Sentences with phrase «picture category did»

Since the film academy expanded the category in 2009, the only time the best picture category did not include a film by a DGA - nominated director was in 2011, when voters passed over David Fincher's «The Girl With the Dragon Tattoo.»

Not exact matches

If «Dunkirk» does pull off the win, it could be a hint to how the night goes, as «The Shape of Water» and «Dunkirk» are up against each other in numerous categories, including best picture.

Each of the statistics in these categories helps create a picture of the performance of the economy and how the economy is likely to do in the future.

Christian is here speaking of the concept «event» as used in Whitehead's earlier works; the term doesn't change its reference in the later works, though it practically drops out of the picture as being a less than ultimate concept (corresponding to the notion of a structured society) which gives way to the category of «actual entity» as the term descriptive of ultimate, concrete reality.

So, yes, while some of the competing recipes do fall into the «semi homemade» category (Sandra Lee, pictured with me above, is going to announce the winner on April 15th), I guarantee that most of the participants in the contest do a heck of a lot more in the kitchen than making up only «semi homemade» recipes.

I welcome these changes and agree with Angie about the art categories being difficult — I make embroidered and appliqué artworks which I guess should be classed as textile art, but I do think textile art is considered by buyers to be more specialised (and also more abstract) than my pictures, which puts me in the strange position of not wanting to call my pictures textile art, as I think people have preformed opinions of what textile art is.

Even if some categories don't change, it would be great for getting a big - picture sense of anti-aging progress.

But don't leave the photo category empty, either: Two - thirds of respondents to the My Life survey reported that they wouldn't date someone without any pictures.

-- Seeing as the category was created especially for me, I think I better do «Pictures»!

All you have to do is let us know your pick as the Best in each of the following categories: Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress and Animated Feature.

But best picture nominees typically don't lose in this category to movies that weren't likewise nominated.

The things we obsessed on — expanding the Oscars» Best Picture category to 10 films to better accommodate blockbusters — now seem like busywork, as do some of the films we obsessed about.

Well, it is the only the sound people who do the nominating in these categories, so I'm sure it will be a focus for those members (the only other category they get to vote in for nominations is best picture).

Why Don't You Play In Hell picked up Best Picture and Best Director in the comedy category.

Last year's Best Picture winner, «Birdman,» was nominated for an Eddie but didn't make the cut in the equivalent Academy Awards category.

Didn't win: The Australian actor narrowly missed out to James Franco on the gong for Best Actor in a Motion Picture Musical or Comedy category

It's a good thing the Best Director category didn't go the way of Best Picture to accommodate more nominees, because this year's campaign has only ever been a three - man race even in its most competitive stages.

The Oscar - tipped Call Me By Your Name also didn't receive any awards, despite being nominated in three categories, all in the drama section: Best Actor, Best Supporting Actor, and Best Motion Picture.

Although it didn't pick up any awards, «Mad Max: Fury Road» had the most nominations with three in the best picture, best director, and best cinematography categories, further solidifying its shaky but continuously recognized position in the awards season race.

It should be noted that the extent of the alignment of the Gothams and the Oscars basically ends after the Best Picture winners; acting categories are approached differently and therefore don't really have the opportunity to coalesce.

Overall, men do better than women across the board in both lead and supporting categories when tied to Best Picture.

Why we're predicting it: Sony Pictures Classics does very well in this category, but can their 3 contenders make it?

The Grand Budapest Hotel, from that tuba - bicycle - riding director Wes Anderson, also did very well, winning best picture in the comedy / musical category.

The first half of the evening promised a Hugo sweep that in fact didn't happen, Martin Scorsese's tribute to the birth of celluloid scooping up five technical awards until the cinematic paean to itself that is The Artist took over in the second half to score five trophies of its own, three of them in the crucial categories of Best Picture, Actor, and Director.

Some felt that the lack of Selma representation, namely in Best Actor and Best Director categories since it did receive a Best Picture nom, spoke volumes about the predominately white demographic of the Academy.

How, for instance, do you have 6 nominees for most categories but only 4 for Best Actress in an Action picture and only nominate supporting actresses for that prize and leave out two leading women who really carried their films with aplomb: Mary Elizabeth Winstead in 10 Cloverfield Lane and Blake Lively in The Shallows.

