Sentences with phrase «piece as an art form»

Not exact matches

Again, with like sarcasm, he ridicules the entire faith and vogue of idols: one cuts a tree for firewood, using it for heating and for cooking; but still a sizable piece remains, until as an afterthought it is given to a craftsman who, with a deal of labor, shapes it into a pretense of human form — and then men bow down to it and say, «Deliver me, for thou art my god!»
There are texts and meditations on the power and purpose of science fiction, both as art form and intellectual tool, but visitors are left to piece together their own ideas — difficult while being accosted by a real Darth Vader mask, Star Trek spacesuits and an enormous, loud, interactive NASA console.
Yuna Yang views each piece of her work as a form of art to be shared, rather than simply sold.
As is oft - noted, cinema remains the art form most closely tied to industry, so the mere act of assembling $ 50 million in financing for a piece of this nature certainly represents no easy task — it's an art in itself.
All of these pieces are tied together as Mr. del Toro honors the art forms he so adores.
This PowerPoint contains five seperate pieces of Art work formed around building an understanding of the Landscape and different parts of the landscape, as well as various Art techniques including: drawing, colouring and collage.
The piece of art can be in any form such as a media clip, a drama, or even an online «mock» magazine.
As if to commemorate this significant milestone Maserati conjures up the most stunning piece of automobile art in the form of the gorgeous GranTurismo coupe.
This feature aims to answer two questions: can videogames be considered an art form, in the same vein as a film, or a piece of music, or even a painting?
Each city could be described as a unique form of expression or as a piece of art.
At Medium, Amsel von Spreckelsen criticized The Beginner's Guide as a piece of modernist art as a form it mostly acclimates itself well to.
I was really happy to see some nods to older songs in secret levels, as well as the collectible puzzle pieces that formed guest art (ala the 3DS» Streetpass Puzzle Swap) to celebrate the history of the franchise.
The Inchcolm Project may perhaps be placed more easily as a piece of theatre, while Dear Esther Live is arguably closer to a concert - hall musical performance, but both are experiments in an overlap of art forms.
Subscribers fill out a form with their favorite media as well as three adjectives that describe their art taste, and receive a new box during their selected time frame (monthly, quarterly, etc) with a piece of original fine art.
I've been «sculpting» my art blog and this is the closest I've come to finding a piece that sees the blog as an art form in itself.
One thing that I think could be woven in is «practical art» — like pottery dishes with coordinating decorative pieces and that are very decorative by themselves; Specific «rite of passage» art and the meaning behind it, as Melissa's ketubah art; and I the American quilt is an art form, as is weavings and wood carving and fabric constructions across many cultures... perhaps the «niche» TAA would best fit is a person whose basic needs have been accomplished (like clean water, food, shelter) and they are ready to move into becoming self - sufficient through their artistic trade.
True artists will always be free in their submission only to one cause - not fame or celebrity, not a career, not pieces of paper from universities, but to that of whether that colour can possibly be right, whether in saturation it is discordant with the image intended, whether a composite form is distractingly discordant to the whole, (as well exemplified in the Angel of the North), not the political agenda of Liberalism in all things - to do as one likes privately or publicly so call it art «because I say it is», or to be «relevant» to a «handout dogma» by revered establishment figures of any description: nothing, as Sickert put it, that follows a «finicky programme of social pieties», and again as he says, quite rightly, defining art as «what I do» - in essence a rigid and confining agenda of a politicised mind.
Thinking back to the time she wrote her most famous piece, she once told Reilly that «there was no such thing as a feminist art history: like all other forms of historical discourse, it had to be constructed.
According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspapart collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art NewspapArt Newspaper.
It was a movement in emphasis, from one dominant form of art that had existed for centuries to a new and challenging one; one in which the identity of the artist was offered as a simultaneous alternative to the traditional object, historically identified as «the subject» of a piece.
This art piece in the form of a looping video will explore the elements of fire, earth, metal, water, and wood and their role as agents of process, change and the earthy seasons.
While Conceptual art takes on many forms, such as the cut - up pieces of John Baldessari, the elaborate performances of Marina Abramovic or the high - brow installations of Joseph Kosuth and Walter de Maria, the guiding principles remain the same.
The mediums of the artworks include traditional art forms like drawing, painting and sculpture, but also time - based mediums like video and artist books as well as participatory pieces.
As a result, their pieces executed here remain in a form of art historical limbo because of their dislocation from the major art capitals of that time, like New York, London, or Paris.
The exhibition explored in depth the relationship of radical politics to art, by providing visitors with factual context in the form of historical objects that brought home the social and historical realities the movement faced, interspersed with historic artwork that supported and reflected its circumstances and ideals, as well as contemporary pieces.
As with other movements, the form of works is varied — collectors can choose from works on paper, editions, sculptures or flat art, starting from around # 5,000 and rising into the millions for the most important pieces.
From 2008 to 2010 Silverman collaborated with Nader Tehrani on «Boolean Valley», a conceptual, installation piece that traveled from the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the architectural spaces within which is was installed.
An early practitioner of body art, Oppenheim often utilized his body as an art form, favoring brief, performative pieces over durable mediums such as painting or sculpture.
Mounting exhibitions every 6 - 12 months, and in this case borrowing heavily from the local collections of the Saint Louis Art Museum, the paintings on display by Rene Magritte, Georg Baselitz, Paul Delvaux, and Max Ernst illustrate this concept of the stone as reference, and a piece by Constantin Brancusi manifests this in three dimensional form.
Performance artists Mónica Mayer and Maris Bustamante, who formed the feminist art group Polvo de Gallina Negra (Black - Hen Dust), used their appearance on a Mexican TV talk show as the conduit for their piece Madre por un dia (Mother for a Day, 1987).
