Water rises from the bottom of
the picture plane as damp clouds descend on the stacks threatening to destroy the books and information they hold.
In fact the opportunity for play extends beyond
the picture plane as the artist goes so far as to paint tacks along the stretcher side and even the stretcher bars on the verso of the works further pushing the boundaries of painting and sculpture.
Paolini views the work as an autonomous entity, and
the picture plane as a surface that is a depository of every possible projection of an image.
Activating
the picture plane as a construction of both color and space, painting utilizes past and present to continually refresh itself as a classical tradition.Heath Westis a painter who lives and works in Houston, Texas.
The constructed allusion of space repeatedly draws back to the flatness of
the picture plane as the viewer's eyes travel across the paintings, moving through time and space.
This effect - one that brings to mind Leo Steinberg's characterization of the flatbed
picture plane as «a receptor surface
But it is easy to forget
the picture plane as a factor in the organisation of abstract painting given the convenience of material flatness, which will anchor any number of diverse elements without too much bother.
The fences sometimes stretch taught across
the picture plane as an unbroken barrier, but more often are slashed open like a gaping wound or have the regularity of their grids bent out - of - shape, evidence that someone has torn through or scrambled up and over.
These two often overlooked conceptual forays by Barré — the calendar show and the Monschau project — are critically important to establishing the planetary scale of Barré's approach to perceptual categories: mapping time as a model for mapping space, and mapping the space of
the picture plane as fragment of a continuum.
Clyfford Still got into that to the point of influencing the use of
the picture plane as a medium of expansion rather than holding to the center of the canvas, but expanding it beyond, going beyond.
In his mixed - media paintings, Torey Thornton creates abstract, crudely rendered forms to explore
the picture plane as both a spatial field and a medium for conjuring images and sensibilities.
Compressing macro views of aerial photography into the same
picture plane as images of microscopic organisms and silhouettes of disposable plastics, Hockaday explores the gradation in which nature becomes built environments.
He examines and reinvents the world we see through complex pictorial arrangements, using
the picture plane as a surface upon which spatial reality can be rebuilt.
The picture plane as such is abolished; instead, we have a canvas stretched, but its edges accentuated.
Kristin Baker interprets
the picture plane as a thin, swift tissue consonant with her subject: the racing car and track.
He departs from the straight - ahead views for that butterfly in profile, so that the black and yellow of its wings can hold
the picture plane as well.
Back in the days when Mel Ramos could paint Chiquita Banana pinups, Tom Wesselmann could sex up his still lifes by putting sunburned nudes with pubic hair into them, and Allen Jones could obnoxiously use a lifelike playmate on her knees as a coffee table, Marjorie Strider was making shaped canvases featuring 3 - D breasts that were smartly violating
the picture plane as if to one - up the men, who never noticed.
Not exact matches
The Annual Awards have included appearances by stars, celebrities, producers and executives from networks and platforms such
as the Food Network, the Style Network, Bravotv.com, the Cooking Channel, Sony
Pictures, DreamWorks Animation, TLC, Discovery, Lifetime, E! Entertainment, PBS, American Public Television, Create TV, NBC News, ABC, the CW, HGTV, the Travel Channel, HD Net, Hulu, YouTube, Vimeo, VICE, LiveWell network, Esquire Network, Bio / FYI Television Network, Iheart Radio, HBO, Myx TV, Small Screen Network, StyleHaul,
Planes, Trains & Automobiles, Zagat, Mode Media, WatchMojo, Gusto TV, Netflix and more.
Astronomers once
pictured the Kuiper belt
as a giant ring - shaped collection of bodies along a disklike
plane, called the ecliptic, in which Earth and all the other major planets orbit.
In this
picture, H. M.'s brain is being sliced in a
plane roughly parallel to the face, in the same orientation
as an image from a typical brain scan.
