Sentences with phrase «picture surface»

Whenever a bikini picture surfaces, it is the talk of the town.

After this story was published a set of pictures surfaced of Nani visiting a training ground, supposedly that of Arsenal's.

They were given a day off after beating Washington and decided to spend it partying and clubbing, with pictures surfacing of them being at the infamous Liv night club until early morning.

In the 1960s, English painter John Hoyland's Color field paintings were characterised by simple rectangular shapes, high - key color and a flat picture surface.

The Surrealists, Cubists, Fauvists, Futurists and Rayonists all made radical departures from reality with exaggerated forms, heightened colours and broken picture surfaces.

And while Frank Auerbach's paintings take years of sittings and reworkings, the final result can mean a total revision of the entire picture surface in less than an hour.

Poor Buster Brown and all the «OTHERS» each day more pictures surface and they try so hard to say all is well.

The values and discussion points are so in - depth, so deep, so focused, and as the training goes on, things start linking together and the big picture surfaces and tells you a story of how, as a collective, we miss our humanity, our sacredness, and our purpose in life.

Despite the crude, thoroughly mundane picture surfaces, Martin's work has drawn for over 30 years on various traditions of spiritual abstraction, for which New York, where Martin has been living since 1975, was the melting pot.

Just as some of those illustrators introduced painted frames to their works and allowed the figures to breach their confines, so Hodgkin also allows an intriguing interplay between frame and motif, resulting in a total vision, a total picture surface.

Do not lick picture surfaces.

And yes, scumbled and glazed picture surfaces reveal a more complex painting technique than he used in the 1820s.

After pictures surfaced on the Gizmodo site, a search of a Gizmodo editor's home and computer was issued.

We saw the first rumored Galaxy S8 picture surface earlier on Thursday, and now it's time to look at the first rumored release date for the hotly anticipated handset.

The new pictures surfaced on the same day that OnePlus announced the new phone will launch on June 20.

Pictures surfaced online this week showing that BlackBerry and Porsche Design will once again come together and release a follow - up to the elite priced P» 9981.

(curated by David Reed and Lawrence Luhring in 1984 at the New York Studio School, with an illuminating text by John Yau), which included paintings by Forrest Bess, Alfred Jensen, and Myron Stout; such a diverse collection of uncompromising spirits seemed to bring a closer understanding of the vision of each artist, which was embodied not only in the particularities of specific symbols, but also in the quality of picture surfaces.

His work In the 1960s was characterised by simple shapes, bright colours and a flat picture surface.

There are openings to other spaces, bathed in light or cloaked in darkness, but the spatial illusion in his paintings is fused to a sense that the entire picture surface is leaning up against the picture plane, pushing into our world rather than receding away from it.

We see in the picture surfaces of constant wind around Earth, averaged over time.

As a result, they pictured the surface of the Earth as covered by a giant «magma ocean.»

Recently, a picture surfaced confirming an appearance of Uncharted 4 at E3.

Al Held (AH): «I was very much against that whole «flatness», the whole Greenberg thing of flatness and wanted to break the picture surface... There has been a constant theme there of wanting to advance that space, wanting that space I always rejected that whole notion of the picture surface as being crucial.

Named because of the use of innovative punctures, Fontana forced the viewer to become aware of the three - dimensionality of the picture surface, a confrontation that no artist in Western art had done at that time.

For him, the few objects in the studio and the white ground of the paper are the world of the picture in its entirety, and to this we must add Freud's sometimes dramatic cropping of the picture surface — something that circumscribes the character — another form of line much like those of each etch.

We poured it, dripped it, splattered it, and hurled it at the picture surface».

Few contemporary artists are more accomplished at depicting perspective or depth of field, and the viewer has a sense of being invited into each painting, encouraged by the inclusion of the frame in the picture surface.

Ofili came to prominence in the early 1990s with richly orchestrated paintings combining rippling dots of paint, drifts of glitter, collaged images and elephant dung — varnished, often studded with map pins and applied to the picture surface as well as supporting the canvas — a combination of physical elevation and symbolic link to the earth.

Not long after, Dawson produced a series of completely abstract paintings that featured parabolas, hyperbolas, and circles scattered across the picture surface.

Artist innovative and pioneering, surprised us by creating an entirely personal artistic style, with richly paintings combining rippling dots of paint, drifts of glitter, collaged images and elephant dung — varnished, often studded with map pins and applied to the picture surface as well as supporting the canvas — a combination of physical elevation and symbolic link to the earth.

Marca - Relli often worked in collage, «drawing» rapidly with a razor blade, cutting pieces of canvas into random shapes and dispersing them across the picture surface.

Everywhere on the picture surface we find images of things, works and places that have meant a lot to him, and which will also evoke a response in the viewer.

Sand, seashells, and glass sometimes form part of the picture surface, creating a variety of textures, volumes, transparencies, and reflections, as occurs in Buried Treasure (1975) which evokes an ethereal figure built up in oil relief with glints of colored glass.

Its optical units circular form, circular course, background, material, picture surface can not be perceived individually, but indeterminably oscillate into one another.

On the one hand, the paint appears to have broken the bounds of the picture surface, covering the wooden frame as well as the central area.

Interest grew for works such as Spring (1940) and Fantasia (1943), which, in their innovative dripped and curvilinear forms spreading across the picture surface, substantiate the claim that Hofmann was a founder of automatism in American painting.

They also distanced their hands from the picture surface by techniques such as Larry Poons» and Louis» studied pourings and the staining and spraying that Frankenthaler and Olitski respectively practiced.

Like an altarpiece the picture surface is partitioned in three parts, at the centre a fish in yellow, brown and pink on a light yellow background is surrounded by baskets.

Rumpled and torn, the signs are not coextensive with the picture surface, but situated deeper in space, in interaction with the trees to which they're affixed.

These can have two effects; they can cause colour on the picture surface to vibrate (particularly when working with a ground in the complementary colour) or can unify the surface of the whole painting.

The physicality and dense entanglements of monumental Abstract Expressionist canvases, in turn, are now regarded not simply as dialogues between paint and picture surfaces, but as historical indexes of the toils of intense, larger - than - life personalities.

it is not the reference to motifs or characteristic traits of style but much more the search for solutions to the problems concerning Hüller in his pictures; the tension between abstraction and figuration, as well as the treatment of a pictures surface.»

That is, he is looking at the physical nature of his material, but restricts himself to acting within the picture surface.

Typically a grid segments the picture surface; inside its compartments Gottlieb placed symbols, whether a hand, an eye, or hieroglyphs of his own invention that blend American Indian or other primitive ritual imagery with allusions to Greek mythology.

They influenced a specific formal component of Abstract Expressionism, the «allover» composition, which disperses pictorial incident evenly across the picture surface.

Migratory currents, the minute structures of living matter, shifting atmospheres and the whorls of fingerprints are simultaneously summoned in the written topographies that swirl and crystallise across the picture surface, conveying turbulent energies and the processes of the universe.

The series culminated in summer 1954 when found objects and images, ranging from mirrors, lightbulbs, umbrellas, and fine art reproductions are regularly incorporated into the picture surface.

When foreground figures take up most of the picture surface the landscape is mere background, which is why Leonardo da Vinci, despite his interest in landscape, did not produce true landscape paintings.