Sentences with phrase «pictures of other artists»

Lawler emerged in the 1970s as part of the Pictures Generation — a loosely knit group of artists who used media tactics to critically examine the functions and codes of representation — when she began taking pictures of other artists» works displayed in private collections, museums, galleries, storage spaces, and auction houses, subtly commenting on the sociological use and value of art.

Emerging in the 1970s as part of the Pictures Generation, she established her signature style in the early 1980s, when she began taking pictures of other artists» works displayed in museums, storage spaces, auction houses, and collectors» homes.

Not exact matches

This picture of the Dutch artist's dependence on his Flemish forbear (Rubens was almost 30 years Rembrandt's senior) exaggerates the evidence and contradicts Schama's other insistent claim: that Rembrandt should be recognized as an unparalleled genius.

There are more picture books about St. Francis of Assisi than any other religious figure, including Christ; Francis» love of animals is rich fodder for an artist.

The positives: prestige films from Fox Searchlight's Three Billboards Outside Ebbing, Missouri to The Shape of Water, NEON / 30West's I, Tonya, A24's The Disaster Artist, Lady Bird and The Florida Project, Sony Pictures Classics» Call Me By Your Name and others have been performing strongly at the box office.

There were certainly plenty of other artists who have covered the popular Christmas song who director David Dobkin could've chosen from, if he was dead set on including that particular tune in his picture.

The other ace in the hole for a movie that could follow the like - minded «Birdman,» «All About Eve,» and «The Artist» to a Best Picture win: Academy members, especially actors, respond strongly to this inside - Hollywood story about «the city of stars.»

The release comes from Twilight Time, who have released 19 other Allen films to date — his entire body of work for United Artists and Orion Pictures, from 1971 to 1991.

Released by Water Tower Music digitally and in a 2 - CD set on May 25, 2010 (two days before the release of the film), the Sex and the City 2 Original Motion Picture Soundtrack, highlights some of the most exciting artists of our time, including a team - up between Jennifer Hudson and Leona Lewis, Alicia Keys, Dido, and Cee - Lo as well as others.

Because the last three Oscar best picture winners — «Argo,» «The Artist» and «The King's Speech» — played both Toronto and Telluride, it's easy to understand the impulse to call the race even before the leaves have started to turn and several other high - pedigree contenders (Martin Scorsese's «Wolf of Wall Street,» David O. Russell's «American Hustle» and the biographical drama «Saving Mr. Banks» among them) have screened.

Other winners in the film categories were Lady Bird for Best Picture (Comedy or Musical); Guillermo del Toro for Best Director for The Shape of Water; Gary Oldman for Best Actor (Drama) for Darkest Hour; Saoirse Ronan for Best Actress (Comedy or Musical) for Lady Bird; James Franco for Best Actor (Comedy or Musical) for The Disaster Artist; Allison Janney for Best Supporting Actress for I, Tonya; In the Fade for Best Foreign Feature; Coco for Best Animated Feature; Alexandre Desplat for Best Original Score for The Shape of Water; and «This Is Me» from The Greatest Showman for Best Original Song.

Performance artist Laurie Anderson offers up something of a living painting with «Heart of a Dog,» her provocative free - form reflection on life and death, humans and animals, the moon and the stars and other big picture ideas.

As a sociologist, intentional or not, he is absolutely brilliant, and just on the strength of his Rocky and Rambo pictures, he's managed as good a diary of the fears and hopes of the last twenty years as any other body of work from any other single artist.

The picture, starring Tony Leung (who looks fantastic) and Zhang Ziyi, is a biopic of Yip Man, the first martial artist to teach Wing Chun, and the man who trained Bruce Lee, among many others.

To use in the classroom: - They can be part of a Spanish art unit - Used for substitute lesson plans - Extra credit activities - Expansion activities for the special ed student (of any spectrum)- Decorations to post on the wall for the parents» night - Well coloured pictures can be used to discuss what is seen, happening / happened, why something happened, why artist wanted to paint this, compare and contrast between artist's other works, classmates choice of colors...

Now he adds to his impressive body of work with this young - adult anthology of poems by Naomi Shihab Nye, Janet Wong, Douglas Florian, and several others, titled I Remember: Poems and Pictures of Heritage, with illustrations by multiple artists.

Following the presentations of Shelly Silver (2015), Akram Zaatari (2016), and Vincent Dieutre (2017), this year's 40th edition will be devoted to Tacita Dean's 16 mm and 35 mm films, and will feature screenings of The Uncles (2004), Kodak (2006), Craneway Event (2009), Event for a Stage (2015), among others, as well as some of the artist's short films, including the 35 mm premiere of His Picture in Little (2017) and Providence (2017).

To suppose that the fact of the religious painter having a more elevated subject than his brother artist makes it unnecessary for him to consider his picture as an artistic production, or that he can be less thoughtful about a color harmony, for instance, than he who selects any other subject, simply proves that he is less of an artist than he who give the subject his best attention.

Still, it was fun to look at them, to catch a glimpse of an image, maybe a fragment of landscape or part of a figure, and guess the artist; or to see the stretcher bars, some of them impressively professional, others clearly makeshift, and read the labels documenting the museums to which the pictures had traveled.

Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

Many of the artists in this selection of pictures from the Visual AIDS Artist + Registry depict themselves in frank dialogue with the camera — sometimes even without the protection that clothing or other artifice might provide.

