Sentences with phrase «pictures of the scene as»

Immediately after getting in a car crash with another vehicle, take as many pictures of the scene as possible (if you aren't incapacitated).

Even take pictures of the scene as those will come in handy should you require legal services to seek or avoid paying damages.

Not exact matches

Mad Max rode a winning streak in several technical and behind - the - scenes categories to score six Oscar statues last night, though the film ended the night shut out of most of the show's major categories, such as Best Picture and Best Director.

The vivid picture of Jesus striding ahead of his disciples as he makes his way to his fate (verse 32) is an unforgettable scene.

It's the kind of place you, as a tourist, have to muster all of your courage to walk into (picture the biker scene in * Pee - Wee's Big Adventure *).

You can all picture the scene: deadline day panic spending brings a couple of lightweights in to try and appease the masses, then this time next year he will be trying to offload them as not required.

Standing at midcourt at Power Balance Pavilion, Greene was at the center of the Sacramento basketball scene as a freshman taking a celebratory picture in 2013.

Pictures of those who lost their lives in the disaster as well as that of some survivors had also been pasted at vantage points at the disaster scene.

We asked Scientific American readers, as part of our special issue on cities coverage this month, to send us pictures they took of a science or engineering infrastructure scene outside their windows that illustrated the best or worst aspect of life in their city.

We asked Scientific American readers, as part of our special issue on cities coverage this month, to send us pictures they have taken of a science or engineering infrastructure scene outside their windows that illustrates the best or worst aspect of life in their city.

We asked Scientific American readers, as part of our special issue on cities coverage this month, to send us pictures they have taken of a science or engineering infrastructure scene outside their windows that illustrates the best or worst aspect of city life.

Several months ago the scene in question was acted, not, as might be supposed, in the interior of a submarine, but in a quiet corner of a motion picture studio [see illustration].

Even though cameras can capture more data about a scene than the human eye, roboticists are at a loss as to how to stitch all that information together to build a cohesive picture of the world.

Early slides were snapshots of an empty wicker basket on a table; the scenes changed as the series progressed, however, to more shocking settings, such as a tarantula on a person's shoulder and finally pictures of burn victims and other traumatic portraits.

As I was reading these comments — while completely flattered — I just kept thinking to myself, If only these people knew what was really going on leading up to, behind the scenes of, and after this picture they see on their Instagram feed.

Perched on the waters edge of Sydney Harbour, The Opera House is encapsulated with trendy bars and cafe's taking in breath taking views of the Harbour Bridge, as well as a buzzing harbour full of water craft setting the scene for a post card picture perfect day out with your sweetheart.

Oddly, this movie has been released as a summer family picture instead of during the holiday season, where the winter wonderland scenes would've made more sense, commercially speaking.

As made up or possible as these scenes may be, they draw a picture of a man wondrous and wise, heroic and emblematiAs made up or possible as these scenes may be, they draw a picture of a man wondrous and wise, heroic and emblematias these scenes may be, they draw a picture of a man wondrous and wise, heroic and emblematic.

Little Lipnicki has gotten raves for his turn as the bespectacled Ray, and his finely - timed scenes with Cruise — sentimental without once becoming cloying — are indeed the heart of the picture.

As Lelio's earlier films demonstrated, the director's style is restrained but potent, which helps the impact of the actors» performances as well as the picture's fairly graphic love scenAs Lelio's earlier films demonstrated, the director's style is restrained but potent, which helps the impact of the actors» performances as well as the picture's fairly graphic love scenas well as the picture's fairly graphic love scenas the picture's fairly graphic love scene.

As for your classification of mildly funny moments and thereby lacking any laugh out loud scenes is understandable since when you would picture me in a SCAT flick, I don't think anything in this movie would tickle your sides.

Some of the new scenes, such as extensions to the prologue, have no consequence and are inconsequential; the picture had sloughed this stuff off very organically.

David Fincher was once attached to the film but departed due to «creative differences» after Universal reportedly wanted to portray Shyamalan's 2008 film «The Happening» as a massive box office hit, including a scene where «The Happening» won Best Picture over Fincher's «The Curious Case of Benjamin Button.»

«I didn't know Frances very well before making the film, but the picture of her I had of a good actress and a particularly strong one behind the scenes and in interviews was as much a presence as her actual voice.»

is one of those behind - the - scenes featurettes that combines morsels of making - of info with lots of talking - heads hagiography, as various actors and producers gab about how great everyone involved in the picture was and hold forth on how inspirational the story is.

The 1080p picture isn't as sharp as Criterion's best high - def transfers, but the image quality is strong throughout and shows off a very evocative sense of lighting in the many outdoor scenes.

DID N'T LIKE: Thorin's attitude, the rudeness of the dwarves when they first entered the house, Bilbo's leaving on his own (Gandalf didn't come back for him), Radagast the Brown (too goofy, I always pictured a more St. Francis - like character), the way the scene at the end - with Gandalf and the dwarves up in the trees, was totally ruined, and the loss of Bilbo's progression as a character (did he really kill several creatures all ready?

