We kept the original text - not the whole play, obviously - and that has been adapted and is really a stunning
piece of cinema in terms of the visuals.»
What follows is one of the bloodiest
pieces of cinema in a long time.
Not exact matches
Annabelle: Creation is a movie that pushed me to think long and hard about the role
of demonic activity and the occult
in modern - day America, and was an excellent
piece of cinema.
I am very interested
in and very keen on the idea
of writing an original musical expressly for the
cinema, taking into account the differences between the world
of the
cinema and that
of the theater — which is rarely done when a theater
piece is transformed to the
cinema.
Dubbed «sugar babies», these good - looking girls join rich older men for
cinema dates, gym trips and holidays
in return for a monthly cash allowance and lavish presents - plus the
piece of mind that they'll leave university
in the black.
While Rockstar San Diego may find some difficulty
in filling its open expanses with interesting and emergent play, it does imbue it with a stark beauty and compelling narrative that makes Redemption more than just an allusion to
cinema, but a
piece of work that can confidently stand next to it.
As is oft - noted,
cinema remains the art form most closely tied to industry, so the mere act
of assembling $ 50 million
in financing for a
piece of this nature certainly represents no easy task — it's an art
in itself.
It's like a Max Ophüls movie on crack, and the most magical
piece of cinema I've seen
in Cannes
in many a year.»
For those
of us who prefer to judge Gibson solely
in terms
of his art, the movie is a virtuosic
piece of action
cinema — particularly
in its second half... And while there has been no shortage
of recent films that decry the horrors
of war and man's inhumanity to his fellow man, I know
of none other quite this sickeningly powerful.
A spectacular
piece of virtuoso
cinema that impresses not only for its remarkable technical achievement (Lubezki reached heavens with that jaw - dropping «forged» long - take), but also for being an incredibly well - constructed (and hilarious) character study with Michael Keaton
in a magnificent career - defining performance.
However, Vaugn does a great job
in assembling these
pieces and constructing a film that is a refreshing and charming
piece of cinema.
In addition to being a great piece of art, A Month in the Country sees several of British cinema's most formidable talents in some of their earliest performance
In addition to being a great
piece of art, A Month
in the Country sees several of British cinema's most formidable talents in some of their earliest performance
in the Country sees several
of British
cinema's most formidable talents
in some of their earliest performance
in some
of their earliest performances.
While the movie is not an outstanding
piece of cinema, the talented cast have fun with the silly transformation plot and ensure quite a good time for viewers
of most ages,
in the tradition
of the Disney films
of its era.
It's a loose adaptation
of British novelist Sarah Waters» Fingersmith; it's a milestone
of LGBT
cinema in conservative South Korea; it's an unapologetically kinky slice
of erotica Tinto Brass at his most florid would be proud
of; it's a Byzantinely structured tale
of con and counter-con that makes real demands
of its audience to keep up; it's a stirring narrative
of women escaping from bastard men; it's a vividly sketched chamber
piece; and — most importantly — it's a damn good yarn.
It was made into a classic
piece of early 1960s
cinema (and a 1990s remake), and will soon arrive at Netflix
in a modernized form.
I watched Dunkirk again recently on the small screen, and while it was not quite as thrilling as the first time
in the
cinema I still thought it was a fantastic
piece of work and was gripped throughout.
What transpires is an emotional, uplifting and ultimately inspiring
piece of cinema that is about as good as British
cinema has had to offer
in recent years.
Though the influence
of Hong Kong director Wong Kar - wai on Barry Jenkins» Moonlight has been well documented, the Best Picture winner's most direct allusion to the master
of exquisitely stylised melancholy comes via its brief use
of Caetano Veloso's rendition
of «Cucurrucucú paloma» by Mexican composer Tomás Méndez, a lovesick
piece also features
in the soundtrack
of Wong's own mood - drenched classic
of gay
cinema, 1997's Happy Together.
The Week
in Movies discusses the last seven days
in cinema, including a bunch
of actors announced for Spider - Man: Homecoming, a very unexpected
piece of casting for Fast and Furious 8, the first trailer for The Office spin - off David Brent: Life on the Road and much, much more... The Week
in Movies is an excerpt -LSB-...]
In his review, Nick Casaletto praised the film, calling it «a well - crafted
piece of cinema.»
As our man
in Venice put it, «It's a visually breathtaking
piece of punk - art
cinema that gives a lot
of food for thought.»
The most important
piece of news to come from the panel is that the Victorian special will be shown
in selected
cinemas across the globe around the time
of its TV release, which will finally do the BBC's high - end production proud as the show is played on the big screens it truly deserves.
With Black Panther set to open
in cinemas around the world this week, Marvel will soon be turning its full attention to the marketing campaign for Avengers: Infinity War, and today we've got a new
piece of promotional artwork for the hugely - anticipated superhero event, which gives us another look at Iron Man
in his latest -LSB-...]
With Black Panther set to open
in cinemas around the world this week, Marvel will soon be turning its full attention to the marketing campaign for Avengers: Infinity War, and today we've got a new
piece of promotional artwork for the hugely - anticipated superhero event, which gives us another look at Iron Man
in his latest armor.
However, the buzz wasn't because the film was a sensational
piece of cinema, but because it was secretly shot at Disney World, and was decidedly something that the House
of Mouse would not approve
of in the least.
Two acting heavyweights
of French
cinema go head to head
in this modest, rewarding character
piece.
When, early
in the
piece, eldest son
of the Friedman clan David addresses the camera directly
in what he warns is a personal journal, Capturing the Friedmans subverts the exploitive voyeurism that defines
cinema, particularly pornographic
cinema,
in a way that is as cannily, uniquely, ironically filmic as Michael Powell's Peeping Tom.
