Other
pieces in the exhibition include Money, Head Honcho, Silent, Amazing, Obscene, Sputter, and more.
Pieces in the exhibition include assemblage sculpture, multi-channel video work, monoprints, and installation pieces.
Photographs of
pieces in the exhibition include JW Anderson, Lynda Benglis, Christian Dior, Naum Gabo, Jean Paul Gaultier, Barbara Hepworth, Sarah Lucas, Vivienne Westwood, Henry Moore, Yves Saint Laurent and many more.
Not exact matches
20 artworks by renowned graffiti artist Banksy,
including 7 of his most important street
pieces, will appear
in the
exhibition headlined by arguably his most famous
piece, «No Ball Games».
This new
exhibition incorporates an extensive display of his past work
in a diverse variety of media,
including installations, photos, videos, posters, banners, performance works and sound
pieces.
But after two years of quiet negotiations, Chuimei Ho and Bennet Bronson, curators at the Field Museum
in Chicago, persuaded Chinese authorities to display more than 400 artifacts,
including paintings, sculpture, furniture, and
pieces of jade
in an
exhibition opening this spring.
The
exhibition includes pieces ranging from the very sophisticated by the Polish designer Robert Rudniak to the Danish Omnibus team's splendid chunky necklace of unpolished amber beads that could double as a defensive weapon
in an emergency.
The
exhibition features 31 works
including monumental and small - scale
pieces installed throughout the sculpture park and museum, and is focused on a new commission that resurrects Deacon's 1993 work Never Mind, which has been re-fabricated
in stainless steel.
Selections from the permanent collection can now be seen
in an
exhibition at the museum called «Circa 1970,» which features works from its holdings made during the 1970s,
including pieces by Benny Andrews, Barbara Chase - Riboud, Ed Clark, Beauford Delaney, and Betye Saar.
Their collection is especially strong
in postwar German art; the 2011 — 12 touring
exhibition «De-Natured: German Art from Joseph Beuys to Martin Kippenberger, Selections from the James Keith Brown and Eric Diefenbach Collection»
included pieces by Sigmar Polke, Bernd and Hilla Becher, Andreas Gursky, and Hanne Darboven.
For many recent
exhibitions,
including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator
in conjunction with the museums, altering the architecture of the
exhibition spaces and merging his works with
pieces in the permanent collections of the institutions
in order to create a unique and dynamic viewing experience.
Shields worked comfortably
in a range of material approaches and mediums, and his omnivorous eye and deliberate touch encompassed works and techniques that
included unique paper
pieces and canvases, editioned works, and jewelry (which Shields described as «wearable art»), all of which are featured
in this
exhibition.
Here, the group
exhibition format is approached as a work
in and of itself, with all of the
included pieces echoing Stockholder's idiosyncratic method, and
in many cases approximating her work.
Five new
pieces were created especially for the
exhibition,
including a large scale outdoor video projection by Tony Oursler; a multimedia project created by Nan Goldin
in Ukraine
in the lead up to the
exhibition; a video by Ai Weiwei; a photo by Sergiy Bratkov; and a performance by Ilya Chichkan.
Featuring 145
pieces from 1970 onwards, the
exhibition explores how artists have
included themselves
in their work.
According to ArtForum, Russian intrigue continues
in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works
in the
exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent
in Belgium —
including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.
He has been subject to numerous solo and group
exhibitions in galleries across the country as well as abroad lending to most of his works becoming key
pieces in many prominent private and public collections
including The Metropolitan Museum of Art, The De Young Museum, San Francisco, CA and the Hirschhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, DC.
Sarah Cain will be
included in Set
Pieces, an
exhibition curated by Andrew Berardini & Lauren Mackle at Cardi Black Box.
The
exhibition spans Saul's career from its origins
in the»60s to the present day, and
includes such
pieces as Saigon (1967), The Government of California (1969), and Ronald Reagan
in Grenada (1983).
On view
in P.S. 1's second floor galleries, the
exhibition includes six works from the early 1970s and one contemporary
piece.
Her
exhibition will explore «landscape»
in its broadest sense,
including intimate collections of natural found objects, large scale drawn
pieces and a major new, experimental 35 mm film, Antigone.
Permanent works and public projects
include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light
Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an
exhibition for LA MoCA to build an artist's house on a hillside
in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).
The
exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also
include a large glass sculpture and a selection of key earlier
pieces that help the viewer to understand his course
in the art world.
Conceived as a theatrical score that punctuates and demarcates space, creating interplay among
pieces in different media and from diverse bodies of work,» the
exhibition channeled pivotal figures
including W.E.B. Du Bois, Bessie Smith, John Brown, Matthew Henson and Jimi Hendrix, exploring lesser - known aspects of their biographies.
In 2014, Trockel's pieces were included in the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, German
In 2014, Trockel's
pieces were
included in the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, German
in the
exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions,
in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, German
in 1995 Trockel has created the Frankfurter Engel memorial
in Frankfurt, German
in Frankfurt, Germany.
The
exhibition at the New Museum will
include a selection of works ranging from the»60s through the present,
including a new site - specific rendition of Bernstein's SIGNATURE
PIECE (1986/2012), painted
in explosive gestural strokes directly onto the Lobby Gallery windows.
The
pieces included in the
exhibition skirt the edge of perception and cognition, requiring a recalibration of the visual and a momentary investment
in a more quiet sublime.
Pieces included in the
exhibition will be selected by a panel of jurors and on view
in the main gallery space at Manifest
in Cincinnati's the East Walnut Hills neighborhood.