Not only did «Moonlight's» Mahershala Ali and «Fences»» Viola Davis earn Oscars for their supporting roles — the first time two African American actors won in both supporting categories in the same year — Ruth Negga was nominated for her lead role in «Loving» and Denzel Washington earned his seventh acting nomination plus a shot at best picture as one of the producers of «Fences.»

Either way, the monumentally successful «Star Wars» has to make do with a handful of technical categories, while George Miller's critically beloved but hardly box - office shattering apocalyptic adventure has snagged Best Picture and Director nods among a total of ten nominations.

The Best Picture category is an honor bestowed on the very best that cinema has to offer in the calendar year, and I believe we would do well to remember that this is not a moniker that is exclusive to dramas.

Usually, though, a Best Picture winner will only win Score if a sweep is afoot, and hardly ever does the rest of the time because in years when the Academy spreads the wealth, they seem to divide the films they like along the lines of tech, craft and major categories.

But if they don't — if any of these powerful movies about women get snubbed for best picture, or the women that anchor them get left out of the best - actress race in favor of films that won't make a dent in any other category (I see you, Victoria & Abdul)-- it might be time for a serious intervention.

I'd be surprised if Brühl doesn't get serious awards consideration, especially considering how seemingly sparse this year appears to be so far for this category, and that he's in a movie that may get nominated for Best Picture.

That viewers don't quite know how to receive Hugo is one of the strikes against the film, and may affect its chances in the Best Picture category.

Right off the top, in the Cast in a Motion Picture category, we saw two of the biggest surprises: Oscar Best Picture frontrunner La La Land did not score a nomination.

Non-American films rarely see much glory in the best picture category — The Artist was able to win, for example, only because it didn't contain any foreign language.

While the film did manage to win Best Picture and Best Actress in the Comedy / Musical categories at the Golden Globes, the film failed to receive a Best Director nod there, and also failed to get Best Film and Best Director nods at the BAFTA Awards.

Why: If you think of the writing categories as the ones where Academy voters give consolation prizes to films they like but don't want for Best Picture, then expect to see Jordan Peele on stage early in the evening, picking up the hardware for his feature debut as writer / director.

Amazon also didn't crack the best picture category in 2018, with its hit box office comedy starring Kumail Nanjiani.

They did, however, award the eventual Best Picture winner «Moonlight,» with a sole win in the drama category.

And don't even get me started on who makes sense for what category when it comes to presumptive Best Picture front - runner Spotlight, with the studio apparently pushing everyone in the Supporting categories despite Michael Keaton winning Best Actor from the New York Film Critics Circle and Mark Ruffalo arguably having just as much a say as a lead.

I'd be shocked if AMPAS decided to do the same in other categories to try and capture that same diversity — Selma made it into Best Picture, which is eight films deep.

[Deadline] • Steve Pond does the Oscar math and discovers that fewer than 70 votes will secure you a nomination everywhere except the four acting categories and Best Picture.

Being a Best Picture nominee is always a plus in the writing categories, and it can frequently be a great place to reward a film that doesn't really compute for voters in other fields.

I du n no, AmericanRequiem, considering that they didn't pander to the masses in any of the other categories, I'd say Star Trek for Best Picture is actually a pretty inspired choice.

Consider that while she made history by storming a category that had historically only featured men, Martin Scorsese — whose bloody urban nightmare «Taxi Driver» was up for four Academy Awards, including Best Picture — did not make the cut.

Crouching Tiger managed nominations in all three fields, as did Memoirs of a Geisha (2005) for that matter, and while Memoirs is not a Foreign Language film, its ties to Asia might add a more clear picture to the type of film voters look for in each category.

They've also instituted a diversity mandate which only impacts the British film categories, and not the major categories like Best Picture (although wouldn't that be great if they did?).

But the film does not rise up to his abilities or his work, and he is the only nominee in this category not to star in a Best Picture nominated film.

The real strength of Picture Us In the Light is how deftly Gilbert demonstrates that to have a powerful narrative a book doesn't have to fit neat categories because, after all, whose life does?

And in any case the specification of the categories — given in the picture in the post above — does not indicate that the 50 % figure divides «endorsements» from «rejections».