Sentences with phrase «pictorial history»

From the portfolio Harper's Pictorial History of the Civil War (Annotated).

Kara Walker: Harper's Pictorial History of the Civil War (Annotated) includes 15 lithographs and screenprints from the artist's 2005 series of the same name.

The exhibition Emancipating the Past: Kara Walker's Tales of Slavery & Power presents three narrative portfolio series, executed in print — The Emancipation Approximation (1999 — 2000), Harper's Pictorial History of the Civil War: Annotated (2005), and An Unpeopled Land in Uncharted Waters (2010)-- accompanied by single works that underline Walker's employment of Antebellum and Reconstruction - era imagery and themes.

Conjured by the artist, these figures embrace European pictorial history while presenting coolly contemporary imagery.

EXHIBITION: «Kara Walker: Harper's Pictorial History of the Civil War (Annotated)» @ Smithsonian American Art Museum Opened Oct. 13 The exhibition presents a series of 15 prints by Kara Walker inspired by the two - volume Harper's anthology published in 1866.

The exhibition presents three of KARA WALKER's narrative portfolio series, «The Emancipation Approximation» (1999 — 2000), «Harper's Pictorial History of the Civil War: Annotated» (2005), and «An Unpeopled Land in Uncharted Waters» (2010).

The exhibition presents three narrative portfolio series, executed in print — The Emancipation Approximation, Harper's Pictorial History of the Civil War and An Unpeopled Land in Uncharted Waters.

The exhibition Emancipating the Past presents three narrative portfolio series, executed in print — The Emancipation Approximation (1999 — 2000), Harper's Pictorial History of the Civil War: Annotated (2005), and An Unpeopled Land in Uncharted Waters (2010)-- accompanied by single works that underline Walker's employment of Antebellum and Reconstruction - era imagery and themes.

Harper's Pictorial History of the Civil War (Annotated): Confederate Prisoners Being Conducted from Jonesborough, 2005

Durham artist shirlette ammons, drawing from her perspective as a North Carolina native, African American and queer artist, performs in the Incubator Gallery featuring Kara Walker: Harper's Pictorial History of the Civil War (Annotated).

Thomas F. DeFrantz, professor and chair of Duke's African and African American Studies Department, and SLIPPAGE presented an exhilarating performance of a dance duet in response to Kara Walker's Harper's Pictorial History of the Civil War (Annotated) prints.

They reflect on the pictorial history of vanitas and evanescence, the concept of absence in the visual present or the topic of «digital obsolescence» in today's post-digital living conditions.

Kara Walker, Alabama Loyalists Greeting the Federal Gun - Boats, from Harper's Pictorial History of the Civil War (Annotated)

Detail of «Exodus of Confederates From Atlanta» from «Harper's Pictorial History of the Civil War (Annotated),» 2005 (15 offset lithographs and screen prints on Somerset textured paper) by Kara Walker.

Spanish Masters of the second half of XXth Century Centro del Carmen, Valencia The Yera Collection, initiated by Mariano Yera in 1999, covers more than half a century of Spanish pictorial history through 150 works by 63 different artists, whose quality make this an unmissable exhibition.

Each bore clear references to his own pictorial history.

Highlights include Kerry James Marshall's Dailies from Rythm Mastr (2010), Kara Walker's Alabama Loyalists Greeting the Federal Gun - Boats from Harper's Pictorial History of the Civil War (Annotated)(2005), and Renee Cox's Chillin with Liberty (1998).

Works from Cindy Sherman's «Untitled Film Stills» (1977 — 80) are so out of place as to be simultaneously distracting and forgettable, and selections from Kara Walker's Harper's Pictorial History of the Civil War (Annotated)(2015) feel entirely extra.

The exhibition includes three narrative series — The Emancipation Approximation (1999 — 2000), Harper's Pictorial History of the Civil War: Annotated (2005), and An Unpeopled Land in Uncharted Waters (2010)-- along with numerous individual works that underline Walker's use of Antebellum and Reconstruction - era imagery and themes.

The Nasher Museum presented Kara Walker: Harper's Pictorial History of the Civil War (Annotated), in the Incubator Gallery as part of The Collection Galleries.

In this unique performance, Thomas F. DeFrantz and SLIPPAGE explore the provocation of Kara Walker's Harper's Pictorial History of the Civil War (Annotated) with shadowplay, dance and image subtraction technology.

This series of 15 prints features Walker's signature black silhouettes layered over illustrations first published in Harper's Pictorial History of the Civil War.

Student Brittany Carlson discuss Kara Walker: Harper's Pictorial History of the Civil War (Annotated)

Kara Walker Exhibit Installation view from the Kara Walker exhibition «Harper's Pictorial History of the Civil War (Annotated).»

