Sentences with phrase «piece of police work»

This article from Telegraph.co.uk describes what sounds like an amazing piece of police work if I ever heard of one.

Not exact matches

In the French Alps, police working to recover remains from the crash site said they so far have recovered between 400 and 600 pieces of remains from the victims.
James Murdoch stated that News International had based its «push back» against new allegations on the combination of three pieces of evidence: that the Metropolitan Police had closed their investigation, that the Crown Prosecution Service had closed their prosecution and that they had received written advice from their legal advisors Harbottle & Lewis, that there was nothing to suggest phone hacking was not the work of one «rogue reporter» working with private investigator Glenn Mulcaire.
Specifically, the piece came a year after Depardon's police film Faits divers (1982), and Rouch's questions are mainly dealing with the production of Depardon's most recent work.
The film is a strong, surprisingly uplifting piece of work, some of the scenes in which have stayed with me throughout the year, in particular a beautifully choreographed sequence in a police station and a heartbreaking conversation between two characters late on.
As a piece of cinematic commentary, however, this is by far the more cohesive work — «these things live or die by the script» observes a local Irish reprobate / police informant while watching a subpar porno that's all action and no plot.
As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.
There are playful moments in all of his work, including the miniature lovers sheltering under beer bottle caps, as well as pieces that make more of an overt statement such as the vandalised police riot vans.
The latter work of a grieving woman shedding a collage of tears is given close attention because of its historical significance as a tribute piece created in memory of the black British teenager Stephen Lawrence, who was brutally murdered in 1993 and whose name later became synonymous with a public inquiry into the Metropolitan Police's institutionally racist mishandling of the case.
Given the fact that he hasn't shown any substantial amount of work in the States for about two decades — aside from a few group shows, art fairs, and his inclusion in the famously identity - politics - focused 1993 Whitney Biennial, where he showed a series of weapon - like wall sculptures (dealing with notions of surveillance, the police state, militarization) that were pieced together with vintage gun parts, carved branches, and coyote bone among other sundry items — «At the Center of the World» was a rare treat for countless artists, curators, and critics who could only follow Durham from afar while his work continually appeared abroad at august venues like the Venice Biennale, Documenta, and galleries and museums across Europe and Latin America.
There are works depicting police brutality, American soldiers torturing a captured member of the Viet Cong and a large piece where JFK and Khrushchev point in an accusatory manner at each other as West faces off with East.
For Material, the artists brought an assortment of their work that includes two police riot shields that Peláez tarted up with corporate branding, like a NASCAR uniform, and a square - meter floor piece of faux - wood slats by Murcia, displayed like a Carl Andre, that has pricing set to fluctuate in proportion to the square - meter real - estate cost of the space where it's displayed.
In Today's Toronto Star, Anna Martin writes about the Public Works Protection Act and the sweeping powers given to police under an obscure piece of legislation.
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