Sentences with phrase «pieces of architecture in»

This mosque must be the most photographed piece of architecture in Dubai.

The 49 - acre property is named for what is arguably the single most - important piece of architecture in Connecticut.

Not exact matches

Having been there, it's an amazing piece of architecture, whether you believe in what it represents or not.

Other fond memories include an organic fingerling potato pizza with the thinnest crust on the planet, dipping our toes in Lake Michigan, finally getting to see pieces by Henry Darger, magnificent architecture, Bucktown, uncomplicated subway, Hendrickx Belgian bakery, and snacking on all the lovely produce after a long day of walking around, with blisters.

In collaboration, zeroplus architecture firm provided the overall design of the space and Seattle - based designer, Erich Ginder, created the lighting design along with custom interior design pieces and finishes.

While it is anxious not to set a precedent, and allow Assange to remain a fugitive in London in defiance of a European arrest warrant, it is also bound by the 1961 Vienna Convention on Diplomatic Relations — a treaty which (in contrast to the treaty on diplomatic asylum) does enjoy widespread support as a core piece of the legal architecture governing modern diplomacy.

[NYDN] • In related news, the Empire State Building is America's favorite piece of architecture, according to the American Institute of Architects poll.

I didn't wear it until we were in Korea and these photos were taken at the Dongdaemun Design Plaza, which is an awesome piece of architecture by the way.

I spent Saturday walking around in Oslo, among the places I visited was the gorgeous Opera House on the harbor, such a fantastic piece of architecture, like an iceberg ricing from the sea, my absolute best tip for tourists to visit!!!!

Blu - ray adds «The Music of Coco»; «Paths to Pixar: Coco»; «Welcome to the Fiesta»; «How to Draw a Skeleton»; «A Thousand Pictures a Day» travelogue through Mexico, visiting families, artisans, cemeteries, and small villages during the Día de los Muertos holiday; «Mi Familia»; «Land of Our Ancestors» in which Pixar artists lovingly construct layer upon layer of architecture from many eras of Mexican history, bringing the Land of the Dead to life; «Fashion Through the Ages»; «The Real Guitar»; «How to Make Papel Picado»; «Un Poco Coco» montage of original animated pieces used to promote «Coco»; «Coco» trailers.

Funnily enough — in one version of the «Hannah...» script, this scene ends with a description about finding a piece of ugly modern architecture — and how it won't be hard to find.

A fascinating piece of architecture, all the more remarkable given most of what was erected in Ost Berlin during the post WWII period.

Even Hitchcock's Rope (1948), a real - time chamber piece, suggests the architecture of a train in its structure.

The movie works overtime to steep us in the details of this imagined nation, like the architecture and sundries of daily life, as well as the major set - pieces like the rocket launches (both successful and failed) and stupendous aerial sequences.

Granted, shots of old European architecture and landscapes aren't exactly a thrilling use of 3D, but many of the film's set pieces are truly spectacular and the 3D helps to accent all the gorgeous details in every shot.

A state's promise to launch a performance pay system is meaningless unless all pieces of the supporting architecture are already in place.

While it may not have been quite the performer of the 911, the Vantage was a stunning piece of automotive architecture in comparison to the 911.

It is a glorious piece of architecture created from wood pulp and spit, chewed up and manufactured into — paper... I ask you, then, to raise your glass rather than your newspaper to the wasps you see as you take tea or drinks in the garden in the summer.

Dressed in towering and exuberant Victorian red - brick and coloured stone, this dazzling piece of Gothic architecture looks reminiscent of a Cathedral with its clock tower and spiralling turrets.

Hearst Castle may be SLO's main attraction, and for good reason — the 90,000 square foot estate, estimated to be valued at approximately $ 240 million, is perhaps the most stunning and intricately designed piece of architecture you'll see in California, maybe in the entire U.S. Given the property is now a protected state park, access to the castle is limited to guided tours, but don't let the thought of crowds or tourists deter you.

It is the master piece of brilliant architecture, put - up by Mughal emperor for his wife Mumtaz Mahal in 1632.

Alosta Luxury Private Villa comprises of only one and two bedroom pool villas featuring a true piece of reveling self - decadence, The private Alosta villa in Ubud also conveys signature Balinese architecture, rendering unmistakable soothing mood suitable for an undisturbed and private leisure.

As if to usher in a new era for the building, they slowly restored and remodeled pieces of antique furniture, creating a triumphant mix of classic fin - de-siècle architecture and comfortable modern design.

At The Ritz - Carlton, Millenia Singapore, guests will find themselves immersed in a canvas of views that is comprised of the hotel's renowned architecture, 4,200 - piece museum quality art collection, and its iconic location in Marina Bay.The hotel features an elevated Club Lounge experience on level 32, and world class dining options that include Colony and the One Michelin Star, Summer Pavilion.

The background of the main menu screen consists of a piece of architecture that most probably ties in with the painting that is at the heart of the storyline.

In this piece, we'll be going in - depth on some of the technical innovations found in Metro: Last Light, we get some remarkable behind - the - scenes information on how 4A dealt with the challenging PlayStation 3 architecture, and perhaps best of all we get a unique insight into the long - term potential of the next - gen consoles - from a rendering architect who clearly knows his stufIn this piece, we'll be going in - depth on some of the technical innovations found in Metro: Last Light, we get some remarkable behind - the - scenes information on how 4A dealt with the challenging PlayStation 3 architecture, and perhaps best of all we get a unique insight into the long - term potential of the next - gen consoles - from a rendering architect who clearly knows his stufin - depth on some of the technical innovations found in Metro: Last Light, we get some remarkable behind - the - scenes information on how 4A dealt with the challenging PlayStation 3 architecture, and perhaps best of all we get a unique insight into the long - term potential of the next - gen consoles - from a rendering architect who clearly knows his stufin Metro: Last Light, we get some remarkable behind - the - scenes information on how 4A dealt with the challenging PlayStation 3 architecture, and perhaps best of all we get a unique insight into the long - term potential of the next - gen consoles - from a rendering architect who clearly knows his stuff.

