Sentences with phrase «physical space forms»
This conceptual bridge connecting implied or fictional space and physical space forms a tension that is central to Mr. Cullinane's studio practice.
http://www.roberthenrycontemporary.com/ Not exact matches
Whitehead's endeavors to resolve questions of becoming began with physical nature as a frame of reference and an event as the primary datum in the construction, functioning, and form of nature, with the time factor of space - time constituting one of the major expressions of the relation between events.
Sheldrake pictures morphogenetic fields as being the context in which forms (of life or physical reality) which arose in the past exercise their causal influence by a non-energetic «resonance» with subsequent similar systems13 Resonance of course is a physical analogy for something that is not physical: «A «resonant» effect of form upon form across space and time would resemble energetic resonance in its selectivity, but it could not be accounted for in terms of any of the known types of resonance, nor would it involve a transmission of energy «14 In order to distinguish it from energetic resonance, Sheldrake calls this process morphic resonance.
Man, like all other forms of terrestrial life from which he has evolved, is a physical mortal creature, whose life is lived within those limits of space and time to which his creatureliness subjects him.
Indeed, as early as Origen in the third century it was being pointed out that we must not think of the Ascension as a movement in space; and in fact Luke seems to have translated into mythical form, i.e. a pictorial narrative, the universal belief of the early Church that Jesus has ascended to the throne of God, not in a physical manner but in the sense that he has been exalted to Lordship over all the world.
Given that the large - scale structure of the universe is dominated by the presence of still mysterious Dark Matter, and that on the smallest scales empty space sustains quantum oscillations whose energy density dwarfs that of all known forms of matter, we should hesitate to imply that the physical and spiritual realms can not be even partially consubstantial.
I try to bring together the notions of hierarchical nesting, forms of relatedness, physical fields, and interstitial spaces in models of the general features of presiding superjects.
Other ideas were formed in a brief breathing space after days of exposure to physical danger in the streets of Birmingham, Selma, and Chicago and the dangerous roads of Mississippi.
The units of which the world is made up were thought to be material particles which remained unchanged in themselves as they moved about in space and formed the diverse configurations which made up the physical objects in our world.
Accepting space and time as forms of animal sense perception (that is, as biological), rather than as external physical objects, offers a new way of understanding everything from the microworld (for instance, the reason for strange results in the two - slit experiment) to the forces, constants, and laws that shape the universe.
But Science Buddies realizes that teachers also need concrete support in the form of physical science materials that can be used for student projects, for classroom STEM experimentation and exploration, or to fuel the development of a school Maker Space.
The Universe is defined as everything that physically exists: the entirety of space and time, all forms of matter, energy and momentum, and the physical laws and constants that govern them.
The Heterodyne Instrument for the Far - Infrared (HIFI) on the Herschel Space Observatory observed three deeply embedded protostars in the low - mass star - for... ▽ More «Water In Star - forming regions with Herschel» (WISH) is a key programme dedicated to studying the role of water and related species during the star - formation process and constraining the physical and chemical properties of young stellar objects.
When describing this theory, Robert Lanza explains that what we call space and time are forms of animal sense perception rather than external physical objects.
(11) Instead of Jarvik, a more convincing yet unlikely spokesman would be the popular Duane Graveline MD MPH, a former NASA astronaut, and author who was started on Lipitor during an annual astronaut physical at the Johnson Space Center, and 6 weeks later had an episode of transient global amnesia, a sudden form of total memory loss described in his book.
Many YTTs focus on the physical aspects of yoga like anatomy, form and asana, with little time dedicated to topics like diversity training, inclusion and what yoga instructors can do to make their spaces more welcoming to all.
She describes this «space» as a plane of existence where one doesn't have a physical form — just their awareness.
Joachim Trier discusses his new film Louder Than Bombs: how he experimented with film form to show us the subjectivity of memory, the importance of two - shots and closeups in the film, and how he used physical spaces to convey emotional meaning.
