Sentences with phrase «picture in mind by»

And finally, they also know how to keep the big picture in mind by not overly focus on the negative.

Not exact matches

By building a picture in everyone's mind, your staff will understand who they need to communicate with.

It would have been possible to wait in the bases until the politicians made up their minds, but waiting by the border fence makes for better pictures.

Women in Science: 50 Fearless Pioneers Who Changed the World by Rachel Ignotofsky — This could count as a picture book, I guess — the illustrations are so charming — but it's written with older girls in mind so I tucked it into this section.

I pictured her in a blue dress with a full skirt, though in my mind her dress would be perpetually covered by an apron that started the day a bright white and became more and more bespeckled by the hour.

exactly — people pick and choose bits and pieces of whatever faiths, ideas or memes help them build the picture of their god in their minds, the parts that * feel right *; brick by brick they're just building a spiritual alter - ego of their own selves, we create god in their own image;

This argument is that Paul could not have recognized as Jesus the glorious figure which, according to Acts, appeared to him in his vision on the Damascus road, if he had not already had in his mind such a picture of Jesus as could have been gained only by actual sight.

We need to keep firmly in mind the picture that adorns the Leviathan, and resist our absorption as individuals into the body of the state by retaining deep, abiding, and even primary allegiance to family, locality, and Church.

By this process of negation, emptying Sheol of such positive meaning as it had possessed, the Hebrew mind was driven, even more certainly than it might otherwise have been, to picture hope in terms of physical resurrection out of Sheol.

The Hebrew mind, as represented in the Scriptures, did its thinking in a metaphorical fashion; indeed it might be said that the Jews thought mythologically, if by this word we mean that they thought in pictures and in stories, rather than in abstract concepts and Greek philosophical ideas.

As my explication of and commentary on the text of the Enquiry proceeds, it should become clear that the picture suggested later by The Concept of Nature, a picture that represents Whitehead as dogmatically claiming that»... there is but one nature, namely the nature that is before us in perceptual knowledge» (CN 40), is, however justified by contextual evidence, a distortion by way of an oversimplification of the deliverances of a mind greatly occupied with issues at once subtle and complex.

All of these variations on the picture that God is understood by way of the affections, it may well be said, are a far cry from anything Bonaventure had in mind when he stressed that understanding comes through a love which goes beyond reason.

Think what he meant by imagination is to create a stories of who is GOD connecting things to him... but was not as how to imagine GOD picturing him in our minds which can not be done except by some one that might crack insane any time...!

It's difficult to blame Ozil for the difficulties he's faced at Arsenal without looking at the big picture... like the fans, he too was lied to by Wenger... there is no doubt in my mind that he was told by Wenger that he was trying desperately to recreate our earlier success by acquiring players that fit the system he ran when Henry was in his prime... as we know this hasn't happened... in order for Ozl to flourish he needs some speed up front, forwards that can make intelligent runs, a boss in the midfield to compensate for his obvious defensive liabilities and defenders who can transition from defence to offence quickly and efficiently... much like he had in Real and with the German National squad... unfortunately he ended up on a squad that has a striker who plays with his back to goal, very few intelligent runs into the box, minus Sanchez, no one to take pressure off him in the midfield, once Cazorla was injured, average defensive midfielders around him, which simply highlighted his lacking defensive qualities and defenders who lack the necessary cutting edge when it comes to transitional passing... instead of blaming Ozil, which is simply too easy, especially considering his mopey disposition, we should be asking ownership and / or Wenger why they brought him in if they didn't intend on doing what was necessary to get the best from him... can you imagine Ozil playing with the likes of Henry, Viera, Petit and Pires, it would be incredibly to watch and even more difficult to stop... so the only thing different between his experiences in Real and with the German team versus his time at Arsenal are the players around him and we all know who is in charge of making those decisions, the Grinch who stole soccer

We didn't have television in 1941, so this paragon existed visually for me only in blurry black - and - white newspaper photographs and in the wildly dramatic moving pictures that reeled through my mind on autumn Saturdays as I heard of his heroics via radio play - by - play.

I totally get taking pictures of yourself in front of famous landmarks, or taking selfies with your friends or family, but individual selfies accompanied only by your coffee cup boggle my mind.