LeWitt translated his ideas into structures that usually incorporated a succession of open - ended cubes formed into small - scale pieces and massive outdoor constructions, such as Four - Sided Pyramid (1999) at the National Gallery of Art.
«Our jewelers create one - of - a-kind pieces that can only be described as art objects,» says Clara Holiday, Sales Manager at form & concept.
A sixteen - piece capsule collection entitled Shadowman, has been released to coincide with the launch of the jackets and includes a limited edition run of wearable, accessible art including hoodies, sweatshirts, t - shirts and hats, as well as collectable art merchandise in the form of skateboard decks and ashtrays.
Linking the plastic instruments with rainbow - colored thread, the piece presents the hair comb as «the first textile art form,» according to Clark.
Designed «to foster new discourse about arts and culture that reflects the diversity of the nation, and increase awareness of culturally rich enclaves often not identified as art centers,» this fellowship will support the writing of long - form pieces for publication in
In the United States, where video pieces by such renowned artists as Bruce Nauman and William Kentridge have sold for hundreds of thousands of dollars, the form remains the red - headed stepchild of the art world, at least commercially.
The piece we have is a hugely successful work of conceptual art: «Untitled, (Plitvice)» stacks paper in the form of a totem or plinth as a monument to the former country of Yugoslavia and its.
Inspired by their great affinity for the exhibition theme and for the PinchukArtCentre as a leading institution in contemporary art, all of the artists decided to create some special pieces, partly in the form of new productions such as those by, amongst others, Anish Kapoor, AES+F, Cindy Sherman, Matthew Barney and Elmgreen & Dragset; of a special reappraisal of existing works by Paul McCarthy, Richard Prince, Boris Mikhailov and Takashi Murakami; or the selection of rare or recent work groups that have never been displayed as part of a major international exhibition before.
Illusory and intransigent, these pieces seemed to bend the possibilities of what could be achieved through Turrell's chosen medium, and were the beginning of his artistic explorations of our perceptions and overall reaction to light as an art form.
Content and form are connected with each other as well as the historical layers of this piece of art, linked to the indivudal history of the artist.
A part of the fabled Vollard Suite — a group of 100 prints the artist created for the Paris art dealer in Ambroise Vollard in the 1930s that mingle the artist's erotic preoccupations and newfound obsession with classical forms — this piece functions as one of Picasso's many self - portraits - by - proxy, in which he imagines himself in the guise of a (usually priapic) artist from a different era, such as Degas or Raphael, often dallying with a model.
Tran's work does not implicitly comment on the gentrification process that big arts events (such as this one) help to accelerate, but the piece could be read as symbolic for the complicated relationship this 6th Berlin Biennale forms with its venue locations and their neighbors.
Marioni pioneered using social situations as art, and his 1970 piece called The Act of Drinking Beer with Friends is the Highest Form of Art has become legendaart, and his 1970 piece called The Act of Drinking Beer with Friends is the Highest Form of Art has become legendaArt has become legendary.
Among the pieces of art featured in Oracle at Broad, we can find numerous seminal works, such as Albert Oehlen, in form of abstract paintings.
They require so little from contemporary art, or so it seems to me, that they are prepared to help over the admittedly modest stile to victory one artist who produces lame conceptual objects, another whose installation is like a solemn sixth - form project, a third whose composition for six opera singers has startling characteristics purely as a piece of music, and a collective of 15 architects, all highly gifted but themselves bemused by the shortlisting, given the existence of (just for instance) the Stirling prize.
BK: I've always had a very broad definition of art, and it always struck me as funny that any piece of canvas with some pigment on it is called art, and some movies or forms of music are considered art and some aren't.
But as slapdash as his work may appear, Cruzvillegas» pieces make serious nods to art history — to the bronzes of Catalan sculptor Julio Gonzalez, who combined forms both organic and abstract, to the entropic cage forms of British artist Anthony Caro, and to the arrangements of wires, covered in hair, by U.S. artist David Hammons.
Through video, enlarged sculptures, a create your own diploma station, and a reimagining of the standard resume format, the artist attempts to play, antagonize and reflect on what it means to enter the labor force.Highlights of this exhibition will be Please Congratulate Me, an enlarged sculpture of a graduation tassel that will be hung from the building and Intern as Art, a performative piece in the form of a hired an intern who is paid to gallery sit, search for more permanent employment online, and enthusiastically talk to gallery about works in the show and his or herself.
Form is challenged throughout the exhibition — pieces such as Venn Diagrams (under the spotlight), where slightly overlapping theater lights with red and blue gels are projected onto the wall, or Eavesdropping, where a series of different colored vintage drinking glasses are inserted into the wall, as if suspended, are cheeky, playful, and adventurous — going against the expectation of conceptual art as an exclusively stark monochrome, while remaining sparse and poignant.
Hosted by Justin Bua — whom Oxygen calls a «world - renowned street artist» but who is perhaps better known for his fine - art posters of breakdancers and UFC fighters — Street Art Throwdown will test artists on «their stamina, strength, and efficiency as they create a large - form piece or mural in hard to reach locations and under harsh conditions,» according to an Oxygen Press Releaart posters of breakdancers and UFC fighters — Street Art Throwdown will test artists on «their stamina, strength, and efficiency as they create a large - form piece or mural in hard to reach locations and under harsh conditions,» according to an Oxygen Press ReleaArt Throwdown will test artists on «their stamina, strength, and efficiency as they create a large - form piece or mural in hard to reach locations and under harsh conditions,» according to an Oxygen Press Release.
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