This is a very handsomely mounted period
piece, the kind where it almost never rains
in England, which is one
of the
cinema's two biggest lies.
One
of the more refreshing
pieces of cinema here at the Toronto Film Festival among the gravitas, and one
of the more intriguing titles up for sale is I, Tonya, the comedy - drama that Margot Robbie produced and stars
in as fallen Olympian figure skater Tonya Harding.
Ultimately, Selma is a powerful and beautifully constructed
piece of cinema about a turbulent time
in US history and well worthy
of your attention.
While the nature
of the proceedings (which some may label «formulaic») makes the movie more apt to be labeled one's «favorite» than «an outstanding
piece of cinema», it truly does succeed
in one
of the most basic ways that film can, by hooking you
in emotionally with tact, not force.
The intent behind Strong's picture is clear — to craft a
piece of cinema that stands as a fictional representation
of Salinger's grand significance
in the literary realm.
Selma review - «a powerful and beautifully constructed
piece of cinema about a turbulent time
in US history»
The visual splendor
of Zack Snyder is on full display, and what a magnificent looking
piece of cinema it is, as the director does well playing somber and slow during the first hour - plus
of build - up, only to finally get a chance to let it all rip
in grand fashion for a lengthy showdown between godlike beings battling it out on Earth for the fate
of two separate races.
In a decade dominated by the first wave of American independent cinema and blockbusters — everything sharks and wars amongst the stars and godfathers — Malick delivered two of the most important pieces of American cinema in the post-studio ag
In a decade dominated by the first wave
of American independent
cinema and blockbusters — everything sharks and wars amongst the stars and godfathers — Malick delivered two
of the most important
pieces of American
cinema in the post-studio ag
in the post-studio age.
He was
in this year's Batman V Superman: Dawn
Of Justice, was briefly in Suicide Squad, has shot the ensemble piece Justice League, has a film named The Accountant out in a matter of weeks and will now have a potential Oscar - magnet which he wrote and directed in cinemas by the end of the yea
Of Justice, was briefly
in Suicide Squad, has shot the ensemble
piece Justice League, has a film named The Accountant out
in a matter
of weeks and will now have a potential Oscar - magnet which he wrote and directed in cinemas by the end of the yea
of weeks and will now have a potential Oscar - magnet which he wrote and directed
in cinemas by the end
of the yea
of the year.
Still, Mantle has found a way to let his background influence his work with filmmakers like Boyle and Kevin Macdonald
in the most pleasantly surprising
of ways, and such was the case on «Slumdog Millionaire,» perhaps the most visually dynamic
piece of cinema to be released
in 2008.
Beautifully directed and brilliantly acted, A Nightingale Falling is a moving, authentic
piece of cinema about a turbulent period
in Irish history where loyalty and trust were for many the only means
of protection.
Currently
in cinemas, David Lowery's remake
of Pete's Dragon is a surprisingly decent
piece of entertainment.
It won't change the face
of cinema history, and it won't win any awards (it's too downright dirty for that), but it's furiously entertaining, and a very strong
piece of drama from a director who hasn't much luck
in the last thirty - odd years.
Tonally it owes more to Rowan Woods's excellent drama The Boys rather than other Australian crime films like The Square, Gettin» Square or The Hard Word and yet it still follows the conventions
of a crime drama to result
in a complex and gripping
piece of cinema.
It's a beautifully sustained
piece of cinema, raw and authentic and emotional, and if the movie ends just a bit too abruptly... well, there's always the possibility
of another visit
in 2022.
Tom Jones is a magnificently entertaining motion picture, and while I'm not one to say it's quite the masterpiece it was lauded as back
in 1963, that does not mean it still isn't an essential
piece of cinema worthy
of multiple looks.
Saintliness and
cinema are an odd couple, enough so that auds will be caught off - guard by «This Is Martin Bonner,» a mood
piece, a character study and an exercise
in poetic gesture possessed
of a sort
of evanescent, secular spirituality.
A detailed study
of 19th - century painter Joseph Mallord William Turner
in his final years, Mike Leigh's latest slice
of art - house
cinema works
in much the same way as a Turner landscape: You have to be with the
piece in person, then let it wash over you, one muted colour at a time.
France's «
Of Gods and Men,» the grand prize winner at last year's Cannes Festival, offers up just such a message in a finely wrought, quietly observed ensemble piece starring Lambert Wilson and the 79 - year - old Michael Lonsdale, whose jowly, hangdog countenance has graced over half a century of great cinem
Of Gods and Men,» the grand prize winner at last year's Cannes Festival, offers up just such a message
in a finely wrought, quietly observed ensemble
piece starring Lambert Wilson and the 79 - year - old Michael Lonsdale, whose jowly, hangdog countenance has graced over half a century
of great cinem
of great
cinema.
From the so called Package, a weekly update
of content privately distributed
in Cuba, which include a Classics section, I picked out Andrzej Wajda's Czlowiek z źelaza (Man
of Iron, 1981), a quintessential
piece of auteur
cinema, blending fiction and facts
in an unprecedented and maybe never again possible way, all suffused with romanticism.
The film's cinematography is second to none, and Anton Karas» inimitable zither score has become one
of the most recognizable
pieces of music
in cinema history; Welles, Cotten and the rest
of the cast are equally superb.
From Brooklyn to Saudi Arabia, these artists hail from all around the world, each having managed to create a
piece of cinema (
in some cases multiple
pieces of cinema) that have spoken to our writers here on Movie Mezzanine.
Despite my small complaints, Fury Road is still a masterful
piece of cinema and an instant classic
in the action genre.