Spotlight is a tremendous
piece of film making that will make you go completely speechless with some of the scenes in this movie.
A gorgeous and engaging
piece of film making that exemplifies all that is right about cinema.
Not exact matches
So he
made his own pair by attaching a
piece of UV - blocking window
film bought at a hardware store to a
piece of transparency paper.
And that's
making the
film, rather than writing a
piece of literature on paper.»
Recent and upcoming releases include the romance - horror hybrid Spring; the hotly - anticipated The Look
Of Silence, Oppenheimer's companion piece to The Act Of Killing; The Connection, a 70's - set true crime epic and European flipside to William Friedkin's The French Connection starring Oscar ® winning Best Actor Jean Dujardin (The Artist); The Keeping Room, from director Daniel Barber (Harry Brown), based on Julia Hart's acclaimed Black List screenplay, starring Brit Marling, Hailee Steinfeld and Sam Worthington; the multiple Cannes award winning The Tribe, filmed entirely in Ukrainian Sign Language with a cast of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films, of the 1981 disasterpiece Roar, the most dangerous film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animal
Of Silence, Oppenheimer's companion
piece to The Act
Of Killing; The Connection, a 70's - set true crime epic and European flipside to William Friedkin's The French Connection starring Oscar ® winning Best Actor Jean Dujardin (The Artist); The Keeping Room, from director Daniel Barber (Harry Brown), based on Julia Hart's acclaimed Black List screenplay, starring Brit Marling, Hailee Steinfeld and Sam Worthington; the multiple Cannes award winning The Tribe, filmed entirely in Ukrainian Sign Language with a cast of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films, of the 1981 disasterpiece Roar, the most dangerous film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animal
Of Killing; The Connection, a 70's - set true crime epic and European flipside to William Friedkin's The French Connection starring Oscar ® winning Best Actor Jean Dujardin (The Artist); The Keeping Room, from director Daniel Barber (Harry Brown), based on Julia Hart's acclaimed Black List screenplay, starring Brit Marling, Hailee Steinfeld and Sam Worthington; the multiple Cannes award winning The Tribe,
filmed entirely in Ukrainian Sign Language with a cast
of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films, of the 1981 disasterpiece Roar, the most dangerous film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animal
of deaf, non-professional actors; and a remastered re-release, in conjunction with Olive Films,
of the 1981 disasterpiece Roar, the most dangerous film ever made, starring Tippi Hedren, Melanie Griffith and a cast of 150 untrained lions, tigers and exotic animal
of the 1981 disasterpiece Roar, the most dangerous
film ever
made, starring Tippi Hedren, Melanie Griffith and a cast
of 150 untrained lions, tigers and exotic animal
of 150 untrained lions, tigers and exotic animals.
In a neat
piece of narrative structuring on Tanovic's part, this David - and - Goliath story is told partially through the eyes
of a
film crew
making a documentary on Ayan's astonishing findings.
By carefully arranging mirrors, they could
make photons arriving from the routes around both galaxies strike a
piece of photographic
film simultaneously.
tin foil — foil
made of tin or an alloy
of tin and lead tinfoil foil — a
piece of thin and flexible sheet metal; «the photographic
film was wrapped in foil» atomic number 50, Sn, tin — a silvery malleable metallic element that resists corrosion; used in many alloys and to coat other metals to prevent corrosion; obtained chiefly from cassiterite where it occurs as tin oxide 2.
tin foil — foil
made of aluminumtin foil — foil
made of aluminum aluminium foil, aluminum foil foil — a
piece of thin and flexible sheet metal; «the photographic
film was wrapped in foil» Al, aluminium, aluminum, atomic number 13 — a silvery ductile metallic element found primarily in bauxite
The founders, Stephanie Danan and Justin Kern both hail from the world
of film (one a producer and the other a screenwriter, respectively), which
makes sense given that there is a cinematic quality to their collections — the individual
pieces tend to move beautifully.
Roll each
of the stuffed turkey cutlets up in the bottom
piece of cling
film and line them up to chill on a plate in the refrigerator as you
make them.
The former experimental
film director instills eco-kudos in her bijoux by ensuring that all her gemstones and semi-precious stones are ethically sourced, and
of course she hand -
makes each
piece in her own New York based studio.
Whether it's a photograph or a
piece of clothing, a leather bag or a
film, I tend to gravitate towards simple, beautifully
made, quietly lovely things.
A junior - league rip - off
of Rocky (and countless other boxing
films), the movie doesn't just borrow from Stallone's proto - Reaganite blockbuster — it all but samples it, sprinkling in bits and
pieces from most
of the other go - for - it sagas (The Karate Kid, An Officer and a Gentleman) that Rocky
made possible.
The moment the
film got into the people who believed that cell towers and mobile phone transmissions
made them ill; I just shook my head — really didn't need the «crazies» showing up in this brilliant
piece of work.
This is the BEST James Bond
film ever
made as it is full
of style, amazing action
pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor, action, style, brutality), Xenia Onatopp is the greatest creation
of a villain and Bond girl (because her weapon is
It was enjoyable but not a breakthrough composition in terms
of the
film, sort
of just standard fare biopic montage
of interviews and old photos with the main thread
of the
piece being the documentarian's footage
of Toback's then newest adventure in
film -
making.
This is the BEST James Bond
film ever
made as it is full
of style, amazing action
pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor, action, style, brutality), Xenia Onatopp is the greatest creation
of a villain and Bond girl (because her weapon is Bond» worst nightmare), the villain is truly threatening and played very well by Sean Bean, the title song is awesome and classic Bond, the script for this
film is VERY well written and witty, etc..