Commissions for this
exhibition include Michel Paysant's VOX SILENTII (Eye Composing), a series of scores created with an eye tracker, a co-production with the Nouveau Musée National de Monaco; and a new
piece by Em» Kal Eyongakpa using sound material from recent field recordings
in Cameroon.
The
exhibition will feature 170 works of art,
including more than 60 paintings, sculptures, and ceramics by Picasso alongside more than 20 works of African and Oceanic art that were part of his personal collection —
pieces that he collected, lived with and kept with him
in his studios, many of them featured for the first time
in the Americas.
Tornabuoni Art held an
exhibition of the artist
in 2010
in his parisian gallery, which
included about 90
pieces.
In addition to the new works in the show, Richter has punctuated and augmented the exhibition with a selection of paintings on canvas, glass and photographs made over the last 15 years — including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent piece
In addition to the new works
in the show, Richter has punctuated and augmented the exhibition with a selection of paintings on canvas, glass and photographs made over the last 15 years — including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent piece
in the show, Richter has punctuated and augmented the
exhibition with a selection of paintings on canvas, glass and photographs made over the last 15 years —
including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent
pieces.
Arcangel's
exhibition in Bergamo, This is all so crazy, everybody seems so famous,
includes a further 20 pool noodle works, as well as a new carpet
piece, early modified computer games and four of his recent Lake works (reflective, meditative flatscreen videos), all of which will be presented
in the historic Sala de Giuristi, the oldest municipal building
in Italy.
The
exhibition brings together over 100 works,
including several large - scale illustrated books by Kiefer (b. 1945) made
in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects
including molds, dried plants, stones, and
pieces of fabric.
Arterritoy.com asked Lewison to describe some of the more profound
pieces to be
included in the upcoming
exhibition, amidst them are the portraits of the circle of Andy Warhol.
The Virginia Museum of Fine Arts will showcase a century of art patronage —
including some of the most important and recognized
pieces in its collections —
in a special
exhibition at the Winter Antiques Show, the leading art and antiques fair
in the United States.
This
exhibition will feature key works from the Museum's collection,
including sculptures
in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown
pieces from the early 1940s incorporating string and wood elements.
The
exhibition included both freestanding sculptures and wall works combining text and image; exhibited as well were examples of «interactive sculptures» (some produced
in collaboration with Esther Shalev - Gerz),
pieces either re-created, presented
in the form of photographic documentation, or made accessible by computer.
Additionally a new video installation The Destruction quartet 2006 will be launched at this
exhibition: it
includes fragments of symbolic and real - life destruction acts that Jonas Mekas witnessed and filmed through the years: Nam June Paik destroying a piano; Australian based artist Danius Kesminas» fire
piece in New York
in 1983; the destruction of the Berlin Wall
in 1990; and 9/11.
The
exhibition will
include work by Bernard Leach and Shoji Hamada, as well as
pieces by Randy Johnston, Jan McKeachie Johnston and Mark Pharis, three ceramicists trained or influenced by MacKenzie who have made creative adaptations to the living tradition as it continues to thrive
in the Midwest.
Although some of the
pieces have been
included in group shows, this
exhibition of 11 new examples (all 2014) was the first devoted to the series, which Tasset began
in 2012.
The
exhibition includes twenty - six
pieces by thirteen pairs of artist - mentors and the emerging artists who have studied with them
in recent years.
Comprised of nearly 200
pieces in a wide range of media
including sculpture, painting, photography, installation art, found objects, film, and art books, the
exhibition is the first to feature this little - known artist
in the US.
Included among these are two monumental, sculptural wall
pieces constructed from the rough - hewn woodblocks McCloud used to stamp the paintings
in the
exhibition.
In addition, this led to a similar retrieval of significant artists from Eastern Europe associated with the Zagreb conceptual scene, specifically the Gorgona Group, which includes Julije Knifer and Mangelos, whose pieces in a recent exhibition titled Meandering, Abstractly, perfectly exemplify the content and quality we can come to expect from the galler
In addition, this led to a similar retrieval of significant artists from Eastern Europe associated with the Zagreb conceptual scene, specifically the Gorgona Group, which
includes Julije Knifer and Mangelos, whose
pieces in a recent exhibition titled Meandering, Abstractly, perfectly exemplify the content and quality we can come to expect from the galler
in a recent
exhibition titled Meandering, Abstractly, perfectly exemplify the content and quality we can come to expect from the gallery.
The Islands I - XII (1979), a group of seven white paintings, each marked with nearly invisible pencil lines (and that Martin considered a single
piece), sadly was not
included in the LA County
exhibition, but was
included in the original show at the Tate.
On the occasion of the
exhibition Robert Rauschenberg: Erasing the Rules, and the performance program Limited Edition, Projects + Perspectives and Open Space invited artists Alex Escalante, Keith Hennessy, and Leyya Tawil to offer their thoughts on three iconic dance works
included in the Rauschenberg show — and to link these works to three contemporary
pieces.
Many of the
pieces included in this
exhibition are considered pivotal works of late twentieth century art.
Up one flight, Stuart Comer's floor
includes a miniature
exhibition of works selected from the Whitney's collection by Julie Ault, which is smartly demarcated by mirrored paneling on the insides of the doorframe that are copied after those
in one of Liberace's homes, and
includes pieces by Martin Wong, Danh Vo, and James Benning.
Bringing together around 60 works,
including extraordinary
pieces from the collections of individuals such as Peter Pears and Tacita Dean, the
exhibition ranges from brooding, adolescent interpretations of the pastoral, to the world of Bacchic celebration he discovered
in Crete.