At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another
across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form
of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale
of love
ground down by the mill
of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story
of a fighter - plane designer as a grand romance
of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name
of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled
pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.
Breaking out
of the stylistic confines
of his last couple
of films, Scorsese hit the
ground running with a go - for - broke epic that ran for three breathlessly - paced hours, was horrifying and hilarious in equal measure (an extended sequence involving some old quaaludes, luncheon meat, a looming legal catastrophe and an old «Popeye» cartoon was a set -
piece for the ages), was jam - packed with great performances
across the board and which offered viewers the pleasure
of seeing a top director working at the peak
of his powers.