Sentences with phrase «pieces from their collection earlier»

Not exact matches

Earlier this year, the brand collaborated with luxury fashion store MyTheresa.com to reissue items from the collection that launched Kate Moss» modeling career in 1994; the new denim pieces and sweats were crafted from the same fabrics the company used 20 years ago.

My first Josh Goot pieces were from the earlier streetwear collections.

House of Harlow 1960, is scheduled to hit Kitson in early December, there will be a 35 piece collection ranging in prices from $ 50 to $ 250 and completely inspired by Nicole's style.

An amazing collection of paintings and other works from the Centre Pompidou, Paris, traces the development of this extraordinary and inventive artist, from his early figurative works to his most modern pieces.

Important early works, «With Dead Head» (1991) and the «Natural History» piece «Away from the Flock» (1994), were exhibited alongside a butterfly monochrome diptych created specifically for the collection: «Monument to the Living and the Dead» (2006).

The mostly small - scale work, including many early black - and - white, hand - colored, and sepia - toned photographs, is culled primarily from the artist's family members» collections and her own, and includes the pieces that laid the groundwork for her first major success, the acclaimed Film Stills series.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

This presentation of masterworks and experimental pieces from SFMOMA's collection of painting and sculpture explores themes that have shaped the history of modern art from the early twentieth century to our own time.

On view at the Met from October 19 to February 20, 2017, «Max Beckmann in New York,» focuses on 14 paintings the German artist created during the last two years of his life, when he had been living in New York; also included are earlier works culled from New York collections — some 40 pieces in all.

In 2003, the SLG's collection was separated into the contemporary collection comprising approximately 145 works from post 1970, and the historic collection embracing all earlier pieces.

The exhibition is also an opportunity to showcase pieces from The Amistad Center's advertising collections along with selections from the early 20th century, stereotypic objects to illustrate the post-Civil War imagery A final section will present mid-late 20th century photographs and fine art emphasizing the relationship between art, celebrity, and the modern civil rights movement.

The South London Gallery's art collection is divided into the contemporary collection comprising approximately 145 works from post 1970, and the historic collection, embracing all earlier pieces.

Work from Southampton City Art Gallery's own extensive collection of Camden Town and early London Group work will be exhibited in conjunction with the Group's work, augmented by a few pieces from other public and private collections.

There are plenty of first ‑ rate pieces to fill the galleries now, but SFMOMA still has a different, less historical, story to tell than its New York equivalent, the core collection of which comes from the early 20th century.

Exhibition «Keys to a Passion» held from 1st April to 6 July 2015 at Fondation Louis Vuitton gathered many an iconic piece, lent by the greatest museums and private collections in the world, so bold and daring at the time they were created they marked a turning point in the history of art in the early 20th century: from Monet, Mondrian and Hodler to Malevitch and Rothko, from Bonnard to Picasso, from Munch to Giacometti and Bacon, from Delaunay and Léger to Picabia, from Matisse and Kupka to Kandinsky...

Most are never - before - seen early pieces from the artists» own collections.

Ne Plus Ultra relates to Swenson's important earlier pieces that also feature the deer figure, including Untitled from 2000 with a young deer balancing on one hoof with a black and red drapery billowing above its head (in the permanent collection of the Modern Art Museum of Fort Worth) and Untitled, 2001, with an adolescent deer rubbing the velvet off of its newly developed horns on an antique rug (exhibited in the Whitney Biennial in 2004).

Roughly 30 percent of the artwork included was pulled from the Met's permanent collection, including a few pieces that haven't been shown for decades: An early Robert Smithson sculpture from the mid-Sixties; several works by Howardena Pindell.

The museum's contemporary collection consists of over 5,500 works and is defined as holdings dating from 1970 to the present, although some earlier pieces which would have set the stage for artists working in the subsequent decades are also included in this exhibition, including a 1967 ink drawing by Eva Hesse and a 1959 Robert Ryman painting.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

The show at the Gemeentemuseum Den Haag is prompted by the recent donation of an early work by Carl Andre (Metamorphosis Piece, 1969) from the Depot VBVR collection.

My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?

Besides exchanging works with his artist friends like Damien Hirst, Jeff Koons and Christopher Wool from time to time, Richard Prince owns in his Manhattan townhouse (where he keeps only part of his collection for the obvious reasons) an early Willem de Kooning painting, a Jackson Pollock once owned by Herbert Matter, a Larry Rivers work, and a small Andy Warhol piece inscribed to Robert Rauschenberg.

Among pieces spanning from Ancient Egypt to the early 20th century, the collection includes works by Leonardo da Vinci, Michelangelo, Raphael and Titian, a unique collection of Rembrandts and Rubens, many French Impressionist works by Renoir, Cezanne, Manet, Monet and Pissarro, numerous canvasses by Van Gogh, Matisse, Gauguin and several sculptures by Rodin.

Moderna Museet houses one of the world's finest collections of Swedish and international modern and contemporary artworks, from the early twentieth century to today, including pieces by Dali, Picasso, Rauchenberg, Duchamp and Matisse.

Mr. Ropac, who also has spaces in Paris and Salzburg, Austria, debuted at 37 Dover Street in London with four presentations, two of which combine works on loan and for sale: Early - 1970s Gilbert & George videos and photographic «Drinking Pieces,» one of which is available for 145,000 pounds, or about $ 185,000, and another at 150,000; Conceptual and Minimal works from the collection of Egidio Marzona (prices yet to be disclosed); new works by the British sound sculptor Oliver Beer, priced at # 10,000 to # 100,000; and early drawings by Joseph Beuys, shown alongside the enigmatic cast - iron sculpture «Backrest of a Fine - Limbed Person (Hare - Type) of the 20th Century A.D.,» dating from 1972 to 1982 and on sale for 2.5 million eEarly - 1970s Gilbert & George videos and photographic «Drinking Pieces,» one of which is available for 145,000 pounds, or about $ 185,000, and another at 150,000; Conceptual and Minimal works from the collection of Egidio Marzona (prices yet to be disclosed); new works by the British sound sculptor Oliver Beer, priced at # 10,000 to # 100,000; and early drawings by Joseph Beuys, shown alongside the enigmatic cast - iron sculpture «Backrest of a Fine - Limbed Person (Hare - Type) of the 20th Century A.D.,» dating from 1972 to 1982 and on sale for 2.5 million eearly drawings by Joseph Beuys, shown alongside the enigmatic cast - iron sculpture «Backrest of a Fine - Limbed Person (Hare - Type) of the 20th Century A.D.,» dating from 1972 to 1982 and on sale for 2.5 million euros.

In the fall of 2016, visitors will experience completely new works by Oursler shown alongside pieces from Oursler's early career and works from the Magasin III collection.

Roy Lichtenstein Drawing from the Artist Rooms» collection, this free exhibition at Tate Liverpool showcases 20 of Lichtenstein's iconic pieces, moving from his early love of landscapes to his regularly «homaged» pop art paintings.

But the 2013 Desmog piece didn't explain what led them to link to Greenpeace's scans; not one word on why Greenpeace didn't reveal the scans as a major news item back in 2007 when they were archived, not one word explaining why those scans were at Greenpeace when it was reported that the Sierra Club had them more than sixteen years earlier,... and not a word of why those scans have a cover page from some outfit called Ozone Action (lest anyone forget, when the Union of Concerned Scientists breathlessly «revealed» those old scans in 2015, the reason their collection is only 49 pages vs Greenpeace's 50 is because they simply erased the problem of the Ozone Action cover page).