Mission: Impossible - Rogue Nation proves that theory by being absolutely fucking excellent; it is the best
film in this series, and it is a perfectly realized
piece of cinematic craftsmanship, one that would
make any
of the truly skilled great filmmakers proud.
While this is a more conventional
piece of film -
making, it leaves us haunted by the same questions — how a society can fail its most vulnerable members so completely.
It's a decent
piece of low - budget
film -
making that shows what you can do with artfully built tension, skilful editing and a handful
of shocking moments.
Tight editing and pace
make for a careful and thoughtful
film that is a very strong
piece of cinema.
All that mixed with the ingredients
of a blockbuster
film, a great cast, good humorous timing and spectacular set
pieces makes for a very entertaining ride that works as a standalone
film as well as part
of the bigger picture.
Franco tries his best to
make an art
film, but ends up creating a
piece of garbage.
No, people, this type
of film is quite a ways away from being something like «Rock
of Ages», but the idea
of a period
piece about a prominent rock music club is close enough to
make the handful
of people who know about «CBGB» get the «heebie - jeebies».
What
makes «Very Bad Things» a more rewarding experience than other
films in its genre is that writer - director Peter Berg seems to be onto the fact that he's
making a
piece of shock schlock and not a sociological pronouncement.
I think the main reason that many people were really skeptical about the
film was probably due to how a superhero
film probably wouldn't do as well as it could or wouldn't be as serious as it could be since it takes place in the 40s during WWII and sine Captain america, was more
of a
piece for its time when it was
made, so people felt that the Nazi shtick would probably get old after a while, especially since it had been done in so many
films and video games prior.
It's not his fault, though, as this
film would have been weak regardless
of the star, with a predictable storyline and events that will have you recalling bits and
pieces of plenty
of other comedies
of humiliation featuring a meek man finding the cojones to finally take on the bully in his life, only to
make an utter ass
of himself.
Parts
of F6 are fun, but a convoluted plot, with terrible, frenetically chopped up action set
pieces, and an overextended run time,
make this
film cumbersome and dull by the end.
«It wasn't until I saw Greta talk about the
film and
making it and putting it together, and how all
of this came from her and she's done something brilliant that people truly love and it's a great
piece of work that I thought, «Oh yeah, I do want to do this now and maybe I could actually do it,»» Ronan adds.
It only ever bothers to ask the question posed at the beginning
of this
piece an hour into the
film,
making the first two acts setup.
Each
of Green's meticulously crafted
pieces draws on his background as a production designer, where he honed his creative eye for 12 years, before
making his directorial debut in 2006 with his short
film «NASA,» for Audi through BBH.
In the
film, it works beautifully in the dress that
makes use
of an antique
piece of Flemish (Brussels) lace, but less so in the dress Alma models with a lace apron at the skirt for the fashion show.
Death tends to
make us look back at our lives, and Lonergan's script is presented like that where the
film relies on plenty
of flashbacks to fill in the
pieces of what happened with his characters.
She
made her
film debut in Brian DePalma's 1987 gangster flick The Untouchables and went on to become the darling
of the indie
film world with her stunning turn in 1998's High Art, followed by strong roles in such lauded
films as Far from Heaven, The Station Agent, and
Pieces of April.
As a
piece of fiction it does raise issues with real world repercussions, and the
film certainly
made me think.
This remarkably mature
piece of film -
making suggests that independent cinema has a new Kidd on the block.
The
film is, as I wrote in my own review, an immaculate and often startling
piece of work, and while I think Haneke has
made richer, more satisfying
films in his career, I'm already looking forward to revisiting this one.
If you've purchased this disc, watched the
film, and remain hungry for information on the
making of The Witch Who Came from the Sea, then it's more than possible that unexpurgated interview
pieces would be welcomed with open arms, at the least more so than Gersh's decision on which bits to keep and in what order.
This is a brave, inventive and original
piece of film -
making, but it doesn't quite work.
«
Pieces» is an indie crime drama and is based on a short
film of the same name that Taylor
made which was first shown in 2014 at the Palm Springs International ShortFest.
There's only a few
films each year that have all
of those
pieces in place to
make that sort
of awards run, and this year «The Gangster Squad» certainly could be one
of them.
The
film's black humour, graphic violence, and nonlinear storyline
make it a unique
piece, deserving
of its «Greatest Independent
Film of all Time» title named by Empire.
A fine
piece of genre
film making, The Town is Ben Affleck's follow - up directorial effort to Gone, Baby, Gone.
Adapted from the short
film by director David F. Sandberg and adapted by horror - centric screenwriter Eric Heiserrer, Lights Out may be a quick, simple, and slightly familiar
piece of PG -13-level horror, but it's also a well -
made and unexpectedly engaging thriller as well — with an ending that's sure to generate at least a small amount
of debate among horror fans.
Blu - ray extras include a
making -
of piece; an interview with Cronenberg; his 1970
film Crimes
of the Future; and an irresistible 20 - minute segment from a 1980 episode
of The Merv Griffin Show, with Reed as one
of the guests alongside Orson Welles and Charo.
The documentary is very nicely done, drawing in many different people who were involved in the
making of the
film; it's very much a real documentary rather than a promotional
piece.
The whole
film often looks over-exposed, with a patina
of rainbow shimmer infusing every shot, but cinematographer Rob Hardy (Ex Machina) has
made a deliberate and distinctive
piece.
Eric Rohmer (1920 - 2010)
made 50
films over a period
of 57 years, beginning with the short Journal d'un scélérat (50) and ending with the 17th - century period
piece The Romance
of Astrea and Celadon (07).
MEMENTO The second reality - testing
film to
make my list this year, Christopher Nolan's darkly funny noir
piece Memento is something
of a tribute to the editor's craft.