Sentences with phrase «pictorial methods»

These pictorial methods record knowledge and model systems, and have a long history in learning, brainstorming, memory, visual thinking, and problem solving by educators, engineers, psychologists, and others.

A true believer in technology's aesthetic potential, he is intent on reinventing traditional pictorial methods — specifically, painting and drawing — by using the computer's capabilities and limitations to turn ordinary, Pop - inspired objects (video games and their characters, computer cables, screens, Apple Quick - Take cameras, etc.) into motifs but also stylistic models, painting them as if seen on - screen.

Instead he has chosen to self - consciously revisit the aesthetic innovations and pictorial methods for which he became renowned.

This resource is for children to show their understanding of adding 2 digit numbers using apparatus or concrete pictorial methods.

«I am trying to create something that embodies or dramatizes the kind of psychic space that exaggerates certain ideas and experiences,» Casebere says, describing his pictorial method, a strategy in which the models exemplify what might be characterized as the architectural unconscious of a given spatial system.

Adams eventually rejected the pictorial method for a more realist approach which relied on sharp focus, heightened contrast, precise exposure, and darkroom craftsmanship.

Not exact matches

Because mastery isn't a «one size fits all» teaching method where progress is guaranteed as long as you adhere to the «Concrete — Pictorial — Abstract» (CPA) model, and it certainly isn't the case that a whole class Singapore - style teaching model alone leads to good progress for all.

Bar modeling is a powerful pictorial technique that results in one answer, deduced by using mathematical principles that students have learned rather than by employing the haphazard trial - and - error method of Guess and Check.

One of the focal points of the sale was a collection of artists who radicalised traditional methods for making art by pushing the boundaries of the pictorial plane.

Known for her innovative methods that extend pictorial devices used to expand perspective into three - dimensional space, Al - Hadid opens new terrain for contemporary sculpture while simultaneously recovering influential visual histories.

With the Exotic Birds, in the words of William Rubin, «we enter fully into Stella's «second career,»» a transition that was «radical on the levels both of method and of pictorial language.»

In the years before the mid-1980s art market boom, Schnabel forged a pictorial language that embraced unconventional methods and materials with a visceral effect; he introduced to the American contemporary art scene a particularly European post-war sensibility through his admiration for Francis Picabia and his personal artistic dialogue with Sigmar Polke and Blinky Palermo; and he broke with the prevailing conceptualism through figuration, personal narratives and references to history and mythology.

Music emerges as a real metaphor of his work method, where contamination and rhythm, improvisation and repetition, density and harmony of sounds become pictorial gestures.

Much of the work is influenced by painting yet emphasizes its objecthood by using methods of presentation that reduce its spatial and pictorial implications.

Known for her innovative methods that extend pictorial devices used to expand perspective into three - dimensional space, Al - Hadid opens up new terrain for contemporary sculpture while simultaneously recovering influential visual histories.

Thus was «Pittura Analitica» born 1974, identifying an exclusive number of European painters who worked on a limited number of themes: the creative process, the operative method, the choice of materials, the role of the spectator, the absence of autobiography, the lack of references to any pictorial tradition, the importance of seriality.

Under his guidance she learned the pictorial language of cubism, while also absorbing a formalist method of analyzing pictorial structure and evolving a deep and abiding respect for the old and modern masters of the history of art.

Ri's working method is experimental in that he appropriates these traditional motifs and composites them freely in his pictorial landscape.

American - born artist Ben Jones» work investigates new methods of pictorial storytelling in the digital age.

Although the six artists in this installation — Walead Beshty, Daniel Gordon, Leslie Hewitt, Carter Mull, Sterling Ruby, and Sara VanDerBeek — represent diverse points of view, working methods, and pictorial modes ranging from abstract to representational, their images all begin in the studio or the darkroom and result from processes involving collection, assembly, and manipulation.

Music has played a central part in the artist's output, serving as a metaphor for his method of working in which fusion and rhythm, improvisation and repetition, and density and harmony of sounds are turned into pictorial gestures.

Jones, a member of the East Coast Art Collective, Paper Rad, has received recognition with an impressive exhibition, performance, and publication record for what is described in the press release for his solo exhibition The New Dark Age at Deitch Projects in New York as, «between - media video sculpture, light painting, and «drawing in the digital age»» that «explores new methods of pictorial storytelling...»

The paintings in this series are produced using the classical oil painting methods and materials of the Old Masters — successive layers of warm and cool black pigment glazes varnished to a highly reflective surface resulting in a profoundly deep pictorial space.

Because of his working method, with the paper flat on a table, he could never really see how the picture turned out until it was framed, which makes his vertiginous, highly expressive use of pictorial space all the more impressive.

Beyond purely pictorial values, the basic rationalism of his method and the mood of ideal calm in his paintings have certain moral implications; they seem to embody an underlying ethical belief in the rational principle which governs the world of artistic form and natural life.

So although Riley was arguably 12 - 13 years behind Vasarely, and 40 years behind the Dutch graphic Op artist M.C. Escher (1898 - 1972), she appeared to be the new pioneer of an entirely new method of pictorial representation, which revolutionized the power of the picture plane.

This segmented compositional method was favored briefly among New York painters following influential exhibitions held at MoMA in the early 1940s that concentrated on Pre-Columbian and Native American pictorial conventions.

Since his first solo exhibition at Mary Boone Gallery in 1979, Schnabel has forged a singular pictorial language that embraces unconventional methods and materials.