Sentences with phrase «pictorial worlds»

The invited artists not only find inspiration for their pictorial worlds in the rapid developments taking place

The pictorial worlds of the artist, whose primary motivation was always self - representation in the sense of the visualization of a personal, albeit fragile, self - image, revolve again and again around this love triangle and the resulting emotional entanglements.

Often combining painting with large - scale installations, Majerus's complex pictorial worlds include quotations from artists like de Kooning, Warhol, and Basquiat, as well as song lyrics, brand logos, video games, cartoons, and magazine covers.

The pictorial worlds on canvas or paper are strongly influenced by Pop Art, though she in fact developed her own subjects and visual vocabulary, which she then pursued for a further 30 years and realized using different media.

The Swiss artist Paul Klee also responded to this challenge: the almost 10,000 works he created in the course of his career include exciting examples of the development of abstract pictorial worlds and of the processes of abstraction in painting.

Titled «Questioning Reality — Pictorial Worlds Today,» the exhibition provided what is perhaps the most exhaustive account of pictorial photorealism, gathering the art of American Photorealists Robert Bechtle, Chuck Close, Robert Cottingham, Don Eddy, Richard Estes, Ralph Goings, Howard Kanovitz, Malcolm Morley, John Salt and Ben Schonzeit.

«Since the late 1990s, this Swiss artist (born 1970 in Schaffhausen, lives and works in New York) has produced quotation - rich works, which refer back to the imaginary visual memory of the West and its pictorial worlds.

Against the backdrop of these questions, the group exhibition presents pieces by artists who have grown up with the Internet as well as those produced by an older generation and brings together works that explore, unclose and question pictorial worlds in addition to ultimately creating individual original works with the tools of the digital cosmos.

Farah Atassi creates real pictorial worlds through a re-reading of the notions of perspective and an overabundance of geometric patterns.

The result is a stable, pictorial world.

As they gain aptitude for sequential and logical thought, their most vital asset remains the ability to be fully at home in the pictorial world of imagination.

It is through Courbet, the specific artist, the Harmonian demiurge, that all the figures partake of the life of this pictorial world, and all are related to his direct experience; they are not traditional, juiceless abstractions like Truth or Immortality, nor are they generalized platitudes like the Spirit of Electricity or the Nike of the Telegraph; it is, on the contrary, their concreteness which gives them credibility and conviction as tropes in a «real allegory,» as Courbet subtitled the work, and which, in addition, ties them indissolubly to a particular moment in history.

N O C T U R A M A recalls the eponymous album by Nick Cave & The Bad Seeds, released in 2003, whose hypnotic and melancholic power as well as its well balanced intonation of loud and soft sounds — or dark and bright colors — create a link to Heichel's pictorial world.

As spectators, we can take special pleasure in entering the pictorial world of an artist, and letting ourselves get carried away by the mood.

Both Rhapsody and In the Garden are simultaneously a pictorial world unto themselves and a foreshadowing road map of future projects in her career.

From 2 October 2014 until 11 January 2015 the Schirn Kunsthalle Frankfurt presents the bold pictorial world of Helene Schjerfbeck, Finnish Modernism's most important woman artist.

And while Roy Lichtenstein's Look Mickey (1961), his near - faithful reproduction of a Mickey Mouse and Donald Duck cartoon strip, was basically formalist commentary (produced as Lichtenstein had grown weary of the spiritual grandstanding of Abstract Expressionism), and from our contemporary list of artists, Housley's repeated use of the Snoopy and Woodstock motifs are receptacles for the artist's process - based experiments in the possibilities of paint; many of the artists working with toons seem to be engaging in the opposing struggle to pull the characters out of their own pictorial world and into our own.

One of the twentieth century's greatest Modern artists, Miró created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane.

Her works highlights painting's ongoing currency and — in their unusual combination of charcoal, pastel, acrylic or oil paint — conjure a paradoxical pictorial world.

Not exact matches

Indeed, as early as Origen in the third century it was being pointed out that we must not think of the Ascension as a movement in space; and in fact Luke seems to have translated into mythical form, i.e. a pictorial narrative, the universal belief of the early Church that Jesus has ascended to the throne of God, not in a physical manner but in the sense that he has been exalted to Lordship over all the world.

God adapts to what goes on in the world through creaturely decision — the Bible portrays this in pictorial fashion, time and again — and values those decisions and can use them.

A more pictorial and naturalistic but no less conceptualized variation on this approach is the popular painting by William Holman Hunt, The Light of the World (1851 - 1853), in which Christ knocks at the allegorical door of the heart, waiting to enlighten it with his lamp of truth.

Huffington Post: Religious Holidays 2013: An Interfaith Calendar (Christian, Hindu, Jewish, Muslim And More) Click through the slideshow to see a pictorial religious calendar for 2013 with photographs of celebrations of the world's numerous beautiful and sacred holidays.

In other words, it is to say that we believe that implicit in the pictorial language of the Scriptures and the historical events to which the Bible points and with which its language is concerned, there is a basic view of the world which is grounded in reality itself.

