experience that is to do with how you move around space, how you move around objects, and how sculpture relates to that.»

Virginia Overton «s work includes installation, sculpture, and photography, often conceived intuitively as a direct response to her physical presence in a particular space.

Pape's experimental practice spanned drawing, sculpture, engraving, installation, choreography, and filmmaking as she moved between mediums to explore geometric form, positive and negative space, the intellectual and physical participation of the spectator, and above all art's potential to ignite social change.

The installation examines drawing, volume, space and time, as well as how viewers engage with each other and the physical realms of an artwork.

Through three video installations — Grand Paris Texas, Movie Mountain (Méliès), and the premiere of their most recent film, Giant — Hubbard / Birchler frame the traces that filmmaking leaves behind in physical places as well as in people's psyches.

Chiharu's installations alter and energise the physical and architectural space, challenging our perceptions of the immediate environment and embracing the viewer as an integral part of the experience.

As the press image for the show hints, Mul's show will bring more of her found object - like installations, physical materials disrupted, punctured, and repurposed, and left to do a silent striking, like her sand, resin and plastic puddles, or the spilled popcorn of her «Poppin» Pollock» installation with Morag Keil.