This product includes the following 54 topics: Space Science: ♦ Comets, Meteors, Asteroids etc. ♦ Eclipses ♦ Moon Phases ♦ Planets ♦ Solar System Earth Science: ♦ Clouds ♦ Erosion and Weathering ♦ Fossils ♦ Landforms ♦ Layers of the Atmosphere ♦ Layers of the Earth ♦ Natural Disasters ♦ Natural Resources ♦ Plate Tectonics ♦ Rock Cycle ♦ Seasons ♦ Soil ♦ Volcanoes ♦ Water Cycle ♦ Weather Life Science: ♦ Animal Adaptations ♦ Biomes ♦ Cell Structures ♦ DNA ♦ Ecosystems ♦ Evolution ♦ Food Webs ♦ Genetic Engineering ♦ Habitats ♦ Heredity ♦ Human Body Systems ♦ Life Cycle of a Butterfly ♦ Life Cycle of a Frog ♦ Life Cycles ♦ Macromolecules ♦ Microscope Parts ♦ Mitosis ♦ Photosynthesis ♦ Plant Parts ♦ Six Kingdoms of Life Physical Science: ♦ Atomic Structure ♦ Circuits ♦ Electromagnetic Spectrum ♦ Elements, Compounds, Mixtures ♦ Force and Motion ♦ Forms of Energy ♦ Magnets ♦ Periodic Table ♦ Properties of Matter ♦ Scientific Method ♦ Sound and Light ♦ States of Matter ♦ Thermal Energy ♦ Waves
This product includes the following 46 topics: Physical Science ♦ Clouds ♦ Fossils ♦ Landforms ♦ Layers of the Atmosphere ♦ Layers of the Earth ♦ Natural Disasters ♦ Natural Resources ♦ Plate Tectonics ♦ Rock Cycle ♦ Rocks and Minerals ♦ Volcanoes ♦ Water Cycle ♦ Weather Life Science ♦ Animal Adaptations ♦ Cell Structures (Organelles) ♦ Ecosystems ♦ Human Body Organs ♦ Human Body Systems ♦ Life Cycles ♦ Photosynthesis ♦ Plant Parts ♦ Six Kingdoms of Life ♦ Macromolecules ♦ Microscope Parts ♦ DNA ♦ Classification and Taxonomy Physical Science ♦ Atomic Structure ♦ Circuits ♦ Electricity and Magnetism ♦ Electromagnetic Spectrum ♦ Elements, Compounds, and Mixtures ♦ Force and Motion ♦ Forms of Energy ♦ Lab Equipment ♦ Measurement Tools ♦ Periodic Table ♦ Properties of Matter ♦ Reflection and Refraction ♦ Scientific Method ♦ Simple Machines ♦ States of Matter ♦ Waves Space Science ♦ Solar System ♦ Constellations ♦ Moon Phases ♦ Life Cycle of Stars
Space Science: ♦ Life Cycle of Stars ♦ Moon Phases ♦ Space and Planets Earth Science: ♦ Clouds ♦ Erosion ♦ Fossils ♦ Landforms ♦ Natural Disasters ♦ Natural Resources ♦ Plate Tectonics ♦ Rocks and Minerals ♦ Rock Cycle ♦ Water Cycle ♦ Weather Life Science: ♦ Animal Adaptations ♦ Biomes ♦ Cell Cycle ♦ Cell Organelles ♦ DNA ♦ Evolution ♦ Food Chains ♦ Genetics ♦ Habitats ♦ Human Body Systems ♦ Life Cycles ♦ Macromolecules ♦ Plants Physical Science: ♦ Atomic Structure ♦ Electricity ♦ Electromagnetic Spectrum ♦ Elements, Compounds, and Mixtures ♦ Force and Motion ♦ Forms of Energy ♦ Magnets ♦ Periodic Table ♦ Properties of Matter ♦ Reflection and Refraction ♦ Scientific Method ♦ Simple Machines ♦ Sound and Light ♦ States of Matter ♦ Thermal Energy
If you want to publish your manuscript in the physical form, you can do so with Create Space which partners with Amazon.
Or maybe this is emphasizing how the spirit being feels, finally able to take a physical form and move about in three - dimensional space; perhaps the relationship, then, is more about this ride that the spirit being is taking at the expense of the fox.
By pairing similar colors in close proximity to one another, Dole - Recio creates the illusion of three - dimensionality through shadow and relief, an idea that she explores more directly by layering geometric forms, and by removing sections from the composition, creating both physical relief and negative space.
