In Matthíasdóttir's case, she expressed her synthesis of abstraction and representation by dividing
the picture plane into discrete sections of color, as if she were creating a map.
Artist Statement «Photography is one of my passions; my work encompasses the eye of a printmaker where I break
the picture plane into blocks of colors.
An artist fragments
the picture plane into several related shards, layers or pieces.
In some of her new paintings, objects may be removed from the surfaces of the work in the style of props — transferred from
the picture plane into «real life».
Approaching image - making from a sculptural perspective, the practitioners transform
the picture plane into three - dimensional objects.
As is typical of Nilsson's style, wiggling limbs weave between each other pell - mell as swathes of color trifurcate
the picture plane into three intertwined scenes.
Harewood explains the artist's intention: «Rosenquist, in a similar rebellious desire to move beyond the two - dimensional
picture plane into other spaces, developed his crosshatch technique.
The artist retained the irregular forms of his «shaped canvases» of the late 1960s, but replaced the minimalism of his earlier paintings with three - dimensional reliefs that project forwards from
the picture plane into the surrounding space.
Whereas Hiroshi Sugimoto allows the horizon to divide
his picture plane into soft gradations of gray in North Atlantic Ocean, Cape Breton Island, 1996, Ellsworth Kelly crudely extrapolates the result of this effect in his inked squares, Light Reflection on Water, 1950.
During the 1980s, Riley's work took another turn when she introduced the diagonal line in her paintings, shattering
the picture plane into multiple lozenges and intensifying the sensation of rhythm and movement.
This self - reflexivity reveals the chemical processes of photography, dividing
the picture plane into different exposure times; an analog technical process normally used to calculate the ideal picture exposure, being used aesthetically and critically, to expose the photographic medium with its claims to both truthfulness and fabrication in the age of digitization.
Through the use of geometry I break
the picture plane into many small pieces, which is a metaphor for my life experience, thought or memory.
The light that Barth creates within her paintings is a spell - binding presence that shifts
the picture plane into a deep dimensional space at the same time that her compositional shifts in scale destabilize.
Maher creates dynamic sculptures from concrete, aluminum, and resin; in his vibrant paintings, Dunlap divides
the picture plane into interlocking geometries of shape and color; in video and sculptural works, Tenser considers autonomy and dependence.
In contrast to works that incorporate found everyday objects, such as the «Combine» paintings of Robert Rauschenberg or the Dada collages of Kurt Schwitters, Almquist's experimental paintings extend
his picture plane into three dimensions with constructed elements of disjointed, dream - like imagery.
Not exact matches
This
picture window
into intergalactic space has been polished clear: when we look toward Leo's tail we're gazing 90 degrees (straight up) from the
plane of our own Milky Way.
The testing process involved fitting the devices
into a standard incubator and using dark field imaging to capture high resolution, single -
plane pictures of embryos housed in a petri dish, at five - minute intervals.
They pile
into the
plane, Alex practically hanging out of the window trying to snap
pictures while Ben plays Candy Crush, dressed in a cashmere sweater and inappropriately suave camel coat.
«Admission,» Stephen Trask, composer «Ain't Them Bodies Saints,» Daniel Hart, composer «All Is Lost,» Alex Ebert, composer «Alone Yet Not Alone,» William Ross, composer «The Armstrong Lie,» David Kahne, composer «Arthur Newman,» Nick Urata, composer «At Any Price,» Dickon Hinchliffe, composer «Austenland,» Ilan Eshkeri, composer «Before Midnight,» Graham Reynolds, composer «The Best Man Holiday,» Stanley Clarke, composer «The Book Thief,» John Williams, composer «The Butterfly's Dream,» Rahman Altin, composer «The Call,» John Debney, composer «Captain Phillips,» Henry Jackman, composer «Closed Circuit,» Joby Talbot, composer «The Company You Keep,» Cliff Martinez, composer «The Conjuring,» Joseph Bishara, composer «Copperhead,» Laurent Eyquem, composer «The Counselor,» Daniel Pemberton, composer «The Croods,» Alan Silvestri, composer «Despicable Me 2,» Heitor Pereira, composer «Elysium,» Ryan Amon, composer «Ender's Game,» Steve Jablonsky, composer «Enough Said,» Marcelo Zarvos, composer «Epic,» Danny Elfman, composer «Ernest & Celestine,» Vincent