Sentences with phrase «picture performance from»

As we've said for each of the these TVs, the panel is the same, so even though this is a couple of steps into the range, you'll still get stunning picture performance from the C7.

Overall, the RE45 is an intriguing option, especially for PS4 gamers looking to eke maximum picture performance from HDR games, for minimum cash.

For the best picture performance from your TV, it'll need recalibrating.

While Samsung promised better picture performance from its 2017 QLED than the year prior, what we saw then were mostly marginal improvements.

Not exact matches

This year's field of Best Picture nominees features eight movies with widely variant box office performances, from 20th Century Fox's (FOX) The Martian «s leading $ 228 million in domestic gross to Room, which barely cracked $ 12.5 million in ticket sales.

His coach, Don Laws, was a picture of calm despite the far from Hamiltonian performance.

The only option for Januzaj, Wilson, Pereira, Herrera, Depay and Mata based on last season performances will be to either leave or fade from the first - team picture, unless proved otherwise.

«But looking at the bigger picture in terms of confidence and building as a team, we can take a lot of confidence from putting in a performance like that against an opponent with the quality that Chelsea have.

The history book paints a nasty picture from a West Brom point of view, however this is a much improved Baggies outfit who came close to ending their Liverpool voodoo back in September, when going down 1 - 0 at Anfield despite producing a performance worthy of at least a point.

And following the spectacular performance from the 25 - year - old, an iconic picture of the Egyptian showing him occupying the attention of not one, two or three but FIVE Chelsea players has surfaced online perfectly highlighting just how much of a threat he was to Chelsea.

Prepared for a evening performance, delicate sequins and beading, I modify it into lace - up, and it fits me very vell.It was exactly as the picture and description and will definitely order from this place again.

The story is so complicated that the movie can't quite make it clear, but the picture has impressive energy and high - intensity performances from Kevin Spacey, Danny DeVito, and Guy Pearce.

A great deal of the impact in The Piano Teacher comes from Isabelle Huppert's performance, which comes as her finest career moment, as well as one of the year's early choices for 2002's Best Actress (personal list, of course: I highly doubt that the conservative Academy of Motion Picture Arts and Sciences will be able to make it through the film).

Only a terrific performance from Om Peri as Ganesh's money - hungry father - in - law, bares some interesting moments, though many of them are dulled by the overt mediocrity of the rest of the picture.

It's an exceedingly thin premise that's employed to sometimes striking yet often underwhelming effect by Kubrick, with the picture suffering from a decidedly amateurish feel that's compounded by less - than - accomplished performances and an ongoing emphasis on overwrought, unconvincing dialogue and narrative.

With stunning performances from its cast, the film occur during the First World War, and it shows us the chaos, and considering the fact that this was made in 1930, it's an impressive feat in filmmaking, as what we have here is a picture that captures the fear and agony of combat, and it's a well made movie for its time, and it still looks great after all these years.

But McAvoy carries the picture confidently enough as a leading man, and there is a nice performance from Benedict Cumberbatch as Patrick, the uptight team leader.

Rushed into production at Columbia Pictures to capitalize on the success of Jaws, another seafaring adventure based on a Peter Benchley novel, The Deep has a humdrum story, generally uncommitted performances, and a phoney Moray eel (nicknamed «Percy» on set) that gives the much - maligned mechanical shark «Bruce» from Jaws a run for its money in the department of unconvincing animal attacks.

Full List from SAG's site: THEATRICAL MOTION PICTURES Outstanding Performance by a Male Actor in a Leading Role RICHARD JENKINS / Walter Vale - «THE VISITOR» (Overture Films) FRANK LANGELLA / Richard Nixon - «FROST / NIXON» (Universal...

As for the Globes themselves, Dave Karger analyzes how the wins will affect the Oscar race, saying, ««The Fighter,» which won both supporting races, could steal the SAG Best Cast prize, and «The King's Speech» still has a shot for Best Picture based on what I'm hearing from voters, but «Network «s» performance so far has been almost unprecedented.»

A massive ensemble picture led by Ralph Fiennes and including small performances from F. Murray Abraham, Harvey Keitel, Jude Law, Bill Murray, Ed Norton, Tilda Swinton and many others, «Budapest» has strength in numbers, a definite virtue for the only category in which its contending: outstanding cast.

