Sentences with phrase «physical space of the gallery»

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Their resulting body of work is sometimes best suited for the browser — at TRANSFER the work develops beyond the screen into the physical space of the gallery.

Interspersed throughout the floor, serpentine - like sculptures extend the installation into the physical space of the gallery, connecting the flat level of the paintings with the volumetric realm inhabited by the viewer's body.

The playful movement of the vines and flowers in the gallery is seemingly natural, yet tension is created between the physical space of the gallery and the invented landscape.

Her images of the American West — vast canyons, desert plants, and sky — are formed into sculptural objects that utilize the physical space of the gallery.

Matteo Zamagni's Nature Abstraction is accessible both in the physical space of the gallery and on the online artist residency programme Gazell.io.

Not exact matches

A move in June from Wicker Park to the West Loop increased physical exhibition space by almost 400 percent, the bulk of which is given over to the organization's Coalition Gallery program, in which 16 juried artists manage and show in the space.

A case in point is the current exhibition of painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.

Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.

This utilisation of the tangible, physical features of the gallery space is echoed in Vermeersch's third solo exhibition at the Carl Freedman Gallery, a varied presentation of minimalist work that delicately balances unity and fragmentation in order to posit a rumination on time's various gallery space is echoed in Vermeersch's third solo exhibition at the Carl Freedman Gallery, a varied presentation of minimalist work that delicately balances unity and fragmentation in order to posit a rumination on time's various Gallery, a varied presentation of minimalist work that delicately balances unity and fragmentation in order to posit a rumination on time's various guises.

Niicugni, installed at different heights, have a sense of motion to them as well as a strong presence in the gallery where they not only occupy physical but psychological space.

The self - portrait photographs on display in the upper gallery depict Al - Ghoussein's exploration of the physical, cultural, intellectual, and collective spaces through interactions with iconic locations that are the physical manifestation of efforts to form a modern nation - state.

Using a set of materials and objects to create a series of overlapping fences, haphazardly erected cordons, barriers, and makeshift enclosures meandering through the entire space of Disjecta's main gallery, Horvat's installation investigates gestures and strategies of partitioning and demarcating of physical space, constructing multiple «temporary territories» within the confines of these provisional, improvised spatial divisions.

Just as the material conditions of the studio in this way become inseparable from the finished artwork, Murillo invites viewers to approach their physical engagement with the gallery space as part of the viewing process.

Centering on the idea that physical spaces can be designed to nurture intellectual enrichment, Azikiwe Mohammed aims to create an installation that acts as a continuation of the visual landscape created by the 1 - 54 New York participating galleries and exhibited artists.

With a strong online presence and popular online gallery, ARTmine, coupled with the spacious and elegant physical gallery space, the work of our talented artists, who work in diverse media and styles, can receive the attention it deserves.

Julian Schnabel will feature a body of significantly sized, sculptural paintings in the iconic Court of Honor, plus three other distinct bodies of new work in the galleries dedicated to Auguste Rodin's sculptures; the artist's response to the physical space of the Legion of Honor and eternal themes in its collection.

As a physical manifestation of the gallery, «Breathing Room III», is made from 15 interconnecting photo - luminescent «space frames», the total volume of which is equal to that of the internal gallery space.

Furthermore, the exhibition gallery will double as an interactive events space dedicated to public discussions that will be recorded and broadcast online throughout the course of the exhibition, pushing beyond the boundaries of the physical gallery space.

Because the surfaces of my work do often shift and follow the perspective of the viewer, there is a perceptual movement that coincides with a person's physical movement within the gallery space.»

Milk's culture lives across physical and digital spaces in the form of a contemporary gallery and an editorial platform.

Through the movement of sounds and voices across and along the gallery walls, Mendi + Keith explore how both music, narrative, and data reverberate through physical and social space.

He often responds directly to the physical gallery space through the spatial embodiment of his paintings.

The piece brings an embodied physical female presence to what is still largely a male - dominated space, imaging a new way of inhabiting both the art gallery and the world beyond it.

The event is presented alongside Markus Schinwald, the Vienna - based artist's first major museum commission in the United States, featuring 19th - century paintings and wooden sculptures created from the legs of Chippendale - style tables that alter the physical and psychological potential of the gallery space.