Courtois, composer «Escape from Planet Earth,» Aaron Zigman, composer «Escape from Tomorrow,» Abel Korzeniowski, composer «Evil Dead,» Roque Baños, composer «47 Ronin,» Ilan Eshkeri, composer «42,» Mark Isham, composer «Free Birds,» Dominic Lewis, composer «Free China: The Courage to Believe,» Tony Chen, composer «Fruitvale Station,» Ludwig Goransson, composer «G.I. Joe: Retaliation,» Henry Jackman, composer «Gangster Squad,» Steve Jablonsky, composer «Gravity,» Steven Price, composer «The Great Gatsby,» Craig Armstrong, composer «The Hangover Part III,» Christophe Beck, composer «Hansel & Gretel Witch Hunters,» Atli Örvarsson, composer «Haute Cuisine,» Gabriel Yared, composer «Her,» William Butler and Owen Pallett, composers «The Hobbit: The Desolation of Smaug,» Howard Shore, composer «Hollywood Seagull,» Evgeny Shchukin, composer «Hours,» Benjamin Wallfisch, composer «How Sweet It Is,» Matt Dahan, composer «The Hunger Games: Catching Fire,» James Newton Howard, composer «Identity Thief,» Christopher Lennertz, composer «The Incredible Burt Wonderstone,» Lyle Workman, composer «Insidious: Chapter 2,» Joseph Bishara, composer «Instructions Not Included,» Carlo Siliotto, composer «The Internship,» Christophe Beck, composer «The Invisible Woman,» Ilan Eshkeri, composer «Iron Man 3,» Brian Tyler, composer «Jack the Giant Slayer,» John Ottman, composer «Jobs,» John Debney, composer «Kamasutra 3D,» Sreejith Edavana and Saachin Raj Chelory, composers «Labor Day,» Rolfe Kent, composer «Lee Daniels» The Butler,» Rodrigo Leão, composer «Live at the Foxes Den,» Jack Holmes, composer «Love Is All You Need,» Johan Söderqvist, composer «Mama,» Fernando Velázquez, composer «Man of Steel,» Hans Zimmer, composer «Mandela: Long Walk to Freedom,» Alex Heffes, composer «The Missing
Picture,» Marc Marder, composer «Monsters University,» Randy Newman, composer «The Mortal Instruments: City of Bones,» Atli Örvarsson, composer «Mud,» David Wingo, composer «Murph: The Protector,» Chris Irwin and Jeff Widenhofer, composers «Now You See Me,» Brian Tyler, composer «Oblivion,» Anthony Gonzalez and Joseph Trapanese, composers «Oldboy,» Roque Baños, composer «Olympus Has Fallen,» Trevor Morris, composer «Oz The Great and Powerful,» Danny Elfman, composer «Pacific Rim,» Ramin Djawadi, composer «Pain & Gain,» Steve Jablonsky, composer «Percy Jackson: Sea of Monsters,» Andrew Lockington, composer «Philomena,» Alexandre Desplat, composer «The Place beyond the Pines,» Mike Patton, composer «
Planes,» Mark Mancina, composer «Prisoners,» Jóhann Jóhannsson, composer «R.I.P.D.,» Christophe Beck, composer «Reaching for the Moon,» Marcelo Zarvos, composer «Romeo & Juliet,» Abel Korzeniowski, composer «Runner Runner,» Christophe Beck, composer «Rush,» Hans Zimmer, composer «Safe Haven,» Deborah Lurie, composer «Salinger,» Lorne Balfe, composer «Saving Mr. Banks,» Thomas Newman, composer «The Secret Life of Walter Mitty,» Theodore Shapiro, composer «Short Term 12,» Joel P. West, composer «Side Effects,» Thomas Newman, composer «The Smurfs 2,» Heitor Pereira, composer «The Spectacular Now,» Rob Simonsen, composer «Star Trek
Into Darkness,» Michael Giacchino, composer «Stoker,» Clint Mansell, composer «Thor: The Dark World,» Brian Tyler, composer «Tim's Vermeer,» Conrad Pope, composer «Trance,» Rick Smith, composer «Turbo,» Henry Jackman, composer «12 Years a Slave,» Hans Zimmer, composer «2 Guns,» Clinton Shorter, composer «The Ultimate Life,» Mark McKenzie, composer «Unfinished Song,» Laura Rossi, composer «Wadjda,» Max Richter, composer «Walking with Dinosaurs,» Paul Leonard - Morgan, composer «Warm Bodies,» Marco Beltrami and Buck Sanders, composers «We Steal Secrets: The Story of WikiLeaks,» Will Bates, composer «We're the Millers,» Theodore Shapiro and Ludwig Goransson, composers «What Maisie Knew,» Nick Urata, composer «Why We Ride,» Steven Gutheinz, composer «The Wind Rises,» Joe Hisaishi, composer «Winnie Mandela,» Laurent Eyquem, composer «The Wolverine,» Marco Beltrami, composer
Investigation and problem solving activity in which students identify all the different pentominoes, then fit them
into shapes (50 different shapes, inc. 4 rectangles, 4 squares, 17 animals, 13
pictures (inc. car, train,
plane, rocket, boat), 12 other shapes (inc. cross, yin and yang, heart)-RRB-.
Back in the days when Mel Ramos could paint Chiquita Banana pinups, Tom Wesselmann could sex up his still lifes by putting sunburned nudes with pubic hair
into them, and Allen Jones could obnoxiously use a lifelike playmate on her knees as a coffee table, Marjorie Strider was making shaped canvases featuring 3 - D breasts that were smartly violating the
picture plane as if to one - up the men, who never noticed.
