Sentences with phrase «pieces in the exhibition called»

«Soundsuit» by Nick Cave is one of the featured pieces in the exhibition called Uncommon Likeness: Identity in Flux.»

Not exact matches

I have been filling sketchbooks with designs in thatch for some time, but in creating this new piece of work, I was able to spend time with a thatcher (called Stewart Alexander) and design and make a unique piece of work for my exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.

Selections from the permanent collection can now be seen in an exhibition at the museum called «Circa 1970,» which features works from its holdings made during the 1970s, including pieces by Benny Andrews, Barbara Chase - Riboud, Ed Clark, Beauford Delaney, and Betye Saar.

Mimi's smaller piece within this exhibition was called Dollhouse (one of the best - known icons of feminist art) and it was constructed using various scrap pieces to create all the furniture and accessories in the house.

In 2014, Trockel's pieces were included in the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, GermanIn 2014, Trockel's pieces were included in the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, Germanin the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, Germanin 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, Germanin Frankfurt, Germany.

There is a piece that we are showing in the exhibition called «Josephine and the Mountain Gorillas.»

Mwangi Hutter's Neger Don't Call Me (2000) is one of the 10 video pieces in NMWA's Total Art: Contemporary Video exhibition.

Capturing the unique energy and atmosphere of Trinidad, while following the making of the tapestry in Edinburgh, imagine... reveals the finished piece on display at a new Ofili exhibition called Weaving Magic, currently on at the National Gallery in London.

In addition, she intends some of the smaller works, called «Notes,» to complement the exhibition's main pieces, offering the artist — and, by extension, the viewer — a brief rest before and after the exertion of creating (or, for the viewer, absorbing) the larger - scale works.

In reviewing that exhibition for The New York Times, Ken Johnson called the work, which features a young man at a kitchen table with a chocolate cake, «a deft piece of still - life painting.»

And the artist, often associated with his antic performances, is getting credit for his depth lately: the Financial Times called his work in the Whitney's «Blues for Smoke» exhibition the «most poignant piece in the show.»

She is well known for a piece she did in 1956 called the Electric Dress, which she wore to exhibitions, with these neon tubes of light.

In the solo exhibition, running from May 1 to July 4, the warped curves of a hung sculptural piece called «Composite Career Captcha (Betterneties)» (2015) are sampled from a captcha compound of «better» and «eternities».

Straight out of the Stereophonics songbook, London - based graffiti artist Andy Seize is launching a brand new exhibition called «Off The Rails» this month, showcasing original pieces, prints and sculptures at Londonnewcastle Project Space in Shoreditch.

Art: 21's new «Calling from Canada» blogger Raji Sohal has written a great piece on the curatorial decisions made by the Vancouver Art Gallery «s director Kathleen S. Bartels and artist Jeff Wall in organizing Kerry James Marshall «s first solo exhibition in Canada, which runs from May 8, 2010 to January 3, 2011.

The disputed work, a multi-screen cinema piece called The Long Road to Mazatlan, made by Julien and featuring De Frutos as both choreographer and dancer, will be part of the artist's exhibition at Tate Britain, in central London, which opens to the public on Wednesday.

Important to the framework of the exhibition is a piece of writing included in the Bit Rot publication, titled An app called: Yoo.

Distorted in such a way that they resemble Edvard Munch's iconic angst - ridden expressionist piece «The Scream» (1893)(also the subject on an earlier Tal exhibition Damage Control at Lima Zulu last year), «Cityscape Pictures (1, 2)» become what the artist calls «a sardonic re-activation of this idea of speed and modernity that such images rely on and work on emotionally».

Called The Santa Fe Art Project, the series of two - week exhibitions, with the first opening tonight, will showcase works curated by individuals from some of the city's collectives in tandem with showings of aesthetically harmonious pieces curated by the gallery itself.

For the one - day exhibition The Artist is an Explorer, curated by Marina Abramovic at Fondation Beyeler in Riehen (Basel, Switzerland) she chose to perform a piece called Untitled (Slick Glittery).

Many of Mr. Crow's jade pieces will be displayed during Wild Flowering, in a special exhibition called Blossoming Stone: Qing Dynasty Jade, which is being curated by Mr. Yuan.

Vasconcelos, who makes large - scale sculptures, is considered by some to be the Louise Bourgeois of Portugal — she lives in Lisbon — and her pièce de résistance of recent shows, including one in Portugal that became the most highly attended exhibition for years — is a piece called A Noiva (The Bride), which, from a distance looks like a large, pendulous chandelier.

Upcoming Matheson - sponsored New Art at IMMA projects in 2015 include exhibitions by Lebanese artist Etel Adnan; British photographer Chloe Dewe Mathews; Irish artist Grace Weir; and What We Call Love, an exhibition of Surrealist works, alongside key conceptual and contemporary pieces, exploring the 20th century notion of love at the heart of which will be a series of new commissions supported by Matheson by artists including Seamus Nolan, Lucy Andrews and Jim Shaw.

Last year, he followed up with an exhibition called «The Oracle,» a show that brought together a range of contemporary and historic works: sculptures by the esteemed Henry Taylor, 19th century carvings from the Sudan, totemic ceramic pieces by Ruby Neri, and Joseph's «m.A.A.d.» video, an extraordinary multichannel rumination on the real and the imagined in the city of Compton.

Katrin Fridriks is one of the artists that has created an installation for the exhibition, her piece is called Northern Lights, after the enchanting natural wonder that only shows it's vibrant colours in a clear, unpolluted sky.

This piece was shown at the Duncan Miller Showrooms, London, in 1936, in an exhibition called «Modern Painting for Modern Rooms», which was intended to demonstrate the integration of contemporary art with the contemporary habitat.

As those unfinished artworks were to be exhibithed in the next exhibitions as finished, I called my exhibitions as «To be continued I, II, III...» Since the beginning, each piece has been a composition in itself as well as being a part of my broader installation theme like modular furniture, and finally as part of an evolution through time.