In «Stolen Memory,» by Dwayne Godwin and Jorge Cham [Mind in Pictures], January / February 2013, the top sentence in the first panel of the cartoon should read, «One in eight older Americans has Alzheimer's disease.&raquIn «Stolen Memory,» by Dwayne Godwin and Jorge Cham [Mind in Pictures], January / February 2013, the top sentence in the first panel of the cartoon should read, «One in eight older Americans has Alzheimer's disease.&raquin Pictures], January / February 2013, the top sentence in the first panel of the cartoon should read, «One in eight older Americans has Alzheimer's disease.&raquin the first panel of the cartoon should read, «One in eight older Americans has Alzheimer's disease.&raquin eight older Americans has Alzheimer's disease.»

For example, when trying to remember a telephone number, you probably rehearse the number in your mind by repeating the names of the numbers rather than picturing them.

I keep motivated by changing my phone's background picture to reflect my next goal, so it's always in my mind's eye!

The above picture is of a successful single treatment taught in India by the couple to an open - minded hospital staff.

By keeping a picture in your conscious mind a few times throughout your day of the person you want to become, your subconscious has the ability to get you there — only if you believe that it will happen for you.

Regardless of your plus size, if you are included by someone in his or her future plans and definitely created a picture in his or her mind of having you for good, it's a sign that he or she wants you to be part of his or her life.

by Walter Chaw I don't mind historical pictures that aren't historically accurate until that historical inaccuracy — like in U-571, for instance — becomes so fucking retarded that it lowers the temperature of the room.

Although rendered with predictable polish by the digital artists at Lucasfilm Animation Singapore and Industrial Light & Magic, the picture seems to unfold not in a coherently realized fantasy world, but rather at some sort of grotesque interspecies convention where Lucas and his collaborators have taken every conceivable character type that came to mind — goblins, imps, talking mushrooms, etc. — and plopped them down in front of the same meticulously detailed forest backdrop.

If you believe that teachers need to use cooperative learning, mind maps, or lesson framing, then help teachers by first stating that is what you want, and then focus training in faculty meetings on those things so teachers have a clear picture of your vision.

Now, it's looking like the nameplate will expand to include either a pumped - up go - faster GTS model, or an efficiency - minded plug - in hybrid, as previewed by the above - pictured teaser image.

The film - goer or the reader MUST be gripped by your stripped down version of a story and their minds fill in the gaps to paint a picture in their minds that can be rich and satisfying.

Science minded and fascinated by facts, Suzy is intellectually able to see the big picture but limited in her life experience.

«Many of her other books have been cited as Notable Books by the American Library Association, including «Come Sunday,» a picture book in verse; «Something on My Mind; «and «Meet Danitra Brown,» which also won a Coretta Scott King Honor.

MY heart is set on getting another picture book published by the Phsycological Assoc the Magination press so I will query them with the manuscript I have in mind but the next picture book?

By Jane Killion Puppy Culture Complete Article with Pictures and Video's: Click Here Strong Minds in Strong Bodies Exercise not only builds the puppies» bodies, it helps build their mMinds in Strong Bodies Exercise not only builds the puppies» bodies, it helps build their mindsminds.

Doubts grow in my mind as to whether I have arrived on his private property or insulted him by taking pictures of what appears to be a village beyond the brush.

Each stage introduces a new twist into the mix in order to keep the simplistic central mechanics feeling fun and fresh, such as pitch black sections illuminated by lightening that forces you to either wait for the flashes or picture each jump in your mind.

Developed and published by Lightwood Games who recently brought Pic - a-Pix Deluxe to the Nintendo Switch and featuring puzzles by Conceptis, Link - a-Pix Colour, is a «clue - linking puzzle game where every grid has a picture hidden inside» and to reveal said puzzle, you will need to fill in the given puzzle grid wherever possible by linking together numbers of the same colour, It's a straight up concept that we have seen time and time again in recent years, as one such example that springs to mind is Score Studio's Piczle Lines DX, which came out on the Nintendo Switch last year and it's really not worth comparing the two, as it is an unfair fight.

In more abstract works by Yayoi Kusama, Adriana Varejão, and Nicholas Hlobo, embellished surfaces are designed to engage the mind while leading the eye on an orchestrated journey around the picture plane.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstIn the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

What we are trying to do is create a situation — a window — by which people can take a look and make a linkage or some kind of picture in their minds as to the what and the why of that time.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

Initially, her interest in landscape used an idea of architecture to provide the structure — an earlier series was inspired by Italo Calvino's «Invisible Cities» while other pictures include tiny landscapes, which call to mind Vermeer's «View of Delft».

