Sentences with phrase «physical screen space»

Not exact matches

If you're lucky enough to have a large bedroom, think about setting off the nursery space with a physical divider, such as a screen, curtain or bookshelf.

Each pixel on RetroShape's screen has a corresponding tactile pixel — or taxel — on the back of the watch face, allowing the virtual world to be extended to the 2.5 D physical space on its back.

(13) A third characteristic that sounds share with images is that they are equally important in conjuring up a physical sense of a metropolis within the space of the screen and projecting it outward to the audience.

This time, though the shots are chaotic, Nolan has learned what Paul Greengrass already knew: that as long as you establish certain physical elements, like space, time and weight, you can keep the action coherent in the audiences» mind even if it's not precisely clear on the screen.

The arena has no walls, so flying off screen one way brings you back on screen another, but the developers try to shake things up by curving the physical space, so flying off in the upper left brings you back in the lower left.

Tap a button on the steering wheel and the entire tachometer (physical bezel and all) slides a few inches to the right, revealing more screen space on the left side for displaying navigation directions, trip computer and fuel economy information, current audio source information, and other information.

It's got Netflix, Hulu, Pandora, Angry Brids, etc., the best battery life, the best screen, double the RAM and space for apps / photoes / movies, mmicroSD slot and a microphone for Skype (not on Kindle), physical volume controls on the side (not on Kindle), and much zippier performance during video playback and apps usage than choppy / laggy act of Kindle Fire according to many user and pro's reviews.

a cell phone screen, a tablet screen, a computer screen, a Big Screen TV, etc, etc, watching, DVD's, Blu - Rays, YouTube, Hulu, Netflix, ROKU, Apple TV, Facebook, Twitter, Instagram, Vine, Pinterest, etc, etc...... when you lose that many potential book readers to watching you can't sustain a high cost physical retail book chain with all that overhead particularly when that retail space is overbuilt in declining sections of ascreen, a tablet screen, a computer screen, a Big Screen TV, etc, etc, watching, DVD's, Blu - Rays, YouTube, Hulu, Netflix, ROKU, Apple TV, Facebook, Twitter, Instagram, Vine, Pinterest, etc, etc...... when you lose that many potential book readers to watching you can't sustain a high cost physical retail book chain with all that overhead particularly when that retail space is overbuilt in declining sections of ascreen, a computer screen, a Big Screen TV, etc, etc, watching, DVD's, Blu - Rays, YouTube, Hulu, Netflix, ROKU, Apple TV, Facebook, Twitter, Instagram, Vine, Pinterest, etc, etc...... when you lose that many potential book readers to watching you can't sustain a high cost physical retail book chain with all that overhead particularly when that retail space is overbuilt in declining sections of ascreen, a Big Screen TV, etc, etc, watching, DVD's, Blu - Rays, YouTube, Hulu, Netflix, ROKU, Apple TV, Facebook, Twitter, Instagram, Vine, Pinterest, etc, etc...... when you lose that many potential book readers to watching you can't sustain a high cost physical retail book chain with all that overhead particularly when that retail space is overbuilt in declining sections of aScreen TV, etc, etc, watching, DVD's, Blu - Rays, YouTube, Hulu, Netflix, ROKU, Apple TV, Facebook, Twitter, Instagram, Vine, Pinterest, etc, etc...... when you lose that many potential book readers to watching you can't sustain a high cost physical retail book chain with all that overhead particularly when that retail space is overbuilt in declining sections of a city.

And you can give the menu shortcut equal or lesser space on the touchscreen — with the lone physical button forever dedicated to taking you to the home screen, the touchscreen has to do the rest.

These hybrid readers seem to make buying choices situationally; for instance, an avid reader might enjoy a physical paperback for reading at a park or while relaxing at home, then switch to an e-reader while traveling with limited luggage space or in a dark area where frontlit screens come in handy.

They somehow managed to add a camera, a faster 1.2 GHz processor, a much nicer high resolution screen, physical volume buttons, a micro HDMI port, microphone, Bluetooth, double the storage space, and a dual band WiFi antenna.

Another reason I find them worthless is that the physical copy will install a bubble on your screen and consumes an app space.

Using elements from virtual environments of CAD workspaces, video games, and CGI films, DeLucia applies these references to the physical space at MCASB to highlight the disparity between the illusion of screen - based media and the reality of 3D space.

