Sentences with phrase «pictorial language from»

Auerbach inherited a pictorial language from Bomberg, which focused on a concern for the tangible surface.

(1910 - 1962) American, yet imbued with visual culture of Europe, Franz Kline exemplifies the development of pictorial language from a figurative form that derives from Rembrandt and the other great masters whose work he knew well from visiting European museums, to abstraction.

Not exact matches

As Walter L. Nathan has observed, the art rejected by these three church fathers was not the «entirely new pictorial language» of a mature Christian art but the Christian art of their time, which had «borrowed freely» from the late classical pagan tradition.

Bultmann regards the pictorial language which the New Testament uses about the cross as a mythological expression of the truth that the believer has been delivered from sin.

Inadequate as they are, subject to modification from time to time, needing correction and supplementation, our various human languages (verbal and pictorial, aural or graphic) are both necessary for us and useful to us; they help to make sense of, and they help to give sense to, the richness of experience and the given - ness of the world as we observe and grasp it.

• count to and across 100, forwards and backwards, beginning with 0 or 1, or from any given number • count, read and write numbers to 100 in numerals; count in multiples of 2s, 5s and 10s • given a number, identify 1 more and 1 less • identify and represent numbers using objects and pictorial representations including the number line, and use the language of: equal to, more than, less than (fewer), most, least • read and write numbers from 1 to 20 in numerals and words • read, write and interpret mathematical statements involving addition (+), subtraction -LRB--) and equals (=) signs • represent and use number bonds and related subtraction facts within 20 • add and subtract one - digit and two - digit numbers to 20, including 0 • solve one - step problems that involve addition and subtraction, using concrete objects and pictorial representations, and missing number problems such as 7 =??

In 2007, painter Sanford Wurmfeld wrote that Jones «looks afresh for ideas - ideas that are pure color and form... For him it is a visual language from which arises pictorial events to be savored.»

Showing work made over this expansive time period will offer an insight into Hodgkin's relationship to India while also revealing the evolution of his pictorial language — from the figurative work of the 1960s through to the dynamic, gestural style of recent years.

Aquavella's knock - out exhibition of judiciously selected works from the 1940s through the early 1960s illuminates the philosophical roots of his pictorial language.

His lyrical and ebullient pictorial language drew from archaic sources, as well as the drawings of children and contemporary art movements such as Cubism and Tachisme.

Working in mediums and formats that range from watercolor to oil to books to murals, Clemente's pictorial language draws upon William Blake and Allen Ginsberg in addition to his nomadic travels throughout India, New Mexico, and Jamaica.

He turned the structure of pictorial space on its ear and expanded the language of gesture by trading in the brushwork of Abstract Expressionism for decorative switchbacks drawn from the needle of an industrial sewing machine... The Shields avatar continues to influence the work of contemporary artists ranging from Jessica Stockholder to Jim Lambie to Lauren Luloff, and his aesthetic reach is one that crosses platforms, mediums and milieus.»

Having spent 10 years studying traditional ink painting under a Chinese master in Chongqing, China, Verdier has since created an iconic pictorial language that merges these traditional painting techniques with influences from Western art history.

Taking his cues from artists as diverse as Pablo Picasso, Henri Michaux, and Christopher Wool, Feaster seeks to advance the language of abstract painting through the use of an ever - expanding lexicon of material effects, marks, and erasures, entreating the viewer to participate in a disjointed narrative that warps the experience of pictorial space, light and action.

This piece — from a series that was exhibited at Higher Pictures gallery last year — captures Feinstein's pictorial wit and tendency to mix visual languages in electrically charged combinations.

Max Hermann Mahlmann returned from the war and found his constructive pictorial language in Hamburg in the 1950s.

A self - taught artist, Khakhar developed a sophisticated pictorial language and vibrant palette which «was infused with his deep knowledge of art from South Asian and European sources.»

Absent from the group of artists invited to show their works were the painters who, since the mid-1930s, had taken the first steps toward a new pictorial language, bolstered by the art of the past and at the same time turned toward Abstract Expressionism.

CIMA's installation focuses on the artist's rarely seen works from the 1930s — the decade when Morandi reached full artistic maturity and developed his distinctive pictorial language.

As the artist himself has said, «You can't invent a painting from scratch; you are working with an entire tradition... The pictorial language of the 20th century, from Kurt Schwitters's collages to Jackson Pollock's drip paintings, makes up a range of possibilities that I utilise in order to create a transhistorical figurative painting — a painting of the image as such, of representation» (A. Ghenie, quoted in «Adrian Ghenie in Conversation with Magda Radu,» Adrian Ghenie: Darwin's Room, exh.

By reducing the obligatory details, especially the background, in favor of speed of execution on a large - scale format (which he gleaned from Abstract Expressionist painting), and by maintaining simplicity of form (distilled by the artist for the sake of observational necessity long before the emergence of minimalism), Katz was able to bring abstraction and observation, simplicity and speed into his singular pictorial language.

Inspired by the contour of a favorite chair from her childhood, in combination with a sand painting she recently found in a garage sale, the sculptures explore positioning in space, and real vs. illusory depth, as well as pictorial language in general.

He develops his pictorial language by assembling and layering found images from diverse sources such as magazines, monster fanzines, art books, and film publicity, and equally from a fund of forms whose origins, even if not directly referential, derive from American Surrealism.

Ergo, each work is a part of a personally rich tapestry; sewn from the threads of a childhood steeped in rural folklore, and profoundly accented with the pictorial strategies from historical sources as varied as European medieval sculpture, gender, mythology, and the language of dreams.

A colorful & surreal war with a «unique pictorial language» he claims to have developed on his own from his personal experiences of growing up in Baghdad under Saddam Hussein's regime.

In the 1950s, still in the wake of the oppressive experiences of wartime and in distinction from the gestural painting of Europe's brand of abstract expressionism, art informel, ZERO consciously elaborated a monochrome pictorial language suffused with light.

The images challenge the notion of how to make a line or create a new posture for flattened space or abstract composition, swivelling from geometry to gesture, propelling representation and language into abstraction, exploring pictorial edges and boundaries as well as the constitutive or disruptive role of blank space,.

Although he borrowed elements from a number of abstract art movements, he developed his own pictorial language.

The exhibition focuses on the artist's rarely seen works from the 1930s — the decade when Morandi reached full artistic maturity and developed his distinctive pictorial language.

Maybe the shift from figuration to abstraction is tied up with a mounting mistrust of language as a description of the «real» world and a consequently increased emphasis on spontaneity at the expense of complex and specific pictorial space.

He turned the structure of pictorial space on its ear and expanded the language of gesture by trading in the brushwork of Abstract Expressionism for decorative switchbacks drawn from the needle of an industrial sewing machine.

Informed by his multidisciplinary approach, Grenier has integrated a meticulous crafting of color and pictorial space with a deft understanding of diagrammatic language sourced from architecture and design, management strategies, and theory.