Parreno's approach seeks to reach beyond
the physical space of the Museum, as a part of this process on the closing date of the exhibition Phelan uploaded the video performance work Trusted Servant onto YouTube which can be viewed here Trusted Servant
Parreno's approach seeks to reach beyond
the physical space of the Museum, as a part of this process on the closing date of the exhibition Phelan uploaded the video performance work Trusted Servant onto YouTube which can be viewed here arrow link» src =» / en/siteimages/arrow2.gif» border = «0» hspace = «0» / > (External)(External) Trusted Servant
Parreno's approach seeks to reach beyond
the physical space of the Museum, as a part of this process on the closing date of the exhibition Phelan uploaded the video performance work Trusted Servant onto YouTube which can be viewed here arrow link» src =» / en/siteimages/arrow2.gif» border = «0» hspace = «0» / > (External) Trusted Servant
Not exact matches
In his satire The Square, the curator
of an art
museum attempts to gin up publicity by creating a literal,
physical safe
space just outside the building.
Featuring Piotr Adamczyk (program manager at the Google Cultural Institute), Lauren Cornell (2015 Triennial curator), Jennifer Foley (director
of interpretation at the Cleveland
Museum of Art), and Sree Sreenivasan (chief digital officer at the Met), this American Federation of Arts - sponsored panel will discuss the effects of technology on the physical museum space over the past few de
Museum of Art), and Sree Sreenivasan (chief digital officer at the Met), this American Federation
of Arts - sponsored panel will discuss the effects
of technology on the
physical museum space over the past few de
museum space over the past few decades.
Throughout the duration
of the exhibition, her performers continuously enact a form
of live installation in the gallery and the
museum's outdoor
spaces, bridging the conceptual and
physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle
of performance are presented in theatrical and exhibition contexts.
In this kind
of artistic universe, what is the role
of the
physical museum, and what are the limitations
of the
physical museum space?
A major survey into the understanding
of light in the context
of physical space and object opens at the
Museum of Contemporary Art San Diego.
Taking its title from anthropologist Mary Douglas's analyses
of how disturbances arise in the city's
physical contours and social order, Matter Out
of Place presents new work by New York — based artists who observe, represent, and activate public sites, generating alternative relationships to such strictly defined
spaces as the housing project, park, and
museum lobby.
Observing that playgrounds offer a
physical and social interaction not typically seen in a
museum, he designed a number
of public
spaces where visitors could physically and actively engage with art.
Additionally, by bringing attention to The Drawing Center's building, York's installation generates opportunities for discussion about the importance
of museums continuing as public
spaces with permanent,
physical presence.
The event is presented alongside Markus Schinwald, the Vienna - based artist's first major
museum commission in the United States, featuring 19th - century paintings and wooden sculptures created from the legs
of Chippendale - style tables that alter the
physical and psychological potential
of the gallery
space.
Lowry: I think David's observation discusses one
of the most interesting developments that has occurred, in the last decade, which is, with the advent
of a handful
of mega-galleries that have the financial resources and the
physical space to produce major exhibitions, there is a real blurring
of the line between what we do as
museums and what those galleries are doing.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence
of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery
of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy
of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project
Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798
Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes
of Others, Gallery
of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night
of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The
Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection
of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute
of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre
Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City
Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old
Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish
Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
Throughout the field,
museums are exploring strategies for growing their audiences and attracting a new generation
of donors and visitors to their
physical spaces and across a range
of online platforms.
According to this important concept, which unites the eyes
of the observer and the body in motion, Fernández has reconfigured the
museum spaces to involve the visitors in a
physical and mental passage.
Through these commissions, the
museum considers its website as an extension
of its
physical space and onsite program.
Conceived to reflect the spirit
of today's most innovative practices, Intervals invites a diverse range
of artists to create new work for the interstitial
spaces of the
museum, in individual galleries, or beyond the
physical confines
of the building.
«
Physical Evidence,» Lehman College Art Gallery, Bronx, NY, April 12 — May 28, 1994 «Duchamp's Leg,» Walker Art Center, Minneapolis, MN; traveled to the Center for the Fine Arts, Miami, FL; brochure «The Magic Magic Book,» Whitney
Museum of American Art, New York, NY, 1994; catalogue «New Paintings,» Max Protetch Gallery, New York, NY, 1994 «Black Male: Representations
of Masculinity in Contemporary Art,» Whitney
Museum of American Art, New York, NY, 1994; traveled to the UCLA Hammer
Museum, Los Angeles, CA; catalogue «Transformers: The Art
of Multiphrenia,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY; traveled to Decker Galleries, Maryland Institute College
of Art, Baltimore, MD; Herbert F Johnson
Museum of Art, Cornell University, Ithaca, NY; Nexus Contemporary Art Center, Atlanta, GA; Art Gallery
of Windsor, Windsor, Ontario, Canada; Illingworth Kerr Art Gallery, Alberta College
of Art and Design, Calgary, Alberta, Canada; catalogue «Dark o'Clock,» Museu de Arte Moderna de Sâo Paulo, Sâo Paulo, Brazil, 1994; traveled to Plug In, Inc, Video Pool, Ace Art, Winnipeg, Manitoba, Canada; catalogue «Stories,» Max Protetch Gallery, New York, NY, 1994 «Equal Rights and Justice, High
Museum of Art,» Atlanta, GA, 1994; traveled to the National
Museum of African American History and Culture, Smithsonian Institution, Washington, DC; catalogue «Drama,» Max Protetch Gallery, New York, NY 1994 «Oliver Herring, Byron Kim, Glenn Ligon,» Galerie Gilles Peyroulet, Paris, France, 1994 «The Label Show: Contemporary Art and the
Museum,»
Museum of Fine Arts, Boston, MA, 1994; brochure «Don't Look Now,» Thread Waxing
Space, New York, NY, 1994; catalogue
Three new works constructed from Slinky ® toys by American artist Tara Donovan, known for her ability to amplify the innate
physical characteristics
of everyday objects by transforming them into large - scale works
of art, will be presented in the fourth Platform — the Parrish Art
Museum's exhibition series in which artists are invited to create new work in response to the
space, context, and environment
of the
Museum — on view from July 4 through October 18, 2015.
As suggestive as the pictures
of Richard Serra «s eight gigantic, enterable steel sculptures at the Guggenheim
Museum in Bilbao may be, the key to «seeing» this recent work is undoubtedly the
physical experience
of walking through the
space of the sculptures and specifically sensing time.
The Hong Kong Exchange and Clearing Ltd. shuttered its
physical office
space, intending to turn some
of the area into a
museum for future generations to...