Relatively artless when compared to several other King adaptations around the time (Brian De Palma's Carrie, Stanley Kubrick's The Shining, David Cronenberg's The Dead Zone) or even with Carpenter's previous picture (1982's career - best The Thing), the film still delivers the goods as entertainment, thanks to committed performances from the cast and some nifty effects work.

The sword - and - sandals, «Jesus Picture» star, Baird Whitlock (George Clooney, sillier than ever — an injoke reminiscent of Steve Buscemi's ever decreasing mortal remains in the Coenography) is missing, and the gossip columnists (both played by Tilda Swinton, both underused), the sailor tap - dancing musical has an alarming case of closeted gayness (and a wonderful cameo from the Highlander frenchman, Christopher Lambert), the Busby Berkeley mermaid picture has a star (Scarlett Johannson, in a glorious Noo Yawk accent) and whose fish tail is getting more ill - fitting by the hour due to a pregnancy scandal about to break, and a Euro - flavoured drawing - room melodrama has been saddled with an aw - shucks singing cowboy leading man (Alden Ehrenreich in a breakout performance) who is far, far out of hisPicture» star, Baird Whitlock (George Clooney, sillier than ever — an injoke reminiscent of Steve Buscemi's ever decreasing mortal remains in the Coenography) is missing, and the gossip columnists (both played by Tilda Swinton, both underused), the sailor tap - dancing musical has an alarming case of closeted gayness (and a wonderful cameo from the Highlander frenchman, Christopher Lambert), the Busby Berkeley mermaid picture has a star (Scarlett Johannson, in a glorious Noo Yawk accent) and whose fish tail is getting more ill - fitting by the hour due to a pregnancy scandal about to break, and a Euro - flavoured drawing - room melodrama has been saddled with an aw - shucks singing cowboy leading man (Alden Ehrenreich in a breakout performance) who is far, far out of hispicture has a star (Scarlett Johannson, in a glorious Noo Yawk accent) and whose fish tail is getting more ill - fitting by the hour due to a pregnancy scandal about to break, and a Euro - flavoured drawing - room melodrama has been saddled with an aw - shucks singing cowboy leading man (Alden Ehrenreich in a breakout performance) who is far, far out of his depth.

Diane Kruger puts in a largely overlooked career - best performance in In the Fade, the 2017 thriller from Fatih Akin that won the Golden Globe for Best Foreign Language Picture and wasn't even nominated for an Oscar.

What distinguishes «Girl» from most zombie pictures is Nanua's appealing performance and a chilling scene toward the end.

As well as putting everything on the line creatively, Riggan has to manage personal and professional complications arising from clashes with his co-star, an intense, Sean Penn - like Method devoté played by Edward Norton (giving rise to a hilarious Fight Club nod in another meta - joke), an unwise affair with the show's needy ingénue (Andrea Riseborough), and the appearance of his estranged, semi-rehabbed daughter (Emma Stone pictured, below right, like Keaton giving a career - best performance).

As awards season kicks into high gear this month, certain films that aren't «Star Wars: The Force Awakens» should see box - office gains from conversations about and nominations for the best pictures and acting performances of 2015.

Featuring two exceptional lead performances from these two boys, first rate beauty - in - ugliness photography and an unusually extraordinary command of tone, Carbone's picture skillfully articulates the inexpressible; the weird, beautiful struggle that is life.

What it does have is yet another likeable character performance by Queen Latifah (Beauty Shop, Taxi), who single - handedly saves the picture from being a complete waste, although the shoddiness of the material eventually does the film in.

Dunaway was nominated for Golden Globe for her performance, and the film scored a Best Editing nomination from the Academy of Motion Picture Arts and Sciences.

One year after co-writer and director Alejandro G. Inarritu guided «Birdman» to Best Picture honors at the Oscars, he's back at it with «The Revenant», a gritty and engrossing two - and - a-half-hour saga, with meaty, memorable performances from Leonardo DiCaprio and Tom Hardy.

It's been quite a long time since we've had a real juggernaut performance from a film that ended up winning Best Picture (you could argue the last was The Hurt Locker, which won 6 of its 9 nominated categories).

