Whether you view these two
pieces as allegories for our fallen times, as postmodern reconstructions of films that were never made and events that never took place, as the sustained pedantry of a lunatic, or as a comprehensive encyclopædia of human absurdity and banality, they are ingenious, kaleidoscopic works that will boggle the brain and tickle the fancy.
Not exact matches
The film, which has been interpreted
as a commentary on the empty bromides of self - help culture
as well
as an
allegory of the AIDS crisis, became a breakthrough for both Haynes and Moore, who would go on to collaborate on such ravishing period
pieces as Far from Heaven and Wonderstruck (which premiered at Cannes last month).
With their crew, they rewrite Shakespeare's play
as an
allegory for the conditions permeating their daily lives, a spoken word theater
piece by and about local youth.
Making reference to the reaper who appears in everyday lives in Hans Holbein's 16th - century series «The Dance of Death,»
as well
as to the shadows that enthrall the fictional prisoners in Plato's
allegory of the cave (a recurring theme in Kentridge's work), the
piece also conjures a modern - day New Orleans funeral march.
His
pieces, frequently considered
as a modern - day
allegory and a riddle to be solved, helped to merge painting and sculpture and to highlight the idea that art can be made out of anything.
Among his monumental
pieces is a 200 - kilogram tornado made from barbed wire and another of a gigantic wave, both of which serve
as allegories for a void, political unrest and change.
A political
allegory that wanders into the surreal, the
piece is a collective experience for actors and audiences alike
as they take part in an endurance - testing performance drama that travels through the Bath's heated rooms and interior spaces, each conveying a shift in physical sensation and emotional atmosphere.