The Silence of the Lambs opened up the Best Picture categories genre requirements, Miramax established itself as a major player on the indie scene with Best Picture squarely in its sights, and Steven Spielberg went from being official Oscar bridesmaid to one of its all - time favorites.

To underline the point, director Matt Reeves frames a sequence of Gary Oldman shuffling through family photographs on his iPad, the glow from the screen quietly lighting the actor's tearful, joyful face; and then repeats the trick a few scenes later, with an entirely CGI character delivering just as complex a scene in total wordlessness, with a different glowing screen and different family pictures.

The only time «bloodsuckers» are ever mentioned is in the picture's opening scene, at that referring to a mosquito; if not for a few genuinely effective scenes of bloodletting, Near Dark would serve perfectly as a cautionary drug tale of a small - town boy pulled into a nocturnal cycle of angry fixes and naked lunches.

Extra bulk includes all the aforementioned materiel plus BD Live features (My Chat, My Scenes Sharing and Exclusive Content) and U Control (Thunderbolt Files, Scene Explorer, Comic Book Gallery, Animated Comic and Picture in Picture), as well as a Digital Copy of the movie, compatible with PC, Mac and iPod.

Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.

Fellow Oscar winner Mark Boal's screenplay takes off early on as the torture scenes paint the picture for the kind of story about to be told.

It's hard to even call it a film, as it consists mainly (90 %) of scenes lifted from the first two Boogeyman pictures, strung together as the psychic experiences of narrator Annie (Kelly Galindo) in sessions overseen by shrink Dr. Love (Omar Kaczmarczyk).

The troubling thing about the picture beyond its obvious troubling things is that with the impending demise of the Miss America pageant (and with The Donald threatening to acquire it), there is the truism that people share the film's belief that pageants are horse - and - pony shows masquerading as scholarship opportunities and don't care about them unless — and here's the rub — you get the reality show behind - the - scenes of the beauties doing their best to scratch each other's eyes out.

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them.

In it, we see flashes of what appears to be a motion picture — or an «emotion picture,» as Monáe calls it — that features actress Thompson in various scenes.

These games are commonly called «Hidden Picture» as quite a few of the puzzles involve combing through a scene and find hidden items.

Though deceptive advertising is nothing new in movies, the DVD cover art of Coming & Going takes the practice far, keeping the wheelchair out of the picture (save for the title logo's odd twist on the familiar handicap symbol), portraying the leads as young and hip in their jeans and tall boots respectively, and, most egregiously, placing a chihuahua poodle hybrid that features in a single 1 - minute scene front, center, and large.

Michael Shannon has one scene as photographer Grey Villet, and he fills the performance with intriguing nuances, such as when he takes a picture of Mildred at the sink.

Brie Larson taking pictures a scene for #CaptainMarvel as of late in LA!

It's daring of McQuarrie, in a big - budget internationally financed action picture such as this, to turn over a fair amount of narrative acreage to a lengthy, methodical scene cutting between a performance of Puccini's «Turandot» and not one, not two, but three assassins lurking in the opera house wings.

With Hitchcock flourishes like food fetish, hat play, and a scene at a carnival (to say nothing of the picture's brilliant central image of Mrs. Smith shaving Mr. Smith with a straight razor as an expression of spousal devotion (and an echo of scraped toast)-RRB-, Mr. and Mrs. Smith is serviceable and workmanlike, occasionally obviously the work of a genius.

The final, longest deleted scene features a naked Quaid passed out on a bed post-tryst with a business partner that ends with a shooting, leading to the realization that for as overblown as much of the picture is, it could have gone a lot worse.

The behind - the - scenes action of Living in Oblivion is no exception, and although we've seen many films just like it in recent years, such as Mistress and The Big Picture, Tom DiCillo's (Double Whammy, Box of Moon Light) creation distinguishes itself by being about a independent filmmaking, not greatly influenced by the dictation of a major studio or bigwig producer, but by conflicts within the filmmaker himself.

You still get the joy of seeing scenes you pictured, but new stuff as they turn internal prose into on screen action.

Although her performance throughout the picture is nothing short of a revelation, these are Portman's strongest scenes, as they are played with an acrobat's care: balancing deftly between confusion, resolve, and despair.

Meanwhile, Hill makes good use of his neuroses, improvisational skills and ability to rib at himself with a half - forced grin, this time around playing the man on the outside as Jenko gets in with the popular college jocks and Schmidt has to do the walk of shame (a great, smaller running gag) and eventually gets into a hysterical kiss / fight with a scene - stealing Jillian Bell that's another highlight of the picture.

As a follow - up to Wes Anderson's intricate Isle of Dogs set exhibition in London's The Store x 180 The Strand, Fox Searchlight pictures have recently shared footage providing a behind - the - scenes look at how the film's puppets were made.

The trouble behind - the - scenes of Marvel's THOR: THE DARK WORLD doesn't seem to have scared off Skydance Productions, Paramount and Annapurna Pictures as director Alan Taylor is negotiations to helm the forthcoming TERMINATOR reboot / sequel.