[12:50]-- A treatment with an integrative doctor that cost well over $ 200, 000... [17:25]-- How removing a 20 cm cyst on Jennifers liver led to huge improvements in her health and resolved the Mast Cell Activation Syndrome [21:53]-- The next health event that led to a complete and utter breakdown on all levels [25:45]-- How Jen started to unravel the complicated health
picture that had developed
as a result of many years of sickness and drug therapy [27:18]-- The importance of addressing physical stressors while working on the emotional / spiritual
plane [33:45]-- The stress chronic illness can put on a relationship [38:15]-- The philosophy that Jennifer's father passed on to her that has become the underpinning of her life and practice.
Pictured above is Doug in the
plane about the take off, and Gracie exploring the many
planes that were parked
as we were waiting for him to land!
Charles Tyner went back to the stage in 1977, occasionally stepping before the cameras for such TV movies
as The Incredible Journey of Dr. Meg Laurel (1979), theatrical features like Hamburger: The Motion
Picture (1985) and
Planes, Trains and Automobiles (1991), and his recurring role
as Howard Rodman on the weekly television drama Father Murphy (1981).
As restraint yields immense emotion in the story, so too does simplicity and silence accrue a devastating power on the aural and visual planes (the latter courtesy Haneke's inspired and exceedingly proficient D.P., Darius Khondji, who's also been responsible for the look of such diverse other pictures as Panic Room, several The Immigrants, and Haneke's own U.S. remake of Funny Games
As restraint yields immense emotion in the story, so too does simplicity and silence accrue a devastating power on the aural and visual
planes (the latter courtesy Haneke's inspired and exceedingly proficient D.P., Darius Khondji, who's also been responsible for the look of such diverse other
pictures as Panic Room, several The Immigrants, and Haneke's own U.S. remake of Funny Games
as Panic Room, several The Immigrants, and Haneke's own U.S. remake of Funny Games).
It could merely be seen
as the march toward mortality captured in the
picture plane, or, in name only, it could refer to the forever - changing face of the American Midwest, or the much - speculated deterioration of Woody's mental state.
(Note a shot of a
plane over a field of grey concrete columns
as pithy, almost surreal representation of the frustrated Icarean ambition at the
picture's heart.)
And while many road - miles are covered in a
picture which has no trains but plenty of
planes and automobiles, the real journey is internal — and it's performed by Lucas, a law - enforcement officer who is explicitly presented
as a man of reason, an individual who trusts only the evidence of his own eyes.
may not be on the same
plane as the Coens» recent run (last three films nominated for Best
Picture), but I'm ready for a sharp, very fun, nostalgic madcap run through the Golden Age of Hollywood that only they could provide.
CBS Films and Ozla
Pictures are developing and already shot last year,
as it takes place entirely on a
plane.
INCLUDES 1 Hands - On Standards Math Teacher Resource Guide Grade K with 43 lessons TOPICS Counting and Cardinality Counting On Counting 0 - 5 Number shapes Groups of 6 - 10 Estimate and count Arranging sets of objects Representing numbers with objects Comparing groups Equal groups More and fewer More than, less than, same
as Order of numbers Operations and Algebraic Thinking Joining problems Using the plus and minus sign Separating problems Sums and differences to and from ten Decomposing numbers Number and Operations in Base Ten Compose and decompose numbers 11 - 19 Measurement and Data Nonstandard measurement of height Sorting by height and length Estimating and measuring length Sort by one or two attributes Determine the sorting rule Geometry Left and right Top, middle, and bottom Positions on a line Relative locations Inside and outside Before and after
Plane shapes and real - life objects Geometric pictures and designs Attributes of plane shapes Cubes and spheres Exploring shape attributes Shape attributes ri
Plane shapes and real - life objects Geometric
pictures and designs Attributes of
plane shapes Cubes and spheres Exploring shape attributes Shape attributes ri
plane shapes Cubes and spheres Exploring shape attributes Shape attributes riddles
As these
pictures prove, Mercedes is apparently
planing to give it another try with their slow - selling R - class MPV
John Yau, however, recently noted that the forms in Held's early 60s paintings, such
as The Yellow X, extend beyond the
picture plane, creating an awareness of the environment beyond the canvas edge.
PT: Your smaller gouache works don't form space so much
as revel around the
picture plane, engaging in lyrical, taxonomic pleasure.