Examining the photographs of these events, many snapped by Harry Shunk, we might find Saint Phalle's partner, Tinguely; art critic Pierre Restany; gallerist Jeannine de Goldschmidt; poet John Ashbery; her estranged husband, Harry Mathews, and their two children; various neighbors; and artists Daniel and Vera Spoerri, Hugh Weiss, Robert Rauschenberg, Jasper Johns, Ad Reinhardt, and Edward Kienholz, among others.16 Since Saint Phalle considered the sessions to be performance events, or «spectacles,» she amplified their theatricality by arranging for their media - documentation in photographs and short films that painstakingly disclose her methods.17 In addition to the before - and - after images of the firings, where Saint Phalle is often pictured striking defiant or bemused poses, other scenes reveal the creative process leading up to the event.

Ordinary Pictures Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture - based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production.

As an artist she has exhibited extensively both in the US and abroad and has been included in exhibitions including Made In L.A. 2014, Hammer Museum, Los Angeles; the 12th Biennale de Lyon, France; New Pictures of Common Objects, MoMA PS1, New York and The 6th White Columns Annual, New York, amongst others.

By proactively stating its policies on fair use, and by easing restrictions on other uses, the Rauschenberg Foundation offers scholars and arts journalists the comfort of knowing that we're not going to be sued for publishing a picture of his angora goat combine in some deep - dive story about artists and stuffed goats.

Others were «Take It or Leave It: Institution, Image, Ideology» at the Hammer Museum (2014), which surveyed the use of appropriation and institutional critique in art from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.»

It includes small - scale paintings by «other art» artists of various trends, key pictures and objects by masters who make up the nucleus of the «Moscow conceptual school», works by classics of Sots - Art, Post-Modernist painting and photo - realism, as well as works by leading figures of the post-Soviet period.

Still other artists, though, are putting geometry through its paces much like Stella, including Don Voisine strictly within the rectangle and Angelika Schori on both sides of the picture plane.

The support of Phyllis Wattis, the SFMOMA benefactor honored by the exhibition, enabled the museum to acquire all three works pictured here along with eleven others directly from the artist in 1998.

The artist's previous exhibitions include a recent solo exhibition entitled Lovelady, at the University of Texas, Austin, TX (2014), as well as various other group exhibitions including Mote et Air du Temps, Paris, France (2011), Always the Young Strangers, Higher Pictures, New York, New York (2011), Post-Now, Marty Walker Gallery, Dallas, Texas (2010), and Perspectives 168, Contemporary Arts Museum, Houston (2009).

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and other apparatus in the film industry (Syms grew up in Los Angeles around this business and remains based in the city) strung with found photographs in which several hands were pictured forming the kind of gestures seen in her video, while items of the artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.

The exhibition then turns to other works from 1960 onwards, including pieces from movements such as Fluxus and the socalled Pictures Generation, as well as an introspective look at the history of America through work by artists such as Romare Bearden, Jeff Wall, and Cady Noland.

200 %: A controversial example is the artist Richard Prince who appropriated Instagram pictures of other people for his series «New Portraits».

His paintings of the 1940s are obviously responses to natural things, less pictures of rocks and mushrooms and birds than evocations of the artist's empathetic embrace of these and many other subjects.

There's breathing room here, elbowing into the picture many Japanese artists living in New York, and other formalists including Thomas Downing and Sidney Wolfson, in whom can be seen Op sensibilities transitioning the preoccupations of Frank Stella into the hard - edge of industrial - design 1970s patterns.

Conversely, the work of German artists was presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring Augustine and other significant venues.

I am in my studio now, I sit in my studio and look at what is there already and I arrange things around and think and look and then I look at other stuff, like other artists, pictures, magazine images, outside of my window is a big farm field which is a big part of my inspiration.

We once put up a work by a young German artist on a wall with the Richter and a Richard Prince, and when I told the gallery about it and the dealer said to me, «Can you send me a picture of it installed in the room, so that it shows up with the other art?»

As the artist explained, «if my Abstract paintings show my reality, then the landscapes and still - lives show my yearning... though these pictures are motivated by the dream of classical order and a pristine world - by nostalgia in other words — the anachronism in them takes on a subversive and contemporary quality» (G. Richter, quoted in A. Zweite (ed.)

«Why Pictures Now» is already on track to be one of the best shows this year; see it to get a sense of the magnitude of debt many of the other people on this list owe this artist.

The paintings have taken various other photographic themes as their subject matter since 2000, including: details from Hirst's own work, personal photographs of the birth of the artist's son such as «Self - Portrait as Surgeon», which depicts Hirst in the hospital; famous diamonds; scientific photo library pictures of butterflies; and biopsies.

Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.

The fully illustrated catalogue does them more justice, featuring essays by seven writers, including Philippe Cézanne, the painter's great - grandson, which discuss in full detail Fiquet's relationship with her husband, the procedures used by her husband to make these pictures, and the influence of these paintings on Juan Gris, Henri Matisse, and a host of other later artists.

It's a reminder that there are many other structural changes that could be made in society, and that for artists and the institutions that exhibit them, being politically engaged isn't just about showing pictures of other people's socio - political problems.

In the latest installment of the Everchanging Appearance series, the artist has randomly stacked and overlapped the materials to cause the images to dissolve each other, causing the objects that were once still faintly recognizable in their «reflections» to completely disappear beneath the surface of the picture.

In one of her early installations, Picture Room (Gasworks, 2003) she encompassed the collection of items and the incorporation of works by other artists, indicating her intention to work towards an expansive practice, operating between disciplines and escaping categorisation.

His studio space functioned as an important site where artists and others gathered to have their pictures taken among an assortment of Sepuya's materials: camera equipment, art supplies, older work and reference books.

The press release states that Pedersen «was among other things a leading figure in the European artist group Cobra, and whose hallmark was a boundless imagination and an inexhaustible joy in creation... Besides the artist's well known pictorial universe, ARKEN's exhibition also demonstrates the variety of Carl - Henning Pedersen's art: war pictures typified by wildness and horror, the eruption of energy in the Cobra years, and later examples of a more texturally oriented surface painting.