I think this also becomes more of a character
piece than a comedy.
Not exact matches
Featuring a screenplay by no less
than five writers, Flushed Away has clearly been geared to appeal primarily to small children - as evidenced by the film's emphasis on action - oriented set
pieces and distinctly broad bits of
comedy (there's even a fart joke thrown in for good measure).
The following year, Garofalo appeared in no less
than five films, with a supporting part in the ensemble
piece 200 Cigarettes, a starring role as an unconventional action heroine called the Bowler in Mystery Men (which also featured Stiller), and prominent turns in Kevin Smith's eagerly awaited Dogma, Hampton Fancher's psychological thriller The Minus Man, and the satirical
comedy Can't Stop Dancing, in which she acted alongside fellow comedienne Margaret Cho.In 2001, Garofolo took on the role of Catherine Connolly in The Laramie Project, HBO's docudrama chronicling the aftermath of the death of Matthew Shepard, and filmmaker David Wain's
comedy Wet Hot American Summer.
Debut writer - director Chris Kelly, a writer on «SNL,» digs in rather
than relying on contrived, movie - ready set
pieces (as in the similar «The Hollars»), making this gay «Garden State» rich with naturalistic
comedy as well as beautifully touching moments.
Someone should've told Bergie that black
comedies require more
than grisly deaths and scant
pieces of hystericaly aimless dialogue to qualify as plausible cinema.
Mike Birbiglia's sensitive, funny, sad, honest film Don't Think Twice, which has more affection for and understanding of a certain kind of
comedy person
than perhaps any
piece of fiction that's ever been written about them.
It's classified as a
comedy for the purposes of the Golden Globes, but there are fewer jokes
than there were in The Wolf of Wall Street, a movie this evokes enough to categorize as a spiritual sequel or companion
piece.
John Wick: Chapter 2 La La Land A Brave Heart: The Lizzie Velasquez Story A Most Violent Year Adult Beginners Adventures of Power Afternoon Delight Alex of Venice All The Light In The Sky Amy Animal Kingdom Attenberg Avengers: Age of Ultron Bad Turn Worse Beats Rhymes & Life: The Travels of a Tribe Called Quest Bellflower Big Game Birdman Black Blue Ruin Blue Valentine Bones Brigade: An Autobiography Boyhood Brick Mansions Butter C.O.G. Ceremony Charlie Countryman Child of God Cop Car CXL Dark Places Dawn Of The Planet Of The Apes Deadfall Don Jon Don't Think Twice Drive Dumb and Dumber To Embers Escape from Tomorrow Foxcatcher Frank Miller's Sin City: A Dame to Kill For Fubar: Balls to the Wall Fury Godzilla Going the Distance Gone Girl Grey Gardens Gridlocked Guardians of the Galaxy Holy Motors Holy Rollers Hungry Hearts Hunt for the Wilderpeople I Am Chris Farley Imperial Dreams In the Blood Inherent Vice Inside Out Iris Jack Goes Boating Jackass 3 Jersey Boys Joan Rivers: A
Piece Of Work Joe Jurassic World Just Jim Kaboom Kill the Irishman Klovn: The Movie (Klown) Let Me In Liberal Arts Life Itself Live Die Repeat: Edge of Tomorrow Lola Versus Louder
Than a Bomb Lucy LUV Mad Max: Fury Road Maggie Man of Steel Maps to the Stars Melancholia Men, Women, & Children Miami Connection Middle of Nowhere My Life Directed by Nicolas Winding Refn Nature Calls Nightcrawler Nighthawks Oddsac One & Two Only God Forgives Peep World Pincus Pricecheck Prince Avalanche Rabbit Hole Raze Robot & Frank Rosewater Rubber Rudderless San Andreas Save the Date Scream 4 Sleepwalk With Me Smashed Snowpiercer Somewhere Southpaw Spring Breakers Star Wars: Episode VII - The Force Awakens Submarine Sun Don't Shine Take Shelter Take This Waltz Teenage Mutant Ninja Turtles Terminator Genisys The Amazing Spider - Man The Bastard Sings The Sweetest Song The Cold Lands The
Comedy The Equalizer The Expendables 3 The Fault in Our Stars The Gambler The Girl The Girlfriend Experience The Grand Budapest Hotel The Hateful Eight The Hunger Games: Mockingjay - Part 1 The Kids Are All Right The Kings of Summer The One I Love The Raid The Rambler The Revenant The Rover The Second Mother (Que Horas Ela Volta?)
Instead of an innovative romantic
comedy, we sadly get unlikable characters and a series of goofy set
pieces that ultimately fizzles out faster
than Nat and Josh's marriage.
Rather
than really developing these issues narratively, the film unfolds with a series of action /
comedy set
pieces.
It's a road movie and character
piece more
than the action
comedy it's occasionally marketed as and Brest never lets any set
pieces or gags get in the way of the journey made by the leads, physically or emotionally.
In Carl Matheson «s early aughties
piece on the humour of TVs The Simpsons, he talks about something he calls hyper - irony: «The flavor of humor offered by today's
comedies is colder, based less on a shared sense of humanity
than on a sense of world - weary cleverer -
than - thou - ness.»
As a result, the movie plays more like a screwball
comedy than a violent action thriller, though it contains many
pieces of the latter and hardly any of the former.
Nonetheless, the picture comes long on spectacle and
comedy, and it moves more quickly
than one might expect of such a long
piece.
There are also more
than a few macabre laughs — the
piece is cowritten by Nyman and Jeremy Dyson of the
comedy troupe League of Gentleman.
Although the
piece is more situation (bitter)
comedy than anything, there is a plot.
Yes it's more
than two and a half hours long (and, by the way, could do with pruning) but Maren Ade's
comedy boasts two fascinating characters and a string of surreal set -
pieces that you can't afford to miss.
The film, which offers a fictionalised account of the events of 2002, is more
comedy than serious political
piece, with proceedings bordering on farce rather
than satire.
Insidious certainly redressed this imbalance by damping the
comedy and amping the scares — and this remake also puts more emphasis
than the original on fright - filled set -
pieces, multiplying the clown dolls, showing us a limbo full of writhing, gooey corpses, and even throwing in some power - tool peril for good measure.
Rather
than the carefree, laugh - a-minute, hanging with buddies, offbeat
comedy it's presented to be, it's actually a rather dramatic observation
piece on adult responsibilities and the changes we go through with marriage, kids, jobs, and so on.