Sentences with phrase «piece against that lot»

Imagine trying to defend a set piece against that lot!

Not exact matches

We need a keeper that is dominant in our box... he needs to come out and collect crosses on a regular with real authority because lots of teams target set pieces or crosses from wide to score against us

I mean the game hasn't changed * that * much in the last 10 years — the teams who can score against the most stubborn defences and defend well themselves tend to do rather well Giroud gets through an awful lot of ugly work in a match, even when he doesn't score and is also an asset when defending set pieces.

Richard Karp, an immunologist at the University of Cincinnati in Ohio, agrees that this is «an intriguing piece of work,» but cautions that there are «lots of loose ends to pull together,» such as how phagocytes can develop specificity against particular microbes.

I'm also bringing a lot of white pieces too, like this crochet top, which I think will be perfect against a desert backdrop.

► A giant caged gorilla is placed into a military cargo plane, accompanied by a man and a woman in handcuffs who argue with soldiers and an agent; the gorilla growls, snarls, and roars, showing large sharp teeth until he breaks apart the cage and several soldiers and government agents fire rifles and handguns to no avail as the animal roars and throws pieces of metal, striking some of the men, tosses several men against the bulkheads of the plane, and stands on the chest of an unconscious agent, who wakes up and shouts; a sliding military vehicle in the cargo hold pins the gorilla to a wall, the man and the woman in handcuffs break free and don parachutes, placing one on the agent and after the plane crashes in smoke and flames we see few bloody footprints of the gorilla leading away from the crash site (we do not see the bodies of the other passengers) and the agent has a cut on his forehead and the other man has lots of blood on the back of head and his T - shirt while the woman's face is scraped on one cheek and one side of her forehead.

Nicholas Middleton: When you are in the middle of the process it's hard to separate out those decisions that go into making a piece... when I started painting after I left college, I didn't... well, I suppose I fought against the idea of just making a painting from photographic sources which looked like a photograph, so I used lots of strategies to disguise it, or to confuse it in a sense, making paintings which were more like collages, or reducing imagery to... well, I borrowed things from pop art to, I suppose, to complicate things, for a few years it felt like I was fighting against what I seem to be naturally quite good at, and then it reached a point where I just felt I didn't want to tie myself in too many knots in terms of the thinking which was going on behind the pictures and then just let myself just paint fairly directly from photographic sources.