Ballroom Marfa is pleased to announce the opening of Immaterial, an exhibition that will focus on the physical and psychic tensions between form, color, and space across varied visual and structural mediums.
Big commodities occupied the three physical exhibition spaces, but also appeared online, in the form of installation shots and images on the sales platform Artuner.com, which hosted a digital version of the exhibition.
It is all about the multiple forms of space: physical, psychic and emotional.
Done in enamel on identically sized aluminum panels, the highly concentrated compositions are the result of a visual algorithm in which the forms increased incrementally in height and width as they moved outward from the central, vertical axis — a narrow, empty space — toward the painting's physical edges.
Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.
The self - portrait photographs on display in the upper gallery depict Al - Ghoussein's exploration of the physical, cultural, intellectual, and collective spaces through interactions with iconic locations that are the physical manifestation of efforts to form a modern nation - state.
There, the usual container for space, a box, is flattened, excluding physical space from its planar form.
Her art draws upon her fascination with the laws of the physical universe and investigates the astonishing mysteries of light, form and interior space.
These media form a threshold through which Jasper explores the dissonance between imaginary and fragmented cinematic space and the physical experience of architecture, and in his work he also excavates history through postcolonial and experimental anthropological lenses.
She wanted the exhibition to point to a multiplicity of formats that create «a stunning physical installation that can put a viewer in touch with many new forms of artmaking in one space.»
They locate themselves in place and space by paying attention to what is around them, and each artist's work is marked by a certain attentiveness to the mundane, the quotidian — the physical structures that form the background of our visual lives.
Furthermore, Immaterial will investigate an artist's use of material, color, and form to produce an image or object which can create both physical and psychological spaces.
I produce images; sometimes I feel I can't translate the thoughts / images from the interior space of my mind out of myself into the physical world — because they are half vague, appearing unfinished in form.
These artists are said to destabilize space and perception, give form to extreme mental, emotional, and physical states, and derange otherwise logical structures and techniques.
Milk's culture lives across physical and digital spaces in the form of a contemporary gallery and an editorial platform.
This is an exit out of the picture, but the language of the painting forms a ligament to the edifice, connecting the pictorial, conceptual, and physical spaces through the established language of color and form in the painting.
In the process, they destabilize space and perception, give form to extreme mental, emotional, and physical states, and derange otherwise logical structures and techniques.
Nathan Cohen's paintings explore the nature of our relationships with phenomena in the world around us, and how this can be altered through images and physical interaction with space and visual form.
For Kapoor Leviathan is «a single object, a single form, a single color» that creates a space within a space, and which hopefully manages «through strictly physical means, to offer a completely new emotional and philosophical experience.»
Their examination of space in contemporary art therefore led to a careful selection of works: the concept of space that forms the object of this project is diverse, all - encompassing, starting from the original meaning of the word — an available place for the objects of reality, which are identified by their way they are arranged or positioned and possess physical dimensions, hence are susceptible of being moved.
Inasmuch as actual physical parts form shapes and surfaces to be painted, Stella's rich illusionistic mix has pushed composition outward from the wall, while retaining the idea of pictorialism in the use of pattern and gesture to create an anomalous fictive space on any given surface.
Together forming an oasis of color, each painting is dominated by a bright tone and finished with the artist's signature slanted edges, pushing the piece into the physical space of the viewer.
Constantly repeating this line, he contemplated his life within the universe and at the same time reviled the passage to the space beyond the form of the physical presence into the place of his color field.
Heikes explores the physical and perceptual barriers inspired by today's social and political landscape through his installations that guide the viewer around the space with their abstract angles and forms.
From the psychedelically primordial My Forsaken Love, in which biomorphs traverse a black - fringed molten - pink ground, to the strata - like composition of Standing on the Riverbank of My Hometown I Shed Tears, a canvas filled with sedimentary layers of cell - like dots, eyes and extravagantly decorated lashes, the paintings generate new motifs and arrangements of forms while continuing a lifelong preoccupation with the mysteries of the physical and metaphysical, the tangible and ineffable - the space where seeing and feeling intersect.
According to art historian Mel Lader, Seliger «has taken Abstract Expressionism beyond its physical gesture into a space and form articulated and rearticulated with inexorable attention and detail, reinventing it with nature's own infinite variety and indomitable character and beauty.»