Yet
picture performance struggles to match its high - end rivals, and the brand's current video components are inadequate.
Not exact matches
Seeing us
struggle but manage, no matter how ragged our «
performance» seemed to us, provided a model of sorts, however imperfect, a
picture of how we can work together and muddle through.
Delivering a wonderfully restrained but equally commanding
performance of a man
struggling to find the strength to cope, Teller is the true star of the
picture, while the chemistry shared with Koale, whose bond serves as the heart of the story, is equally touching.
Furthermore, it's possible that the film might
struggle to be seen as more than a
performance showcase — Jones and Fiennes might well be in the running, depending on the strength of the categories, but it'll really need strong reviews out of TIFF to be a Best
Picture contender.
Featuring two exceptional lead
performances from these two boys, first rate beauty - in - ugliness photography and an unusually extraordinary command of tone, Carbone's
picture skillfully articulates the inexpressible; the weird, beautiful
struggle that is life.
In this most recent outing, Baumbach delves back into the
struggles of forty - something narcissists that he recently explored in his previous Ben Stiller vehicle, Greenberg, and though While We're Young may lack the disciplined structure and scathingly funny bitterness of that
picture, it's still packed to the brim with snappy dialogue, inspired comic set pieces and wonderful
performances.
But with competition from Oscar perennials, including Meryl Streep and Tom Hanks («The Post»), Frances McDormand («Three Billboards Outside Ebbing, Missouri»), Saoirse Ronan («Lady Bird»), Daniel Day - Lewis («Phantom Thread») and Gary Oldman («Darkest Hour»)-- plus the lack of persistent buzz enjoyed by last year's diverse nominees including «Lion,» «Fences» and «Hidden Figures» — it's going to be a
struggle for most of these
pictures and
performances to simply score a nomination.
However, there is one
performance that deserves to be singled out amongst the ensemble, and that's Alden Ehrenreich as Hobie Doyle, an offbeat star of B - grade westerns that hilariously
struggles to convincingly act in a more dramatic
picture.
While it is true that some have
struggled to recruit and a small number have closed, this needs to be seen in the context of both the commercial realities of new start - ups, and the broader educational
picture of national school
performance.