Inkie has since worked as head of design for SEGA, Xbox, Jade Jagger's in - house designer as well as running a West London design studio creating prints, illustrations, clothing and with his trademark beauty on large - scale pieces, the globally respected artist, whose diverse inspirations collect Mayan architecture, William Morris, Mouse & Kelly, Alphons Mucha, The Arts & Crafts movement and Islamic geometry, has exhibited worldwide, been denounced as Banksy's right hand man by The Daily Mail and simultaneously lauded by The Times, his art published in the books Banksy's Bristol, Children of the Can, Graffiti World, Street Fonts and magazines GQ, Rolling Stone, Computer Arts, Huck, Graphotism and Dazed & Confused.

For many recent exhibitions, including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.

The piece, limited by architecture even in the generous gallery space of MASS MoCA, also suggests the contrary — that birds encounter predators and other obstacles, facing restrictions that are out of their control.

Holly Block, the executive director of the Bronx Museum, which commissioned an architectural environment from him in 2009, said: «A lot of people don't understand Vito's turn to architecture, but I think he wanted to be more ambitious and make pieces that lived in the world — and in people's lives — in a different way than artworks usually do, and it was a risky and courageous thing to do.»

In further conversation with the architecture of the gallery and wall painting, she will unveil a site - specific floor piece made out of carpet based on the original designs of the Visual Arts Building.

«Untitled» (Public Opinion) takes the form of spill of cellophane wrapped black rod licorice candies and is displayed as either a corner or a floor piece; as the work traveled around the different locations, it was installed by a team of museum professionals in response to the architecture of each site.

Halvorsen's pieces employ a number of recurring iconographic elements in a manner reminiscent of the Surrealist vocabulary: eggs, ladders, clock faces, architecture, swings, and miniature sculptural torsos.

Two years later, Mucha, adding several interior architecture details that had been characteristic of the presentation of the Block Beuys (an ensemble that was temporarily put in storage) at the Hessisches Landesmuseum, Darmstadt, conceived an exhibition of his pieces at Galerie Sprüth Magers, Berlin, where he installed an environment that faithfully recreated the dimensions and proportions of Galerie Grässlin's main showroom.

This important work is the second piece in a trilogy forming part of an ongoing series which navigates the notional architecture and collection of a fictional museum, with this work being the «Hall of Sculptures».

The interiors and architecture within the piece are uncanny and nearly disturbing in symmetry, pattern, and color — all of which spill out into the gallery space containing the piece.

A defining element of his work, neon allows him to draw with light and colour in space, creating an interaction with architecture and the elements of his pieces, which can include glass, fabric and foam.

Whether jutting from a wall or traversing rooms as freestanding installations, his pieces challenge the architecture of the space in which they're shown.

The architecture, the light, the colors, and the different textures of the space in the building are all compelling subjects, and this piece has pushed my boundaries as an artist, opening up new perspectives on watercolor painting.»

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

This new body of work is an extension of an ongoing series, begun in 2008, in which Dávila simultaneously pays homage to and critiques icons of 20th century art and architecture through acts of excision, physically removing pieces of critical information from photographic reproductions of original works of art.

Part minimalism, part constructivism, part sculpture, and part architecture, Ryman's latest batch of pieces will grace Northern California in his first Bay area exhibition, on view through December 22nd.

Most prominent among these is A Space in Two Dimensions, a selection of 50 mostly mismatched pieces from the collection that also includes a group of seven architecture - enhancing string sculptures by the late Fred Sandback (organised with help from New York powerhouse David Zwirner).

The pieces in John Mason: Sculpture are reminiscent of the Nevada desert landscapes and indigenous Indian art he came into contact with in his youth but embody his later influences, including Buckminster Fuller's dyomaxic maps and the pared - down aesthetic of mid-century California architecture.

As in so many of Stingel's works, the painting is transformed from a canvas into a piece of interior architecture that resonates across multiple artistic registers.

Several pieces in the exhibition have been conceived in direct response to the architecture of Modern Art's gallery at Helmet Row.

In his piece Channel Me, Knox combined the aesthetics of optical art, computer games, and commercial mall architecture with state of the art technology to create a multifaceted panel that was suspended from a central gallery column.

What to see and do The permanent collection of the Centre Pompidou — amounting to over 100,000 pieces of modern and contemporary art, design, and architecture — is one of the largest in the world and includes masterpieces by Pablo Picasso, Marc Chagall, Joan Miro, Amedeo Modigliani, Henri Matisse, Vassily Kandinsky, Ferdinand Leger, Constantin Brancusi, Man Ray, Jean Dubuffet, Henri Cartier - Bresson, Le Corbusier, Alberto Giacometti, Andy Warhol, Bruce Nauman, Jasper Morrison, -LRB-,..)

The exhibition Proportio, curated by Axel Vervoordt and Daniela Ferretti, on view until 22 November 2015 at Palazzo Fortuny in Venice, is an intriguing journey across the universal rules behind the composition of an artwork, an architecture, a piece of music, an image.

This important work by the recent Turner Prize winner is the second piece in a trilogy forming part of an on - going series that navigates the notional architecture and collection of a fictional museum, with this work being the «Hall of Sculptures».