Sentences with phrase «pictographs from»

Her drawings» loosely Surrealist forms recall dense pictographs from a variety of cultures, ancient and modern.

The Fontein and Quadirikiri caves are also located nearby, showcasing the beauty of natural rock formations as well as some early pictographs from European settlers.

Like pictographs from an alien world, some of Earth's earliest animals appear as subtle marks on Newfoundland's Mistaken Point

Not exact matches

When he asked experts about the fifth, they explained that it, too, bore artwork, though the pictographs were not visible from the path he had followed.

However, the pictograph for the soybean, which dates from earlier times, indicates that it was not first used as a food; for whereas the pictographs for the other four grains show the seed and stem structure of the plant, the pictograph for the soybean emphasizes the root structure.

Pictographs offer an escape from that kind of precise drawing.

In most cases, it is readily apparent from my students» pictographs whether or not they comprehend the significance of the term.

(Ask students to explain how a tipi picture would be different from a tipi pictograph, for example.

An example of one such addition requires students to «translate information from one type of display to another (table, chart, bar graph, or pictograph).»

You may also know Gottlieb from work in the preceding decade, for which he coined the label pictographs in 1941.

Archer (1951), a work which shows the transition from the pictographs to the imaginary landscapes, keeps residual regulations of the formerly divisive lines, but these are now placed randomly on the canvas.

From his pioneering, mid-century figurative studies that are as formidably primitivistic as the early works of Jackson Pollock and Willem de Kooning or the pictographs of Adolph Gottlieb, he progressed to his luminous color - field canvases.

(From Heat Waves in a Swamp or... «the healthy glamour of everyday life», Texts by Robert Gober, assisted by Becky Kinder) Reanalysis of Church Bells Ringing, Rainy Winter Night shows more fully how Burchfield used his newly developed symbolic pictographs to illustrate not only his childhood fears but also his adult distaste for religious zealotry, provoked by a Presbyterian Sunday school teacher, his evangelical grandfather, and the example of his late, unreligious father

The pictographs of the San Luiseño tribe are maze - like images adapted from Christian imagery into «spider boxes,» which are designed abstract drawings and used in Shamanistic practices.

The challenge of where to put the color led him to move from pictographs and Abstract Expressionist reference to a percolating grid, metaphorically hanging his sheets of light - filled color on a spatial laundry line.

Breaking away from Avery's influence, he painted a series of pictographs, gridded compositions studded with mysterious faces, eyes, and abstract motifs.

Starting out from purely graphic marks, he developed a kind of meta - script in which abbreviated signs, hatchings, loops, numbers and the simplest of pictographs spread throughout the picture plane in a process of incessant movement, repeatedly subverted by erasures.

Everything: drawing, painting, language from vulgate to Olympian, mathematics, pictographs, architecture, writing in tongues, the body, the war between the sexes, myth and history, and nature, especially the sea.

In 10 canvases from 2010 and 2011, the pictographs and their fields of symbols return, but in altered states.

Beginning in 1941 he began painting «pictographs» which incorporated biomorphic abstractions inspired by archetypal imagery drawn from the subconscious.

Boasting over 250 drawings, paintings, sculptures, and monumental works (not to mention documentary photographs, films, and plenty of Pop Shop memorabilia), this thematically organized exhibition ascribes Haring's iconic pictographs to diverse political causes — from AIDS awareness to nuclear disarmament.

Chinese writing evolved through the development of pictographs (which depicted objects) or ideographs (which represented abstract notions) and the bronze sculptures from the artist's series Sages» Sayings derive from these ancient forms.

From Terry Svat's work that is a reminiscent of Lascaux cave pictographs by creating the idea of packing up, moving on, a new freedom, Pauline Jakobserg and her constructing narratives that confront cultural memories, Felisa Federman depicts nature connected with folk legends, Miguel Perez Lem landscapes evoking the grandeur of the Andes Mountains and Nancy Nesvet beautifuly paints the threatened future of glaciers and wildlife.

Although the incorporation of the grid has been seen before from Attic Vase painting to Mondrian's paintings, Gottlieb's Pictographs differ in the artist's arbitrary use of choice and imagery.

Adolph Gottlieb Pictographs: A Selection from the Adolph and Esther Gottlieb Foundation, M. Knoedler & Co., New York, March 12 — April 4, 1998.

traces the continual and deliberate evolution in the artist's work from his early to late career and reveals Gottlieb's constant willingness to reevaluate his paintings throughout his lifetime.The eleven works on view, created between 1948 and 1972, focus on three specific series: the Pictographs, the Imaginary Landscapes and the Burst paintings.As Lilly Wei writes, «All three serve as deeply meaningful touchstones, sometimes serious in intent, other times playful, to which he returned to time and again, in one formulation or another, all his life.»

Adolph Gottlieb Pictographs: A Selection from the Adolph and Esther Gottlieb Foundation, Meredith Long & Company, Houston, April 16 — May 30, 1998.

The first exhibition in ten years devoted to the Pictographs of Adolph Gottlieb (American, 1903 - 1974) will be on view at PaceWildenstein, 32 East 57th Street, New York from October 29 through December 23, 2004.

Featuring important museum loans, the exhibition showcases the extraordinary diversity of Gottlieb's work, from his early Pictograph paintings to his iconic Burst series.

Spanning from Johns's early gridded and layered numbers of the 1960s to the 2010 etching and aquatint Fragment of a Letter — based on an excerpt of a van Gogh missive and rendered in both stenciled type and American Sign Language pictographs — these puzzles compose a half century's exploration of the complexities not just of image making but of representation itself.

Early in the 1940s Gottlieb developed his pictograph style, in which cryptic forms, often derived from mythology and primitive art, were used in a rectilinear, gridlike pattern.

Gottlieb developed his expressionist paintings, or pictographs, with influences from the 1930's surrealism and encounters with Indian lifestyle and symbolism he had made when living in Arizona, USA.

The results of his experiments manifested themselves in his series «Pictographs» which spanned from 1941 - 1950.

The word «pictograph,» a hybrid derived from Latin and Greek (pingere, to paint; graphien, to write), refers to the representation of an idea by a pictorial symbol.

His paintings contain relatively complex shapes suggestive of animate or inanimate forms; Philip Guston (1913 - 80), who had his own highly personal variation, sometimes called «Abstract Impressionism», from which he moved on to a more expressive style in the late 1950s; Adolf Gottlieb, a close contemporary of Clyfford Stills, exploited Surrealist imagery in the 1930s but was also deeply interested in American Indian Art and from this he developed in the 1940s his so - called «Pictographs» characterised by very Freudian imagery.

Philip Guston developed his own version, often called «Abstract Impressionism», while Adolf Gottlieb was deeply interested in Native American Art from which he developed his so - called «Pictographs».

Closer to home, Paul Arthur famously designed «pictograms» or «pictographs» for Expo 67 to help visitors from all over the world navigate.