This is the exhibition's only horizontally aligned canvas and the
picture plane here appears to unfold, recalling the unraveling motion of Chinese and Japanese scroll painting and —
as indicated by the work's title and emphasized by its green hues — the undulation of waves.
There are no formal boundaries in his work, instead he is constructing a portrait that goes beyond the flat
picture plane, creating shadows and shapes that elicit a new way of looking at the portrait
as a response to the way images are treated today.
She turns up the retinal volume again and again in the grounds of her paintings — vast seas of cerulean blue edged by crisp white lines, or enveloping acts of domestic violence; equally riveting cadmium reds, oranges, and crimsons saturating the
picture plane beneath angry gorillas, dancing Chubby Checkers, and kissing lovers; Day - Glo yellows that push up against sharp blacks
as «bad guys» in black suits point guns and walk up and down staircases — and employs unusual compositional strategies to draw our attention to these expanses of high - key color.
By 1960 the
picture plane had implicitly come to belong to the past, but that would not be clear to either the artists who performed the closure or the critics who loved their work, nor had it become any clearer by 1972, when Greenberg described Stella's painting
as poor sculpture rather than remembering Mondrian's remark about how paintings don't take place on the surface but in the space between and around itself and its viewer.
Amorphous shapes, sharp - edged logos, scything blocks of colour and silky veils of tinted varnish intrude into Stubbs»
picture planes, fragmenting the surface; it is
as though the physicality of the works are coming up against the pixilation of the flattened, immaterial space of the digital image.
Matisse achieves this most characteristically with flat, unmodulated (or flatly patterned)
planes of colour, to be seen everywhere in this exhibition, but perhaps most obviously in the «Seated woman with a vase of Amaryllis» (1941) and «Asia» (1946), accompanied where necessary with a strategic contradiction of the prevailing perspective
as in the left - hand
picture / window / doorway in «Large Red Interior» (1948).
In contrast to works that incorporate found everyday objects, such
as the «Combine» paintings of Robert Rauschenberg or the Dada collages of Kurt Schwitters, Almquist's experimental paintings extend his
picture plane into three dimensions with constructed elements of disjointed, dream - like imagery.
I mean
as much
as it creates greater ambiguity, it also reveals both a sense of history of the layering of the paint while, at the same time, anchoring the whole image so that it doesn't float in the
picture plane.
Hofmann would later refine his definition of push and pull
as «expanding and contracting forces... the
picture plane reacts automatically in the opposite direction to the stimulus received; thus action continues
as long
as it receives stimulus in the creative process.
In this lithograph, created
as a benefit edition for The Paris Review, Sultan covers the
picture plane with an array of stylized orange flowers.
Her reading of Henri Bergson's theory of «living energy» is demonstrated in her paintings with active forms covering the entire
picture plane,
as she «believes in the interconnected nature of all living things...» [1] As such, she was among the early practitioners of the «all - over» painting style along with Jackson Polloc
as she «believes in the interconnected nature of all living things...» [1]
As such, she was among the early practitioners of the «all - over» painting style along with Jackson Polloc
As such, she was among the early practitioners of the «all - over» painting style along with Jackson Pollock.
Writing in a brochure that accompanied a 2004 Drexler survey show in Philadelphia, Robert Storr noted how at times her «formats borrowed from contemporaneous hard - edge abstraction, in particular grid - based divisions of the
picture plane that slyly allude to Barnett Newman...
as well
as Ellsworth Kelly and Al Held.»
Taken together, their work looks bigger, brasher, more allusive, and more concerned for squeezing
as much
as they can into the
picture plane.
Mondrian
as well, but I would say Cézanne for his respect for the rectangle and the
picture plane.
He draws on the interaction between illusion and
picture plane of 60s Op art,
as well
as a Warholian fascination with celebrity culture.
He cuts off backgrounds with a tree, a wall, a cliff, the el, or just plain darkness, but rarely
as flat color and almost never parallel to the
picture plane.
He is trying to compress the woman, squeeze her into the flatness of the
picture plane, while on the walls around them hang late modernist abstractions that Greenberg once heralded
as the future of art.