Sentences with phrase «pieces of canvas into»

Marca - Relli often worked in collage, «drawing» rapidly with a razor blade, cutting pieces of canvas into random shapes and dispersing them across the picture surface.

Not exact matches

In the research, published in the October 2012 issue of Geriatrics and Gerontology International, participants were divided into three groups, each of which completed twice - weekly activities that involved working with either a piece of velvet, canvas or Velcro.

I cut two pieces of ribbon, centered them, flipped over the canvas, and hot glued the ribbons into place.

Instead of a folding hard top or canvas covering, we get two carbon - fiber pieces (each weighing 13.2 pounds) which snap into place.

Part of a series of 102 silkscreened canvas panels conceived as one painting with multiple components, in this piece there are elements that call to mind Franz Kline's investigations into calligraphic compulsions.

The technique leads him through a flipping and rotating adventure, employing squeegees and a suite of brushes for each layer on the canvas, a genesis from a horizontal and vertical bedrock into a finished piece.

A typical Cordy Ryman lies in a hybridized zone between sculpture and painting; pieces of wood or perhaps canvas may be isolated like small geometric paintings or even extended into the full expanse of the rooms in which they are installed, following a kind of modular accumulation strategy.

A former New Museum guard and painter who pulled a Baldessari in 2006, burning a decade's worth of his canvases and converting the ash into new work, he recently joined Johann König's Berlin gallery, which brought these pieces to the fair: metal tubes that the artist had fabricated with a later of gold plating on the inside and then attacked with a chainsaw.

The monochromatic Yellow Piece (1966), a canvas with two of its corners bending into curves, relies on the viewer's reading of it as an incomplete square for it to work.

This piece, a hybrid of sculpture and painting at Marianne Boesky Gallery, takes the formally rigorous experiments of Piet Mondrian into the third dimension, adding physical weight and heft to shapes that the Dutch artist treated with such verve on canvas.

The canvas is a masterful example of the gestural abstraction for which Mitchell has become so rightly famous; composed of passages of delicate brushstrokes juxtaposed with anamorphous blocks made up of alternating light and dark tones, Blueberry provides a matchless example of Mitchell's ability to bring together seemingly incongruous elements into one harmonious piece.

Physically moving around a black - on - black painting of a cubic grid will reveal layers of optical illusions, while simply blinking when standing in front of a canvas covered in a complex navy - and - white pattern tricks the eye into seeing an oscillating, three - dimensional piece of art.

On the eighth floor, Ms. Owens leaps into the round, in an installation piece consisting of five free - standing canvases painted on both sides.

Drawing on the traditions of Abstract Expressionism, he creates strongly articulated pieces: canvases on heavy stretchers, abutting panels and architectural constructions that project themselves into the viewer's space.

The two pieces by Julie Torres are both conceptual works about capital - p Painting: «Room with a View» is a small canvas on which super-thick layers of acrylic paint make something that appears, all at once, like a window, a picture inset into photo corners, the back of a stretched canvas.

Marcel Duchamp is usually credited as inventing the readymade, but the essential idea of taking something preexisting and elevating it into art did exist before he created his first one (a bicycle wheel atop a kitchen stool) in 1913: in Pablo Picasso's Still Life With Chair Caning from 1912, for example, the artist collaged a piece of woven chair backing onto a two - dimensional canvas, and before that Degas clothed his Little Dancer of Fourteen Years (1881) in a real tutu.

«The process of making these is so slow and organic — like creating an aftermath or a debris field where you intuit, and sometimes actually make out, the lives of many generations of humans, alongside nonhuman traces, and objects, all laid down under pressure — which take time to make and are filled with that time, pieces of what might have been a larger canvas of handiworks that reference entire lives, whole communities that are brought into the field of the painting, where the painting itself becomes another community,» described Sacks his painting method in a 2014 interview with Natasha Kurchanova published on Studio International.

As in so many of Stingel's works, the painting is transformed from a canvas into a piece of interior architecture that resonates across multiple artistic registers.