Malone writes: «Each image is built of a dominant color, yet within each color there are subtle variations that maintain a shallow atmospheric depth — not enough to sink the color
into a distracting illusion, but more than enough to activate its magically ambiguous relationship to the
picture plane.
The features of the face and the contours that describe its dimensions drift across the
picture plane or arrange themselves
into some other guise like objects on shelves or quick handwriting.
A key element in his vocabulary is the disruptive kink he will admit
into his patterning that sets it off kilter; never quite subverting the flatness of the
picture plane, he nonetheless allows a breeze or ripple to run across the composition.»
Sarah McEneaney tilts the
picture plane conveying memory and the life of the mind merge
into exterior space.
Amorphous shapes, sharp - edged logos, scything blocks of colour and silky veils of tinted varnish intrude
into Stubbs»
picture planes, fragmenting the surface; it is as though the physicality of the works are coming up against the pixilation of the flattened, immaterial space of the digital image.
Color Field is characterized primarily by large fields of flat, solid color spread across or stained
into the canvas creating areas of unbroken surface and a flat
picture plane.
Taken together, their work looks bigger, brasher, more allusive, and more concerned for squeezing as much as they can
into the
picture plane.
More ubiquitous are small rectangular blocks of solid color, often containing modestly sized but altogether exquisite gestural marks, that seem both to sit on the
picture plane and cut an aperture
into it.
He is trying to compress the woman, squeeze her
into the flatness of the
picture plane, while on the walls around them hang late modernist abstractions that Greenberg once heralded as the future of art.
Having energized and freed the wall - hung painting so that it dispatched electric fans and stuffed birds
into the gallery's airspace, Rauschenberg now flipped the
picture plane to become a horizontal, flatbed platform for sculptural invention and gleaning.
Like him, she now sticks to geometry and flat areas of color to emphasize its relation to a
picture plane, all the while thrusting viewers
into insane spaces.
In Ed Ruscha's series of holograms produced the same year, the phrase «The End» floats at various depths in the
picture plane, set against animated lines scratched
into a celluloid surface, and offering a new twist on the interplay between text, landscape, and spatial representation for which Ruscha is known.
For Kerrie Warren appears to have evolved the capacity, through the layering of intricate tiny strokes of mainly pure primary hues that ultimately seem to meld
into a single energy field, to simultaneously animate and stabilize all activity on the
picture plane, and finally apprehend the calm stillness at the center of the painterly storm.
Men almost get their way with women, but the women press closer to the
picture plane and slide further from anonymity
into myth.
Step
into the room, estimate the space that the painting takes up in the room and sit in front of it, so it is only you and the
picture plane.
Whereas other skulls from the period had housed sprawling networks of symbols, here the chaotic pulsations of his psyche explode outwards
into the surrounding
picture plane.
The image above is a work by Oster + Koezle whose images of abandoned buildings, are originally shot on film, are transformed
into alternate space with a simple digital occupation turning the image of reality
into an independent image following the rules of a
picture plane.
Their shaped canvas fits together
into rectangles that deny the shaping, while warm colors and soft modeling in turn disturb the
picture plane with the illusions of a third dimension.
In these paintings the
picture plane is divided
into two arbitrary horizontal zones.
With an irreverence for the normative nature of painting to find a definitive resolution, Evans tests the limits of a material and its spatial boundaries, as paintings merge with installation and the
picture plane expands
into sculptural form.
These painting - strata remain distinct from each other, rather than resolving
into one cohesive and flat
picture -
plane.
Her
pictures skirt the edge of legibility, and while certain works might telegraph the silhouette of a skyline, others dissemble
into complex patterns of faceted
planes.
In «Shadow» (2013), a Gustonesque large pale shape is being dragged
into shadow against its will, even as a dark bar of paint assaults the shape at the top of the
picture plane.
The void of the monochrome is turned
into the protagonist, representing everything and nothing, while the interplay of matt and glossy lacquer, or contrasting colors give rise to a virtual space behind the
picture plane.
If Umberg moves us
into a deep and uncertain space, Metlikovec's compels our eyes back and forth across the
picture plane.
Movement
into the
picture plane from one or more of its edges and dynamic placement became favoured Bush motifs.
I see my work as an exploration of the
picture plane; that surface between wall and the envi - ronment; that surface between the panel and the viewe r.My drawings and paintings rise off the wall
into three dimensions, forming shadows and caverns which in turn incorporate themselves
into the art.
It never once fills a canvas, and it does not coincide with the
picture plane, but it can still drive the rest of a painting
into depth.
Compressing macro views of aerial photography
into the same
picture plane as images of microscopic organisms and silhouettes of disposable plastics, Hockaday explores the gradation in which nature becomes built environments.