Kara Walker, Alabama Loyalists Greeting the Federal Gun - Boats, from Harper's Pictorial History of the Civil War (Annotated), 2005, offset lithograph and silkscreen, published by LeRoy Neiman Center for Print Studies at Columbia University, New York.

Art in Our Times: A Pictorial History 1890 — 1980, New York: Harry N. Abrams, 1981, p. 460.

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For American history buffs, Derek Hayes» The Historical Atlas of the United States is a dream come true: It's a detailed pictorial history of America's ever - evolving political and cultural byways and boundaries.

She has a pictorial history of Kevin Bacon, master of the transition from elfin boy to good - looking man without adding bulk or facial hair.

This poignant and heart - warming pictorial history, created by her daughter, tells the story of Burrey's service — and the story of the war.

The supplements consist of a 28 - minute HBO First Look special, A Pictorial History of the Makin» of the Movie Maverick, that's done in the amiable fashion of the film itself.

-- A Pictorial History of the Movie Musical by John Springer Reviewed by William K. Everson

Pictorial History of the Jewish People.

«I bought six books» — Swift opened his bag to reveal Christie's Football Memorabilia and A Pictorial History of Manchester United — «and I've left a list of six other books for them to order.»

At the Whitaker - Jaynes House, visitors can tour an extensive museum displays including items from the Lynx Women's Softball Team from the 1940's, a wedding dress display, a pictorial history of Buena Park's entertainment venues as well at the Dreger Clock and various photos of the famous clock throughout history.

Not exact matches

Flat, blank facades on buildings conceived as commodities — or just oddities — rather than works of civic art; flat modernist pictorial abstractions; the flattening of cultural history into pseudo-history packaged as what Henry dismissed as «applied sociology» — all spoke to him of something far more ominous, the abasement of man and the crude negation of his proper relationship to nature as embodied in the great tradition.

There are myths which are pictorial explanations of certain facts in history.

The Buffalo & Erie County Public Library is partnering with the U.S. Postal Service — WNY Region, to offer stamp collectors and history buffs a special pictorial postmark commemorating the President Lincoln Funeral Train route.

Current studies include the structure of pictorial space throughout the history of art, particularly the dramatic emergence of geometric perspective in the 15th century.

«Mudbound» begins in the pictorial elegance of Terrence Malick's transcendental American wonder and progresses through, like the bulk of our nation's history, the grim realities of hate, ignorance, and violence.

Roundup Press specializes in publishing pictorial aviation history books.

Whales fill a big part of Eden's history and no visit is complete without visiting the Killer Whale Museum which is home to numerous pictorial displays, full sized artifacts, television presentations and the authentic skeleton of «Old Tom» leader of a killer whale pack in 1929.

It is through Courbet, the specific artist, the Harmonian demiurge, that all the figures partake of the life of this pictorial world, and all are related to his direct experience; they are not traditional, juiceless abstractions like Truth or Immortality, nor are they generalized platitudes like the Spirit of Electricity or the Nike of the Telegraph; it is, on the contrary, their concreteness which gives them credibility and conviction as tropes in a «real allegory,» as Courbet subtitled the work, and which, in addition, ties them indissolubly to a particular moment in history.

Pictorial abstraction is a genre with a long history and painters have had their reasons for choosing to work within its constraints.

Though he is especially known for his seminal books on Marcel Duchamp such as Pictorial Nominalism and Kant after Duchamp, this time around he set out to revisit the history of Modernist painting which Hilma af Klint is belatedly entering.

He aims to bring painting into conflict on several fronts at the same time — with its own history, with its clichés, and with the ubiquitous power of the pictorial languages of advertising and pop.

This does not mean that my work is tied only to the tangible world, on the contrary, I am also very much connected with supercharged imagery that I create, extremely expressive pictorial forms, experimentation, history and the present.

The encounter between geographies, disciplines and histories at the core of Meppayil's work prompts what Benjamin H.D. Buchloh identifies as «a latent desire to leave behind the parameters of pictorial space and its supporting surfaces, reaching for an ultimate sublation of the painterly rectangle in a numinous architectural space.»

Her own work challenges these boundaries, as seen in her solo show Revenge, featuring consecutive paintings of black women protagonists and memorials to the horrors of the transatlantic slave trade, at Rochdale Art Gallery and the South Bank Centre, London, in 1992, which contested the pictorial narratives so frequently repeated in art history.

The scene is a highly edited and compressed account of pictorial abstraction's evolution, familiar from university art history modules on the subject.