Sentences with phrase «picture plane so»

The paintings, some as large as eight by 10 feet, depict figures and objects life size at the picture plane so one feels they can be entered and engaged directly.

Never laboured, objects and figures are spread across the picture plane so that they are imbued with an almost weightless quality.

Not exact matches

Im sitting on my plane waiting for the lightning in Long Island to stop striking near JFK so that we can take off and desperately wishing that I could upload pictures from an iPhone or an iPad to my blog, which alas I can't do.

What's up everyone find me on FB ABIGAIL BETH GRAHAM?!? I'm Abby!i just had my son jace on july 3erdt it was un planed and most defiantly not the way i wanted to get pragnet so in that case the dad is not going to be in the picture at the moment.

As restraint yields immense emotion in the story, so too does simplicity and silence accrue a devastating power on the aural and visual planes (the latter courtesy Haneke's inspired and exceedingly proficient D.P., Darius Khondji, who's also been responsible for the look of such diverse other pictures as Panic Room, several The Immigrants, and Haneke's own U.S. remake of Funny Games).

So, go grab a cup of whatever it is you drink, and then come back and peruse the pretty pictures of planes and jets in the gallery below.

We never sit next to each other on the plane, so I'll be behind him, or across the aisle, and when I see him over there, taking pictures secretly, I know exactly what he's doing.

But a picture of people in the subway from The New York Times lacked the necessary depth to show subjects in the fore and back of the frame, so all the figures appeared to be on the same plane.

My friend and I left the lounge a bit early so we could get better pictures of the plane, so we didn't hear any boarding announcement that might have been made in the lounge.

PT: Your smaller gouache works don't form space so much as revel around the picture plane, engaging in lyrical, taxonomic pleasure.

I mean as much as it creates greater ambiguity, it also reveals both a sense of history of the layering of the paint while, at the same time, anchoring the whole image so that it doesn't float in the picture plane.

He departs from the straight - ahead views for that butterfly in profile, so that the black and yellow of its wings can hold the picture plane as well.

Having energized and freed the wall - hung painting so that it dispatched electric fans and stuffed birds into the gallery's airspace, Rauschenberg now flipped the picture plane to become a horizontal, flatbed platform for sculptural invention and gleaning.

By brilliantly asserting the action of his paintings out in front of the picture plane (the final frontier after painting had been so thoroughly explored in terms of depth and then flatness), Resnick pioneered and then painted himself out of the picture.

Step into the room, estimate the space that the painting takes up in the room and sit in front of it, so it is only you and the picture plane.

The spare, realistic rendering employs a limited palate of flesh tones, browns and khakis and a flattened picture plane to so clearly evoke this woman's rugged and hardworking existence.

In contrast to the traditional verticality of the renaissance picture plane, which is dependent on head - to - toe correspondence with the viewer, with his combines Rauschenberg introduced the «flat - bed» plane and in doing so completely reoriented the pictorial surface so that it was no longer representative of a world space, but an analogue of operational processes.

He showed his dissatisfaction with the impenetrability of the picture plane — impenetrable in so far as he could not pierce it by perspective or modeling — by worrying the surfaces of his pictures, by working in a variety of materials and mixing his m and by mediums, and by returning incessantly to watercolor, where he could exploit the curl of the moisture - laden paper for the unevenness he wanted.

In doing so, he negates both the original intent and artificial creation of desire at the core of most constructed picture planes we encounter on a daily basis.

Hinman, for one, is alive and well, and so is abstract painting like his that takes major liberties with the picture plane — or, for that matter, the medium.

What most struck me about paintings such as Untitled (Red Butterfly)(2002) and others was how Grotjahn had commandeered Newman's totemic and cabbalistic «zips» - those declarative vertical stripes judiciously deployed to rend and reconcile oppositional forces on the picture plane Old Testament - style - and so handily retro - fitted them with the lollipop palette of Kenneth Noland, the geometrically compartmentalized painterliness of Alfred Jensen and the segmented cartwheeling compositions of early 1960s Frank Stella.

Indeed, the points of non-abutment and the chinks in the mortar, so to speak, at the critical places in the paintings where light seeps through from a plane behind the picture plane.

Unlike the increasingly popular, so - called transitive painting, which points to networks of production or distribution outside the picture plane, the artists in Vivid are committed to life within the stretcher.»

Though the film is purposefully so overexposed that the picture plane becomes void of depth, Jonas nonetheless makes space legible through sound — opening and closing the windows in her loft, walking around the room whistling a tune, the sound of dogs barking in the street, whispering or recreating sounds of a foghorn by blowing through the cones behind the camera.

I'm always trying to activate the space between the object that's really about this flat surface on the wall and the space between it and the viewer, so that the viewer is engaged perceptually through the movement of the strokes, the opticality, and in following my body's movement across the picture plane like a kind of mimesis.

So although Riley was arguably 12 - 13 years behind Vasarely, and 40 years behind the Dutch graphic Op artist M.C. Escher (1898 - 1972), she appeared to be the new pioneer of an entirely new method of pictorial representation, which revolutionized the power of the picture plane.

The skipping, jewel - like glances of vivid translucent color so musically applied to the picture plane meanwhile provide a sense of hopeful providence and even joy, but it remains to that living mutable white ground that is so utterly freeing inside Manalo's unarticulated imagery to provide us with an ultimate prospective.

And then I saw your graphic work and I didn't need to ask at all because all of the graphic work was, still is, so exciting, full of energy where you seemed to understand the picture plane and what you could do with it.

In fact the opportunity for play extends beyond the picture plane as the artist goes so far as to paint tacks along the stretcher side and even the stretcher bars on the verso of the works further pushing the boundaries of painting and sculpture.

So, I might imagine that the figure is being poured into her container, that the ground surrounding her is some denser stuff, holding her in place (like a mold), or that the painting itself is a slice of air and everything in it is just slightly shifting, like condensation, or everything is skin, pushing against the membrane of the picture plane.

What I am after is a dynamic spatial relationship between figure and ground, or sometimes to charge the picture plane with impacted energy so as to make it an undeniable, absolutely compelling image.