Not exact matches
Well educated in the
pictorial tradition of art history, Sprick's influences reach back to Northern European masters
such as Robert Campin and Rogier van de Weyden, admiring their ability to render a convincing look at invisible realms and otherworldly occurrences.
Transcending and merging their cultures» printmaking
traditions, these artists too moved «beyond East» and «beyond West, «Japanese
pictorial traditions, including expressive sumi - e brush painting and Zen calligraphy, the use of un-sized supports, and ukiyo - e printing, inspired artists
such as Sam Francis, Helen Frankenthaler, Willem de Kooning, Joan Mitchell, and Robert Motherwell and influenced their development as Abstract Expressionists, American ceramists Gertrud and Otto Natzler, Glenn Nelson, and William Wyman looked to Zen - inspired ceramics.
As the artist himself has said, «You can't invent a painting from scratch; you are working with an entire
tradition... The
pictorial language of the 20th century, from Kurt Schwitters's collages to Jackson Pollock's drip paintings, makes up a range of possibilities that I utilise in order to create a transhistorical figurative painting — a painting of the image as
such, of representation» (A. Ghenie, quoted in «Adrian Ghenie in Conversation with Magda Radu,» Adrian Ghenie: Darwin's Room, exh.
Working within the
traditions of artists
such as Philip Guston and Robert Ryman, Lasker focusses his efforts on reimagining
pictorial ideas within the material constraints of painting.