Sentences with phrase «physical objects around»

She explores how our psychological structures, belief systems, social values and rules are manifested as physical objects around us.
This design also increases reliability — with no moving parts, there are fewer points of failure, and since SSDs don't require power to move physical objects around inside them, they are much more energy efficient than HDDs — drawing 2 - 3 watts of power compared to a hard drive's 7 - 10 watts.
You're moving physical objects around and that takes physical time, not like LCD displays that change the state of electrons.»
We are not aware of the successive release and absorption of photons in physical objects around us.
The stretchers that are normally hidden from sight and allow the canvas to become a picture exhibited on a wall, now become the physical object around which the viewer can move and look through.

Not exact matches

Unlike objects, which enter into experience by virtue of the «intellectuality of recognition,» events are lived through, they extend around us: «They are the medium within which our physical experience develops, or, rather, they are themselves the development of that experience» (PNK 63).
But apart from physical objects such as the pretty stones Juan picked up for me from the shore; or the large brown hat with a ribbon tied around it that I bought from a beach - side vendor; or the one too many bikinis I'd added to my collection; recipes are what I love to acquire.
«Once your baby starts to sit up by herself and hold objects, make sure you get active, too — get down on the floor and play with her, chase her around when she gets more mobile, crawl, jump up and down, and so on — you get exercise while teaching her physical tricks.»
It can give users a physical presence in a remote location, including the ability to move around and manipulate objects — and it is set to become even more immersive.
Whereas the physical reality consists of comparable amounts of signal and noise for many of the sounds and sights around you, your perception is that the conversation or object that interests you remains in clear focus.
But this «two - world» view (that is, one set of physical laws for small objects and another for the rest of the universe including us) has no basis in reason and is being challenged in laboratories around the world.
See an animation of the orbit of this substellar object around Edasich, with a table of basic orbital and physical characteristics.
(See an animation of the orbit of this possible substellar object around Aldebaran, with a table of basic orbital and physical characteristics.)
After you introduce the grammar point, it would be useful to give physical demonstrations around the classroom with students» objects such as a pencil, pen, etc..
I'm also a collector of physical books, but even if I can throw a physical book around, loan it, sell it, etc., I am dealing only with the PHYSICALphysical books, but even if I can throw a physical book around, loan it, sell it, etc., I am dealing only with the PHYSICALphysical book around, loan it, sell it, etc., I am dealing only with the PHYSICALPHYSICAL OBJECT.
Dynamic Perspective lets you tilt the Fire Phone in different directions to see more information from apps, play games, resize images, scroll through webpages without using your fingertips, and most impressively, move various «layers» of the user interface around as though they were physical objects in front of you.
There's something extra special about seeing a game that you've worked on as a physical object, knowing that it will be in people's homes around the world.
«Painting / Object» presents the work of five young artists who work in and around painting in very physical ways: Sarah Crowner, Sam Moyer, Julia Rommel, N. Dash and Erin Shirreff (who also has a multimedia solo show at Sikkema Jenkins & Co. on 22nd Street through May 19).
Physical experience is revaluated as an alternative to intellectual experience in Barlow's oeuvre much in a similar vein as it is in that of Brazilian installation artist and painter Lygia Clark (1920 - 1988) or German concept artist Franz Erhard Walther (born 1939): I'm interested in an experience that is to do with how you move around space, how you move around objects, and how sculpture relates to that.»
The relationship between the three objects is a physical manifestation of the play of ideas around sequence, seriality and association.
The exhibition's introductory text panel explains, «As images are rendered into objects, and objects are circulated as images, the boundaries between the physical and the virtual are blurred, challenging us to rethink how we see the world around us.»
The experience and its trace in time becomes more object - centred, its manifestation is a physical one; the private or public discourse around a culture for consumerism becoming embedded within it.
Utilizing a number of different supports including canvas or linen, fiberboard and marble dust panel, Olson plays with the notion of surface and framing as constructs in his work, at times, employing handmade frames and thick borders of unpainted surface around a central painted field that act as both a physical edge to the painting and call attention to its nature as both an image and an object.
Olson considers surface and framing as constructs in his work, employing handmade frames and, at times, thick borders of unpainted surface around a central painted field that act as a physical edge to the painting and call attention to its nature as both an image and an object.
The sculptural object or rather objects again become something to look through, changing the perception of surrounding space through its physical presence (Though, as an anecdote, on my visit the few people wandering around the terrace were far more intrigued by slowly melting piles of snow in the corner than they were about Bell's cubes within cubes).
Until you can somehow get around this physical FACT, you can not get a cooler object to further warm a warmer object, if you could, you can make energy out of nothing.
You see, while virtual reality immerses you into a space, essentially replacing everything you see in a physical world, AR takes the world around you and adds virtual objects to it.
At some point, there are deep functions that require mobility around the house, and even further interface with objects around the house in some physical way.
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