Inadequate as they are, subject to modification from time to time, needing correction and supplementation, our various human languages (verbal and pictorial, aural or graphic) are both necessary for us and useful to us; they help to make sense of, and they help to give sense to, the richness of experience and the given - ness of the world as we observe and grasp it.

There are many illustrations, both pictorial and anecdotal, and examples are drawn from Ager's personal experience in numerous countries across the world.

These articulations, together with allusions to contemporary sun - saturated paintings, the illustrated «girls» stories» of Louise Mack, fairytales and dreams, summon an internalised, Utopian realm that occludes the outside world, and is movingly evoked in the credit sequence, its pictorial timelessness framed by two textual statements of time and place.

These are aimed at telling us how brilliant our world of teaching is and what we mean to the world, and pictorial presentation to emphasize explanations.

A pictorial PowerPoint presentation in simple French about the world's 6 largest French speaking cities.

Shot by Italian Master Photographer, Francesco Carrozzini, the 7 - pages pictorial piece «Beyond the Swimsuit» brings together «day in the life» scenes that befit one of the world's most famous women, Heidi Klum, the Hollywood star with the glamorous Quattroporte Ermenegildo Zegna Limited Edition.

Linking up with Image - in - ing, Monday Escapes, Monday Murals, Pictorial Tuesday, Little Things Thursday, Wednesday Around the World, The Good, the Random, the Fun, Through My Lens, Seasons, Our World Tuesday, Photo Friday, Travel Photo Thursday, City Tripping, Weekend Wanderlust, Faraway Files, The Weekly Postcard, Wanderful Wednesday, Feet Do Travel, Weekend Wanderlust, and Weekend Travel Inspiration.

With more than 150 outstanding colour photographs exploring hauntingly beautiful places over one or two spreads, Abandoned Places is an excellent pictorial examination of worlds that we've left behind.

5 He concludes «the world is awash in visual information... This hasn't necessarily resulted in greater pictorial literacy, but it probably has affected the way we look at art, and the making of art.»

Sarah was entrenched in this pictorial language long before it washed over the art world.

Each painting's blue world, although all of the same color blue and treated in the same way, revealed itself to be of an entirely different essence and atmosphere; none resembled the other, not anymore than pictorial moments and poetic moments can resemble one another.

And the works themselves do not make any obvious gesture toward a pictorial reality within the world.

«Among the wildly disparate features of today's art - world landscape, two modes of pictorial thought with venerable lineages have recently re-emerged: materials - oriented abstract painting, and a linear approach to the investigation of the third dimension that may conveniently be referred to as «drawing in space.»

The movement came to prominence in the years following World War II and is characterized by its focus on gesture and materiality, and its disregard for pictorial representation.

This does not mean that my work is tied only to the tangible world, on the contrary, I am also very much connected with supercharged imagery that I create, extremely expressive pictorial forms, experimentation, history and the present.

My work relates to Cubists and Futurists paintings — in which the natural world is translated into a stark pictorial language of shapes, lines and angles.

Over four decades, Charlesworth investigated the language of images in our culture, dissecting pictorial codes and conventions while drawing attention to the role of photography in mediating our perception of the world.

She explains, «Having run away from seemingly inadequate definitions for abstract painting, I find myself immersed in a relationship that tracks, exchanges, and shreds the world of news, front - page photography, design, and pictorial memory into a subject-less pictorial mash - up.

These distinctive narratives reflect the artist's perception of the real world; her subjective philosophies are expressed via a unique and joyful pictorial language.

Through his distinctive pictorial approach, Erró explores social and cultural contradictions in a world of never - ending consumption.

This watershed period witnessed a flourishing of breakthrough works — such as the present example — in which the artist unfurled a new pictorial language inspired by the natural world and infused with childhood memories of his Armenian birthplace.

«Current Locations» also speaks to these artists» affinity with creating a sense of place (or places): painter Barbara Marks creates voluminous pictorial & interior spaces with her deeply saturated color palette; Elise Church paints intimate environments based on her travels in space in time; Colombian artist, Esperanza Cortés incorporates natural resources and folklore motifs from her homeland as a means of exploring personal identity; Kyle Vu - Dunn sculpts warped «natural» environments to harbor the self; and Viviane Rombaldi Seppey blends world maps (with emphasis on places she's lived) with morbid imagery from traditional medical textbooks.

This exhibition highlights Diana Al - Hadid's unique exploration of art historical references to examine sculptural and pictorial space and convey a world turned upside - down.

Following the developments of Cubist and Futurist painting — in which the natural world was translated into a stark pictorial language of shapes, lines, and angles — Russia was one of the primary breeding grounds of pure abstraction, with Wassily Kandinsky doing much to popularize geometric art before gravitating to the gestural camp in later years.

In contrast to the traditional verticality of the renaissance picture plane, which is dependent on head - to - toe correspondence with the viewer, with his combines Rauschenberg introduced the «flat - bed» plane and in doing so completely reoriented the pictorial surface so that it was no longer representative of a world space, but an analogue of operational processes.

Joyce Yu - Jean Lee: As a cross-cultural Chinese American, I think culturally rooted notions of pictorial space can reveal deeper philosophies, world views, or biases of specific cultures.