Sentences with phrase «piece about critics»
(Check out his piece about critics and blockbusters, too.)
https://www.rogerebert.com/ Not exact matches
So when Kim shared a small piece of her own story about leaving the institutionalized church and connecting to a less traditional community of believers, I mixed the well - meaning, thoughtful critiques in the comment section with some of the messages I've been getting from critics lately, and this is what I heard:
This will not be the first time that First Thoughts readers have heard from me on the virtues of Mr. Lionel Trilling, but readers interested in learning more about one of America's greatest critics and intellectuals can check out my piece in today's Wall Street Journal....
A slight change of plans here — I had wanted to talk about this recent Conor Friedersdorf piece about the lack of conservative rap critics as part of a three - part essay called «Paradoxes of Conservative Pop - Culture Studies,» but I realized that to really to do that, I would have to talk about rap more than a bit, indeed, enough to demand a Rock Songbook post or two.
It's interesting that Driscoll writes a piece about how others are criticizing his book — as he is one of the most vocal critics of others who don't fall into his view of how he thinks people should act and be.
Henry words about Sanchez... I stick to the king words... I criticized Wenger for not signing striker and signing Ozil instead in a time our best player was AMF (Cazorla)... But I have to admit that Ozil is doing so great right now... Unfortunatel, my critics of not signing quality striker is still valid because I firmly believe it's the missing piece upfront (not undermining Giroud current form)
Though it lost the foreign - language Oscar to In a Better World 65, this drama about two grown twins who piece together their mother's past after her death landed on several critic top ten lists at the end of last year.
Junge, detained in Russia for a period at the end of World War II before finding work as a magazine editor, treats the unseen Heller like a priest; one might say that her regret drives the piece, resulting in not a lurid film about Hitler (which has disappointed those critics out for something pulpier), but a deathbed confession.
Blu - ray extras include a piece in which Renoir expert Olivier Curchod discusses the film's history and controversy; a discussion about the movie with film professor and critic Ginette Vincendeau; a featurette on the remarkable tale behind the discovery of the original negative; a look at the restoration; and the theatrical trailers from 1937 and 1958.
Special Features Andrei Tarkovsky's short film adaptation of Ernest Hemingway's «The Killers,» made when he was a student in 1956 Interview from 2002 with writer Stuart M. Kaminsky about both films Piece from 2002 in which actor Stacy Keach reads Hemingway's short story «Screen Directors»» Playhouse radio adaptation from 1949 of the 1946 film, starring Burt Lancaster and Shelley Winters Interview from 2002 with actor Clu Gulager Audio excerpt from director Don Siegel's autobiography, «A Siegel Film,» read by actor and director Hampton Fancher Trailers PLUS: Essays by novelist Jonathan Lethem and critic Geoffrey O'Brien
Critics described the movie as campy, fun, and delightful — adjectives rarely heard about period pieces.
Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.
Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.
Among the certainties in the world of film criticism — there will be a series of pieces bemoaning critics» inability to stop a terrible summer film from becoming a blockbuster; Armond White will often stake out a position in opposition to many of his fellow critics; movies about middle - aged men having their mid-life crises sorted out by women well out of their league will always receive mostly kind notices; etc. — there's one that stands above all others.
Chef is essentially Favreau's way of expressing how he feels about pouring his heart and soul into a movie, only to have the piece torn apart by critics.
Semiautobiographical Willie links up with the fictional Stillwater because real - life rock critic Lester Bangs (Crowe's mentor as well as Willie's, beautifully and hilariously played by Philip Seymour Hoffman) assigns him a piece for Creem about the real - life band Black Sabbath.
PLUS: A booklet featuring a 1990 piece about the film by Pedro Almodóvar, a conversation between critic Kent Jones and filmmaker Wes Anderson, and an interview with Almodóvar from 1989
The Atlantic piece ends by reminding us that «the absence of women film critics has been in the news recently thanks to Meryl Streep, who questioned in October how having so few women writers might affect the reception of female - centric films,» while noting that «There are no headlines recently about the representation of other races or sexual orientations, though they deserve many of their own.»
Kudos to Rachel M. Cohen [@rmc031] for her American Prospect piece about charter school unionization (When Charters Go Union), which is a timely update on a small but important issue no matter which side of the reform / critic divide you happen to occupy.
There are several different strands in the piece worth thinking about (including the CCSS - as - a-stepping-stone strategy), but these two sentences speak volumes: «Still, (Common Core) supporters have struggled to counter the critics.
While reading critics, you may find some interesting ideas about the literal work of piece of art.
I'm not the kind of critic that likes to wax poetic about the production of a piece of art.
[In this opinion piece, semi-pseudonymous Game Developer magazine columnist Matthew Wasteland takes a look at gaming's place in the creative canon, looking at what critics miss within gaming, and what everyone needs to understand about games as an artform.]
It turns out that I had written more often about Meyer's art than any other critic, and the catalog reprints every piece, including the artist's obituary.
The era's most famous critic, Clement Greenberg, didn't much care for Judd nor for Minimalism, and Judd, predictably, retaliated: «Clement Greenberg's dogmatism finally discredited serious art criticism,» he wrote in 1984 essay entitled «A Long Discussion Not about Master - Pieces But Why There Are So Few of Them: Part II.»
Yet they also mean shallower arts magazines, with shorter articles, more puff pieces, a fixation on the latest thing, and fewer critics who will shape how others think about art and culture.
There was certainly something about his collections, which derived from his engineering education and love for architecture that made the critics believe his pieces ware not sculptures at all.
Given the fact that he hasn't shown any substantial amount of work in the States for about two decades — aside from a few group shows, art fairs, and his inclusion in the famously identity - politics - focused 1993 Whitney Biennial, where he showed a series of weapon - like wall sculptures (dealing with notions of surveillance, the police state, militarization) that were pieced together with vintage gun parts, carved branches, and coyote bone among other sundry items — «At the Center of the World» was a rare treat for countless artists, curators, and critics who could only follow Durham from afar while his work continually appeared abroad at august venues like the Venice Biennale, Documenta, and galleries and museums across Europe and Latin America.
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I happen to like most books I read (either I would make a terrible critic or I choose good books — likely the former) but when it comes to reading Mihaly Csikszentmihalyi's Flow: The Psychology of Optimal Experience, I knew my next piece for Lawyerist would be about flow and the art of lawyering.