Sol LeWitt cleanly tears a piece of white paper into stark geometric sections in R115, 1973, generating an elegant composition with a simple gesture, while Robert Ryman defamiliarizes the monochrome in Untitled, 1967, a white - painted canvas square affixed directly to the white wall with masking tape.

Often combining two or more abstract forms into one piece to create a three - dimensional composite wall relief, the surface of the canvas is painted using industrial materials such as oil - based enamel and spray paint.

In addition to canvas collages, Loving also began piecing together torn strips of paper and cardboard into massive compositions that he would paint in a variety of colors and mount to metal supports so that they jut out from the wall, causing shadows that in effect became part of the overall composition.

He then applies it to canvas, often setting the dry acrylic pieces into a field of wet paint, essentially creating inlaid paintings where the sense of spatial relations is not readily apparent.

In close proximity to his canvas works, Amm's wall and sculptural pieces project his deftly constructed compositions from the surface of the canvas into the multi dimensional space of architecture.

It is all that is left of a week - long performance piece in which she unraveled a painting on a canvas, before reassembling it into physical doodles.

Given the simple assignment to render some kind of bouquet on a 40» x30» piece of unstretched canvas, they all went into their studios to do what they do best: paint.

The movement of the painter's brush stroke comes into focus... paint is pushed or pulled across each canvas differently in every piece.

After sewing each fragment onto a piece of canvas, Cloud cuts the canvas into the shape of the clothing, and then sews the resulting items into a larger, oddly shaped patchwork «quilts.»

By the time I was in graduate school, I began dealing with the problem of image / object where I took the canvas off the stretcher, folded it into zigzag shapes, painted on both sides, and they became sort of like feminized versions of Robert Morris's felt pieces.

The most significant of these is «Elegy to the Spanish Republic», which originated in 1948 in a piece of calligraphy he made of a brutal Harold Rosenberg poem; it evolved into some 150 monumental canvases, painted between 1949 and 1990.

Another canvas inspired by Renaissance paintings of self - flagellating saints was made by striking canvas with paint - soaked whips, then cutting it into pieces and sewing it back together in a quilt pattern.

Dropping pieces of cut paper onto a surface and gluing them down where they lay; dripping or flinging paint across a canvas; letting the progressive decay of organic materials determine a composition; and flipping coins to compose a musical scores — these are some of the processes used by artists included in the volume that both tap into the creative potential of chance and control its operation.

Her work includes personified abstract forms that jump from piece to piece, personal objects embedded in canvases, and plenty of autobiographical ephemera worked into painterly compositions.

Schulz and Bandau: In recent pieces at Sweetow, Bay Area painter Cornelia Schulz goes deeper into a vein she has worked for some years: the multi-part shaped canvas as a foil for one of abstract painting's potential weaknesses: the merely decorative.

Rappaport engages in further allusive mischief in a fine untitled piece whose cruciform composition - made of found wood and of green acrylic layered so heavily that it formed a slab - seems to bite into and wrinkle its canvas support, framed within a frame.

The first, in which I discussed the merits of the canvases, and how and why they were created, I chose to rewrite after I discovered that many pieces of information available about the show online (some of which factored into my original evaluation of the work), were fabricated by Ripps himself.

Even transposed to the museum's main gallery, with small, green - toned canvas studies arranged on an overlooking wall to evoke the forest environs in Kassel, the work did not disappoint, communicating the sheer physicality that goes into the accumulation and composition of materials for Ohtake's collage and assemblage pieces.

Often stitching and adhering fragments and strips from earlier painted pieces onto larger canvases, he summons the memory of his mother, a seamstress who parlayed her talent at sewing dresses, hats, and Indian saris into a successful business.

Now that you've bought your home and it is your canvas — and you're the artist that'll mold it into your unique piece of paradise.

Fabric Canvas — Take all of your favorite pieces or the ones that are too small and turn them into some lovely wall art for your craft room or any room in your house!

Or if you're starting from a blank canvas, first pick another item, such as a patterned fabric or a piece of art, to incorporate into the room and choose your accent color from a hue found in your pick.