This digital animation presents a slowly shifting beam of «solid light» whose physical properties become outlined within the haze - filled space of the gallery and are further enhanced through viewer interaction.

There are also supplementary materials as part of the exhibition, pulled from the gallery's almost 50 year history and extensive archive, set on shelves and in a vitrine in a separate gallery space, taking the exhibition offscreen to the physical page.

Gallery interpretation had it that he sought to «challenge the identity of White Cube as an organization, as physical space and as concept».

In the work of Ann Veronica Janssens and Diana Thater, colored light is projected onto the walls of the gallery whereby the architectural space becomes the arena for an experience that melds physical and immaterial / mental coordinates.

ArtsATL: Do you think that the future of galleries is that the physical spaces are going to disappear?

ArtsATL: Are there other galleries that you are aware of that have gotten rid of a physical space but maintain an exhibition program and represent artists?

Hubbards drawings articulate the potential of both the body and camera to delineate space while her large scale photogram installations lead us back to the very real and physical boundaries of the gallery itself.

The largest of the gallery spaces displays a number of engaging and thought - provoking sculptures, juxtaposed to examine how the very physical makeup that separates humanity from other species has been reimagined throughout history.

By providing a physical space for artists to meet and discuss ideas, Austin Thomas — founder of Pocket Utopia gallery and residency program — connected and publicized the artist community in Bushwick by hosting Sunday salons.

Lowry: I think David's observation discusses one of the most interesting developments that has occurred, in the last decade, which is, with the advent of a handful of mega-galleries that have the financial resources and the physical space to produce major exhibitions, there is a real blurring of the line between what we do as museums and what those galleries are doing.

Since releasing the physical gallery space in 2014, Plus Gallery owner and director Ivar Zeile has focused exclusively on art consulting and private dealing in support of high - level community exhibitions involving select represented agallery space in 2014, Plus Gallery owner and director Ivar Zeile has focused exclusively on art consulting and private dealing in support of high - level community exhibitions involving select represented aGallery owner and director Ivar Zeile has focused exclusively on art consulting and private dealing in support of high - level community exhibitions involving select represented artists.

The scale and media of this particular work reflect Hayes» engagement with both the context of the gallery and the specificity of the physical space.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Art is a singular opportunity for artists to further their current practice without the physical limitations of a traditional gallery space,» said Brooke Kamin Rapaport, Martin Friedman Senior Curator.

Fulton Ryder, a pseudonym of Prince's, was run by Fabiola Alondra and staged gallery - like shows — even participating (in its own way) in art fairs — so its quite possible that the closing of the physical space won't hinder future projects.

While Vatanajyankur uses the relatively new medium of video to showcase modes of creativity with extreme physical endurance, Buzytsky performs her delicate sewing and weaving in the gallery space as she interacts with visitors.

House Arrest is curated by Terri C Smith whose approach to the installation will significantly alter the physical qualities of the space's three galleries, creating living rooms of artworks that are informed by the history of Franklin Street Works» Victorian row house buildings — originally working class homes — as well as the makeshift domestic situations at recent political protest sites such as Occupy Wall Street's Zuccotti Park.

Although not included in the Lower East Side gallery's physical space, the black - and - white photograph sets an immediate tone of flouting convention.

Five artists have been invited to work across the gallery's spaces, to experiment with ideas of physical and psychological transformation.

1100 BroadwayDescribed as «not quite a screening, not quite a lecture (but there will be an artist talk)» Good Work Gallery's one - night screening of «Mysteries» presents a survey of Taylor Shields» short videos, excerpts and performances, investigating interactions with physical and virtual spaces using simulations and animations.

Ms. Foeller is just one of several gallerists who have been forced or opted out of their physical spaces by the economics of an art market that favors large dealers who can afford costly art fairs — where many collectors find it more efficient to buy these days — and prime gallery real estate.

As an extension of the exhibition program going beyond the physical gallery space, Sanat's publication wing also publishes monographs focusing on the art practice of important artists from Pakistan.

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

During its duration, the actual structures or containers intrigued me — the physical boxes holding the archive and the various architectural spaces that the centre had occupied over its history; it had moved 5 times.The piece I included in the final exhibition of our investigations was a one - to - one scale photograph compiled of all the sides (inside and outside views) of one of the programming boxes, mounted on the gallery floor.

You're right that we do a lot of exciting things outside the physical gallery space.