Her support has been growing and many of us believe with the strong word of mouth of her performance from those who have seen it and Sony Pictures Classic «s success with getting Sally Hawkins into this category...

The film is also supported by the tremendous performances, not just from Nanjiani and Kazan, but from Romano and Hunter, who bring a surprising dramatic heft to the picture.

Ethan Hawke turns in a solid, thoughtful lead performance in this workmanlike picture from the Canadian writer - director Robert Budreau.

One of the awards season's premier events, the SAG Awards ® celebrate the outstanding motion pictures and television performances from the previous calendar year.

Film Best Motion Picture (Drama): AtonementBest Performance by an Actress in a Motion Picture (Drama): Julie Christie — Away From HerBest Performance by an Actor in a Motion Picture (Drama): Daniel Day - Lewis — There Will Be BloodBest Director: Julian Schnabel — The Diving Bell And The ButterflyBest Motion Picture (Musical Or Comedy): Sweeney ToddBest Performance by an Actress in a -LSB-...]

But with competition from Oscar perennials, including Meryl Streep and Tom Hanks («The Post»), Frances McDormand («Three Billboards Outside Ebbing, Missouri»), Saoirse Ronan («Lady Bird»), Daniel Day - Lewis («Phantom Thread») and Gary Oldman («Darkest Hour»)-- plus the lack of persistent buzz enjoyed by last year's diverse nominees including «Lion,» «Fences» and «Hidden Figures» — it's going to be a struggle for most of these pictures and performances to simply score a nomination.

Film:: Best Motion Picture (Drama)-- Atonement:: Best Performance by an Actress in a Motion Picture (Drama)-- Julie Christie, Away From Her:: Best Performance by an Actor in a Motion Picture (Drama)-- Daniel -LSB-...]

There is so much in this picture, from dread, horror, to suspense, bitterly moving love, extraordinary, Oscar - worthy art direction and a desperate lead performance from Viggo Mortensen which perfectly illustrates the wrenching desperation of parental love.

Long story short, «The Deer Hunter» cleaned up at the Oscars, winning five in total, including Best Picture, Best Director for Cimino and Best Supporting Actor (a striking, unforgettable performance from Christopher Walken).

The Sting is a great buddy picture, a tightly plotted con - man caper with wonderful, bittersweet performances from a great ensemble cast.

Anchored by incredible performances from Elisabeth Moss and Katherine Waterston, this is one of the most mesmerizing pictures of the year.

But just beyond that (mandated) equality lies a huge disparity: while 21 of those best - actor performances came in films that were also nominated for best picture, only 12 best - actress performances came from best - picture nominees.

The film's technical innovations are probably familiar at this point — a blend of photo - realistic CGI and the performances; minutes - long shot lengths that'll rival the extended takes in Cuaron's previous picture; being designed in 3D from the ground up — and it's certainly one of the most anticipated of the year for many.

Wheatley beautifully blends the freaky sound design and unsettling atmosphere of his previous picture to a comedic sensibility that owes a little something to Julia Davis («Nighty Night «-RRB- and Mike Leigh, but the real genius of the piece comes in the way that Lowe and Oram's script (and the hopefully - star - making performances from the duo) is really a trojan horse; underneath the glam - free «Natural Born Killers» overtones, it's a beautifully observed drama about a dissolving relationship — a blood - spattered «Blue Valentine,» if you will.

In 2006, Little Miss Sunshine premiered at Sundance, sparked a major bidding war, made history when it was nabbed for $ 10.5 million from Fox Searchlight Pictures, and rode its charming script, lighthearted tone, and affecting performances to a boffo box office and a Best Picture nomination.

Triple 9 has a mediocre story that feels muddled at times, but it boasts fine performances from it's stellar cast and is a serviceable B picture.

These range from the film's astonishingly terrible costumes, performances and sense of continuity to the abundance of pictures of spoons and the unsettling sensation «The Room» provides of a lonely, broken man using the screen to scold everyone who's done him wrong.

Edgerton's typically captivating turn is matched by a flawless supporting cast that includes Melissa George and Sarah Roberts, and yet it's clear right from the get - go that Wilkinson turns in the picture's most impressive and flat - out engrossing work - with the actor's scene - stealing performance standing as a consistent (and virtually undeniable) highlight within the proceedings.