Unseen Warhol, (contributor), Rizzoli, 1996 Rizzi, John Szoke 1997 Glamour, Style, Fashion: The Warhol Look, Andy Warhol Museum, 1997 Blank Generation Reviseted: Early Days of Punk Rock, Schirmer, 1997 SOAPBOX: Essays Diatribes Homilies and Screeds 1980 - 1997, Imschoot, 1998 Artist / Author: Contemporary Artists Books, (contributor), DAP, 1998 Basquiat, Tony Shafrazi Gallery, 1999 The Style Guy, Ballantine Books, 2000 Human Nature (dub version), 2001, Greybull Press Anh Duong, Assouline, 2001 People After Dark, Roxane Lowit, (introduction,) Assouline, 2001 New York Beat, Petit Grand, 2001 New York Expression, Bergen Kunstmuseum 2002 Photographs of Ron Gallela, Greybull Press, 2002 Tom Sachs: Nutsy's, Guggenheim Museum, 2003 Shriners, with Lisa Eisner, Greybull Press, 2004 Andy Warhol: The Late Works, (contributor), Prestel Verlag, 2004 Yours In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005 Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim Museum, 2007 Out of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 20In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005 Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim Museum, 2007 Out of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 20in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A Fine Example of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 2008

Unlike overhead - projector blow - ups of photos distorted by the process, Bas's pictures come from his mind and heart and remain intimate in scale.

The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.

This 17th - century Dutch artist created his peep show to demonstrate the optics of illusion and the way the mind completes a picture: stare through the little holes in the side and you will see a three - dimensional interior, created by the magic of perspective painting.

«In 1916 a staff member of the socialist magazine The Masses objected to the insufficiently high - minded «pictures of ashcans and girls hitching up their skirts on Horatio Street» by Sloan, George Bellows and others of the Henri circle that illustrated the magazine.

By using computer drawing applications and mining pictures on Google images in a process similar to the Surrealists, Josh Reames creates playful assemblages of «modern hieroglyphs» that explore his unconscious mind while casting a light on the profusion of images that permeate contemporary culture.