Physical movements, screen progressions and gestures toward transitional realms, possess the partitioned space.

A story of advancement inevitably turns into obsolescence, and Technologism seeks to document the early use of broadcast technology as a way of bridging the gap (and finding a space) between the image on the screen, the physical presence of the viewer, and the broader community.

In this part of the exhibition space, the artists presented a six - channel video on projection screens situated in a way that mirrors the video's own 5.1 surround sound, engaging the visual, sonic, and physical fields as a combined object.

The beauty of Kydd's works is that the images and their subjects continue to be propelled through time and space beyond the physical constraints of the screen.

There, Trecartin presents his newest movie, a video work that situates various projection screens throughout the exhibition space in a way that mirrors the movie's own 5.1 surround sound, engaging with the visual, sonic, and physical fields as a combined object.

In our familiar notion of «virtual reality,» the virtual might be understood as an idea of representation, in which the screen's frame is considered to separate two spaces of different scale: the physical and the virtual — in the notion of hyperspace.

Their resulting body of work is sometimes best suited for the browser — at TRANSFER the work develops beyond the screen into the physical space of the gallery.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The archive as physical property is examined within Lawrence Lek's «Memory Palace» (2014) video, taking its audience on a virtual tour of an imagined Tabularium space in which server racks and monitor screens take the place of inscribed tablets.

1100 BroadwayDescribed as «not quite a screening, not quite a lecture (but there will be an artist talk)» Good Work Gallery's one - night screening of «Mysteries» presents a survey of Taylor Shields» short videos, excerpts and performances, investigating interactions with physical and virtual spaces using simulations and animations.

With music, ambient sound and conversational dialogue, this performative screening immerses the audience while making them aware of their physical presence within the space.

Over the past decade, Beloufa has worked in video, sculpture, and installation, composing digital and physical spaces reinforced by mechanical and emotional vulnerability, complicating the viewer's trust in the screen as a medium for generative information and culture.

«The majority of our daily experience and information comes from the artificial light sources of our screens and phones, shifting our habitat from the physical space around us to the non-physical space of online digital systems» explains Clar in an artist statement.

With lawyers using screens instead of books and firms needing more space, physical collections shrank, often dramatically.

There's no physical home button on the Nexus 5X, just extra screen space, so this placement makes sense.

Vivaldi's integration, meanwhile, appears to be more about blurring the lines between physical space and what's on your screen through the use of color.

Over time, we see touch screens winning out in the smartwatch space, but if you crave simplicity and a more old - school aesthetic, physical buttons will do the trick.

Bottom line: Over time, we see touch screens winning out in the smartwatch space, but if you crave simplicity and a more old - school aesthetic, physical buttons will do the trick.

In addition, the screen protector shows no space for a physical home button at the bottom of the device, following rumors that Samsung is planning to remove a physical home button in favor of one that would sit beneath the glass.

That means that virtual objects are truly «there» when placed in real world physical space, and the illusion of reality that Roomscale VR creates within a headset is recreated on your phone's screen.

Touch ID fingerprint recognition has been a long - standing feature for iPhones, but Apple has pushed to maximize the screen space that's previously been taken up by the physical fingerprint sensor.

The front panel shows a thin bezel around the screen and no space for a physical home button.

Between the Sony Xperia Z1 Compact and the Samsung Galaxy S4 Mini, the latter has smaller bezels and yet makes better use of them by including physical and capacitive buttons on the bottom bezel — the Z1 Compact's 4.3 - inch screen loses further space because of the virtual on - screen buttons.

Don't expect to see any physical home buttons on the phone, so you'll need to rely on the three navigation buttons that will pop on screen, leaving a bar of blank space below.

Why can they make having more physical space on the front screen on such a great phone as any Samsung Cell Phone, but not make UN - Breakable glass that protects it?

That's really only partially true — the physical keyboard sucks up physical space, which limits screen size in the first place.

We also like that Oppo has managed to squeeze in that extra screen space while keeping the same physical dimensions as the R11.

Using an emoji along with a physical keyboard involves a second virtual keyboard on the screen above the physical keyboard, essentially taking up twice the space.

BlackBerry proponents will say the physical keyboard frees up screen space.

You'd expect to see a physical home key or some touch navigation keys here, but Huawei doesn't deal in home buttons and it's moved navigation on screen leaving a bar of blank space.