Sentences with phrase «piece of text through»

Not exact matches

How can God reach us through little pieces of text in a lectionary?

Laid out as a string of facts, accruing weight through conjunctions — 12 «ands» dot the text — the piece claims first of all to be a history.

He casts McGillis in the same way he cast Dee Wallace Stone in The House of the Devil, as not only a reminder of his roots (and his indebtedness to them), but also a means through which he might resurrect the idea of character actors in ensemble pieces who provide a richness to the text simply by the fact of them.

He'll read out a wrenching piece of text while she listens through headphones, with the apparent attitude of a recording engineer: «Can we take that again, Dad?

There's something existential about both approaches to the piece, but neither read is extant in the text so much as possible through objective consideration of the fact of the text.

It is looking closely at how an author's ideas unfold through a text by examining the main idea, plot, vocabulary, syntax, story patterns and / or point of view through multiple re-readings of a piece of literature or informational text.

On magazines like T3, you'll find a nice, lifelike page turning action which even shows the back of the page as it turns, revealing the text on the other side, as if you were looking through a piece of translucent paper.

As we talked through these issues, I began to wonder if the text needed to be different for each type of piece.

Information is spread around awkwardly so that you have to flip madly through the rules to find the relevant piece of text and it's incredibly easy to miss important bits of information.

Not exactly news of the moment, but over on The Lifestream fans of Final Fantasy 7 have dug through the game's code and pulled out unused pieces of text as well as some other assets.

Through her mosaic portraits, however, Schimmel Gold uses thousands of pieces of images and text cut from these advertisements to express the true inner beauty of woman: «What we express, how we hide or show our feelings — our sense of humor [and] sexuality.»

At 70 years of age, Long still produces all his work himself, without assistance, and the physical act of making a piece or completing a walk is very much a part of the work itself — some of which, ephemeral in nature, go on to exist solely through photography and text records.

From early photo - text pieces, where Wilson dressed as a man who is impersonating a woman, to her performances as First Ladies Nancy Reagan and Barbara Bush, to her most recent works, in which Wilson revisited the framework of her early photo - texts to investigate the role of a woman over 60, Wilson stands as an artist whose strong and humorous voice has endured and remained current through many waves of feminism.

He is known for creating poetic pieces out of everyday objects through a variety of media, including drawing, photography, text, and sculpture.

Like a sieve moving through every moment of every day, Barbara Campbell Thomas's paintings siphon the onslaught of words, text and images, sounds, textures and physical stuff into piecemeal orderings of stacked lines, quasi-geometric forms and blippy brush marks — all in concert with collaged pieces of thrifted fabric.

In his piece, «We the People,» Ward uses old shoelaces to make the text on the gallery wall, weaving in new meaning to the phrase through this arrangement of downtrodden forms.

The following piece is my attempt to illuminate Bell's current processes through a collage of texts that are pertinent to her work.

Across pieces by heavy hitters such as Ellen Gallagher, Glen Ligon, Kerry James Marshall, Lorna Simpson and Kara Walker, different aspects of the Civil Rights movement — boycotts, protests, revolutionary Black Power movements, antebellum history — were filtered through a collection of text - based works (Ligon and Adam Pendleton), portraiture (Marshall and Simpson) animation (Walker), sculpture and an archival collection of Black Panther newspapers (loaned by New York - based artist Rashid Johnson).

The exhibiting artists exponentially expand on and add to the show's themes through a variety of strategies, including: performed fictions that resituate celebrity and commodity culture; collaborative text pieces that give institutionally marginalized voices visibility; appropriation of pop culture to explore the isolation of fame; the mining of distinctly American signifiers such as varsity sports and daytime TV talk shows; and juxtapositions of post-consumer objects that read on multiple levels and often indicate how a person's race, class, gender, and sexuality can position them in a simultaneous state of hypervisibility and invisibility in American culture.

Linda O'Keeffe will premiere a newly created sound piece responding to 19th and 20th century Irish Independence movements through two key texts: The Irish Declaration of Independence and Pádraig Pearse's The Murder Machine (12 May).

Applying the same magpie approach usually seen in her moving - image work, Price traces a meandering, somnambulant path from Giulio Paolini's Nécessaire (Necessary, 1968)-- a stack of blank, white sheets of paper, singing with potential — through artworks from all over the world, ranging from a 13th - century effigy to an ongoing text piece by Katrina Palmer.

While text - based works from Betty Tompkins and Deborah Kass directly referenced cat - calling, other pieces combatted the patriarchy through refreshingly off - the - wall depictions of femininity and female sexuality.

Ward «reclaims» these words from the Constitution by integrating the shoelaces into the text, as a hybrid material, revolutionizing the viewer's reaction through the magnitude of the arrangement and adaptation of the piece.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Deborah Grant presents a group of untitled paper pieces from her Random Select» series that present text and image inter-play through a series of puzzles, quizzes and symbols.

Viewed aesthetically, the composition of the piece — the weight of the letters fluctuating with each line, the spacing between the lines methodically decreasing as the text progresses, the winding italics creating rhythmic markers on a background of «ghost text» from the same selection peering through a thin overcoat of white paint — encourage appreciation of the textural qualities of the written word.

Though wide - ranging in his choice of medium, Nahusenay's exploration of the Himeme Siqlet, a sacred Ethiopian Orthodox text, is what grounds his seemingly disparate pieces together, through its evocation of the world's opposing forces (light, dark; flesh, spirit; good, evil) and the futility of their reconciliation.

The reader, much like the viewer of Piece for Words and Views, attempts to understand the various elements through similarity and juxtaposition, resulting in the production of meaning through the interpretation of text / image, and the reader's imagination.

Through methodically executed paintings, drawings, videos, text pieces, and sound installations, he surveys the politics of identity and the way it is manifested within formal investigation.

Wylie often paints through the filter of memory and impression, using text to enhance facts and recollections and editing images by overlaying new pieces of canvas over images, like a collage.

An application, whether formally or informally made (for instance by communicating a request to the judge through court staff) can be made by an individual in court to activate and use a mobile phone, small laptop or similar piece of equipment, solely in order to make live text - based communications of the proceedings.

through the actual coordination of several users seeking to create one unified piece of legal information (as on Wikipedia, where several unrelated users contribute to a single text on a specific topic).