Sentences with phrase «piece by dancer»

In fact, the exhibition opened with a new dance piece by dancer choreographer Jessica Kilpatrick that was developed to be in conversation with the colorful abstract paintings.

Not exact matches

Backed by a 13 - piece band and an entourage of talented dancers, Midler belts out show - stopping renditions of her biggest hits, including «Wind Beneath My Wings,» «From a Distance,» «The Rose,» «Hello In There,» the title tune, «Boogie Woogie Bugle Boy» and «The Glory of Love.»

Usually these set pieces are performed by one or two singers and / or dancers who croon to the rhythms of a static camera and even more static melodies.

Rally your cheerleaders, dancers, singers, musicians, and mimes together and submit a musical piece / photo / video by January 9 and showcase your student talent at CCSA's 20th Anniversary Conference March 12 -14, 2013 in San Diego.

Stop by on Saturday for the fasoulia (butter beans cooked with leg of lamb pieces, garlic, and cilantro in a tomato - based sauce) and a performance by local belly dancers.

He's backed by a talented nine - piece band with horn section, two gorgeous backup singers and four burlesque dancers, The Dirty Virgins.

The original Ubud village has been home to a distinguished community of artists including painters, carvers and dancers who to this day continue to display amazing master pieces inspired by this most beautiful area of Bali.

Rich Maladecki, president & CEO of Central Florida Hotel and Lodging Association, served as master of ceremonies for the gala, which included an official ribbon cutting with ribbon dancer entertainers; culinary creations prepared by Chef Rick Pestana of the hotel's in - house food and beverage team with assistance from students of the Florida Technical College in Kissimmee; and a five - piece band that provided entertainment throughout the evening.

Acclaimed French choreographer and experimental dancer Boris Charmatz visited Philadelphia for a residency and public presentation of his performance piece for 24 dancers, Levée des conflits (Suspension of conflicts), at Drexel's Mandell Theater, co-presented by FringeArts, in combination with a series of interpretive programs.

Presented by Art Basel in collaboration with Kaserne Basel, L.A Dance Project will perform Merce Cunningham's «Winterbranch» (1964), an early piece Cunningham created together with Robert Rauschenberg (concept, costumes, lighting design, accessories) and La Monte Young (music); and «Moving Parts» (2012), a collaboration between dancer and choreographer Benjamin Millepied and artist Christopher Wool.

Inspired early in his career by modern dance — notably through his relationship with members of New York City's influential Judson Church dancers — and Japanese Zen gardens, the artist sought to create works that engage viewers in movement, taking in his large - scale sheet - metal pieces by navigating the space around them.

And finally, Andrew Hurst, performance / visual artist / composer, will entice the dancers through a series of pieces involving texturally rich film and video projections enhanced by brand new sonic explorations that will feature an array of unconventional live instrumentation.

When I invited Carlos Motta he suggested collaborating with art writer John Arthur Peetz and choreographer - dancer Carlos Maria Romero for a bigger performance piece inspired by queer manifestos from the 1960s to the present.

At the end of the exhibition, the piece was purchased by Rauschenberg's friend Carolyn Brown (b. 1927), a dancer with the Merce Cunningham Dance Company, and her husband at the time, composer Earle Brown (1926 — 2002).

Stilt Dancers, Musicians, and Ritual Processions Come Together in New Performance Piece by Artist Laura Anderson Barbata Animating the United Nations Plaza for World Ocean Day on June 8

Amnesia Wars presents «Ciphered Bridges», an exhibition and in which accomplished musicians, dancers, and actors improvisationally devise performance pieces as decreed each night by international conceptual artist Køvvånng.

The disputed work, a multi-screen cinema piece called The Long Road to Mazatlan, made by Julien and featuring De Frutos as both choreographer and dancer, will be part of the artist's exhibition at Tate Britain, in central London, which opens to the public on Wednesday.

On leaving Garage, one can still be part of do it Moscow by participating in events such as the «planetary dance» procession staged at the Krymskaya Embankment based on instructions by renowned choreographer and dancer Anna Halprin, or by responding to the challenging task set by Japanese artist Shimabuku to «make an animal smile» or one can dance with a large piece of chalk at the Park of Arts «Muzeon», as instructed by American artist Joan Jonas.

Contemporary artist Chris Doyle, featured in issue 1, and choreographer / dancer Amy Smith, featured in issue 8, will discuss several of their collaborative experiments and talk about their work together on the forthcoming Red Rovers, a performance piece that takes as it starting point the exploration of the Martian landscape by the rovers Spirit and Opportunity.

The most notable examples are the Boston Conservatory dancers led by Silas Riener performing excerpts of Merce Cunningham's work and students of MIT professor Kelly Nipper performing sets of actions developed as an extension of Theatre Piece No. 1 (collectively named Theatre Piece No. 1 x 50).

Choreographed by Gerard & Kelly, the piece featured 14 CalArts dancers.

His first piece, Instead of allowing some thing to rise up to your face dancing bruce and dan and other things (2000), draws heavily on his choreography background: It features a single dancer writhing on the floor and incorporating poses from videos by artists Dan Graham and Bruce Nauman.

Arceneaux's first work of theater, the piece explores the controversial inauguration day performance by Ben Vereen, in which the actor and dancer paid tribute to vaudeville performer Bert Williams.

Her Biennial piece, Devotion Study # 1 — The American Dancer, commissioned by the Whitney for the 2012 Biennial, employed a text written for the occasion at Michelson's request by another Biennial artist, theater director / playwright Richard Maxwell, founder of New York City Players.

The pieces in the Arsenale that were drawing the biggest crowds (and queues) earlier today were a new light piece by Turrell and a screening of Christian Marclay's wildly popular 24 - hour film The Clock, though highlights for me included work from: Relph (three overlapping film projections — about Ellsworth Kelly, tartan and Rei Kawakubo), Gerard Byrne (a series about the Loch Ness monster), Elad Lassry (new photographs and a 35 mm film of a ghostly dancer), Rosemarie Trockel and Giulia Piscitelli (a series of iridescent silk pieces stained with bleach and acid).

With a 16 - line libretto by Samuel Beckett, «Neither» weaves 12 dancers into Feldman's score, setting Shen Wei's painterly choreography amid large moving set pieces and visuals of his own design.

In 1925, de Creeft developed another new technique, now known as found object, or assemblage art, when he was asked to create a piece for the Gran Bal Español by the world famous flamenco dancer Vicente Escudero.

Created and performed in the gallery by the acclaimed South African choreographer Dada Masilo with two other dancers, the piece was commissioned by the Center for Jazz Studies, Columbia University, in conjunction with the exhibition.

The section opens with two moving - image pieces — one by Johan Grimonperez about the global arms trade, courtesy of New York's Sean Kelly gallery, the other by Mathilde Rosier about dancers in Nairobi, brought to the fair by Dusseldorf's Kadel Willborn gallery.