1931 Stanley Rose Bookshop & Gallery, Los Angeles, CA 1945 * Philip Guston, Midtown Galleries, New York 1947 Philip Guston, School of the Museum of Fine Arts, Boston, MA 1952 * Paintings 1948 - 1951 by Philip Guston, Peridot Gallery, New York 1953 Philip Guston: Paintings and Drawings, Egan Gallery, New York 1956 Recent Paintings by Philip Guston, Sidney Janis Gallery, New York 1958 Philip Guston, Sidney Janis Gallery, New York 1959 - 1960 * Recent Paintings by Philip Guston, Sidney Janis Gallery, New York 1961 New Paintings by Philip Guston, Sidney Janis Gallery, New York Philip Guston, Franz Kline, Dwan Gallery, Los Angeles 1969 * Philip Guston, Paintings and Drawings, Gertrude Kasle Gallery, Detroit, MI 1970 * Philip Guston, Recent Paintings, Marlborough Gallery, New York 1973 * Philip Guston, Major Paintings of the Sixties, Gertrude Kasle Gallery, Detroit 1974 Philip Guston, Gertude Kasle Gallery, Detroit * Philip Guston, David McKee Gallery, New York 1975 Philip Guston, Makler Gallery, Philadelphia Philip Guston: Drawings for Bill Berkson's «Enigma Variations,» Galerie Paule Anglim, San Francisco 1976 * Philip Guston: Paintings, 1975, David McKee Gallery, New York 1977 * Philip Guston: Paintings, 1976, (Part I: March 18 — April 8; Part II: April 9 — 30) David McKee Gallery, New York A Selection of Recent Works by Philip Guston, Achim Moeller Gallery, London 1978 * Philip Guston: Drawings, 1947 — 1977, David McKee Gallery, New York * Philip Guston: Major Paintings, 1975 — 76, Alan Frumkin Gallery, Chicago 1979 * Philip Guston: Paintings, 1978 — 1979, David McKee Gallery, New York 1980 A Tribute to Philip Guston: Paintings and Drawings from 1950 to 1980, David McKee Gallery, New York Philip Guston: Recent Paintings, John Berggruen Gallery, San Francisco 1981 * Philip Guston: New Lithographs, Gemini G.E.L., Los Angeles Paintings by Philip Guston, Asher - Faure Gallery, Los Angeles Philip Guston: Lithographs, Yellowstone Art Center, Billings, MT 1983 Philip Guston: Paintings, David McKee Gallery, New York Philip Guston, Riva Yares Gallery, Scottsdale, Arizona Philip Guston: Eight Lithographs, Gemini G.E.L., Los Angeles 1985 Philip Guston: Drawings, Reconnaissance Gallery, Fitzroy, Victoria, Australia: traveled to Art Gallery of New South Wales, Sydney Philip Guston: Small Works 1968 - 69, David McKee Gallery, New York 1986 Philip Guston: Works on Paper, Cava Gallery, Philadelphia 1987 * Roma 1971, David McKee Gallery, New York 1988 Philip Guston: The Late Prints, Cava Gallery, Philadelphia 1990 * Drawings from the Philip Guston and Clark Coolidge Exchange, The Berkshire Museum, MA: traveled to Galerie Lelong, New York * Philip Guston: Paintings 1961 - 65, McKee Gallery, New York 1991 Philip Guston: Drawings 1968 - 71 Hoods, McKee Gallery, New York 1995 Philip Guston, Virginia Museum of Fine Arts, Richmond, VA * Philip Guston: The Fifties, McKee Gallery, New York 1996 Philip Guston: Major Paintings from the Seventies, McKee Gallery, New York 1997 Philip Guston, Brave New World: 1943, The Woodstock Artists» Association, Woodstock, NY: traveled to McKee Gallery, New York 1998 * Philip Guston: Works on Paper, 1968 - 1980, John Berggruen Gallery, San Francisco * Philip Guston: The Last Works, Lafayette College, Easton, PA * Philip Guston: Selected Works on Paper and Canvas 1951 - 1978, Manny Silverman Gallery, Los Angeles 1999 Philip Guston: Works on Paper, Timothy Taylor Gallery, London 2000 * Philip Guston: Small Paintings and Drawings 1968 - 1980, McKee Gallery, New York 2001 - 2002 Philip Guston: The Last Prints, Timothy Taylor Gallery, London * Philip Guston, BQ Gallery, Köln, Germany 2002 Philip Guston Prints, Susan Sheehan Gallery, New York 2003 Philip Guston: Mind and Matter, McKee Gallery, New York 2004 * Philip Guston, Timothy Taylor Gallery, London 2005 Philip Guston: Abstract + Figurative, McKee Gallery, New York 2006 Philip Guston: Objects, Timothy Taylor Gallery, London * Philip Guston: Drawings, McKee Gallery, New York 2007 Guston in Grasmere: Poem - Pictures, 3W Gallery, The Wordsworth Trust, Grasmere, England Philip Guston, Aurel Scheibler, Berlin 2008 The Private Eye of Philip Guston: The Gemini Editions, Gemini G.E.L. at Joni Moisant Weyl, New York 2009 Philip Guston: 1954 - 1958, L&M Arts, New York Philip Guston: Small Oils on Panel, 1969 - 1973, McKee Gallery, New York 2010 Philip Guston: Works on Paper, Timothy Taylor Gallery, London, England 2012 * Philip Guston: Inevitable Finality, The Gemini Prints, Haggerty Museum of Art, Milwaukee, WI Philip Guston: The Late Paintings, Inverleith House, Royal Botanic Garden, Edinburgh, Scotland 2013 Philip Guston: A Centennial Exhibition, McKee Gallery, NY 2014 * Philip Guston, Aurel Scheibler Gallery, Berlin, Germany Philip Guston: Late Paintings, Peder Lund, Oslo, Norway

George Monbiot is launching a project seeking new framings for the protection of the nature, «prompted by the miserable, uninspiring state of the language of conservation» and policy - making: ««Environment» is a term that creates no pictures in the mind, which is why I have begun to use «natural world» or «living planet» instead.»

I recall at the time that Svensmark was conducting research on our own sun's influence on cosmic rays modulated by the solar wind, but you had the big cosmos picture in mind even then.

By the end of the weekend, she had a clear picture in her mind.

When reading there my mind pictures their faces by the holes in their noses because they speak as if they are far above anyone else.