Not exact matches
«The imitation
piece is another indicator
of social connection and is an important tool that will be needed for
other social,
language and play skills.»
Every
piece of important early learning happens when a child and the important adults in her life interact face to face: how to manage strong emotions, how to learn
language, how to read signals and cues from
other human beings.
«Louder Than Bombs,» Trier's first English
language project and inaugural collaboration with name actors, technically marks his biggest project to date — but this ruminative ensemble
piece about a New York family haunted by the legacy
of its departed matriarch fits right in with Trier's
other films, yielding an alternately wise, melancholic and good - humored look at people surrounded by support but nonetheless alienated by their incapacity to confront their problems.
We can read a student's face, body
language, appearance, and any number
of other pieces of data to infer an emotional state.
The educators in this
piece questioned: How do we engender an understanding and appreciation
of culture in young people as they begin to learn a
language other than English?
Students learn through a logical and step - by - step learning journey, including: - Understanding the context
of the poem and the horrific events that took place in the battle; - Understanding key information about Owen Sheers» life; - Reading and interpreting the poem; - Interpreting the poem, with a particular emphasis upon the
language and structural features; - Finding and analysing the
language features used throughout the poem, and considering how these link to the poet's message; - Writing an extended analysis
piece based upon how Sheers gets across his message about war; - Peer assessing each
other's learning attempts.
Students learn through a logical and step - by - step learning journey, including: - Exploring the key concept
of «love» and its many meanings; - Understanding key information about William Shakespeare and his sonnets; - Reading and interpreting the poem; - Understanding the poem, with a particular emphasis upon the content,
language, and structural features; - Writing an extended analysis
piece based upon how Shakespeare gets across his messages about love in the poem, through the use
of language and structure; - Peer assessing each
other's learning attempts.
Students learn through a logical and step - by - step learning journey, including: - Understanding the context
of the poem and defining the key terminology «bayonet», «over the top», «trenches», and «no - man's land»; - Understanding key information about the poet Ted Hughes; - Reading and interpreting the poem; - Interpreting the poem, with a particular emphasis upon how Hughes creates visual and auditory imagery; - Finding and analysing the
language features used throughout the poem, and considering how these link to the poet's message; - Writing an extended analysis
piece based upon how Hughes creates imagery in order to capture the soldier's horrifying final moments; - Peer assessing each
other's learning attempts.
Of course, students need to understand technical terms — «isotope» in a chemistry textbook, «colonize» in a history article — but this knowledge is insufficient if students don't understand how pieces of language relate to each other to create meanin
Of course, students need to understand technical terms — «isotope» in a chemistry textbook, «colonize» in a history article — but this knowledge is insufficient if students don't understand how
pieces of language relate to each other to create meanin
of language relate to each
other to create meaning.
View a movie showing just one example
of placed web code inside a CircularFLO ebook Because the fixed layout EPUB3 format is based on the latest web standards
of HTML5, CSS3 and JavaScript it means that
other pieces of web code written using these same
languages are already compliant with the standard.
As with the initial drafting
of my novel, I use what minutes I can find in between
other activities to clarify the
language, put
pieces together, or review something I wrote months ago.
We took the title from the
piece itself, and this line: «Words in
other languages are like icebergs: The basic meaning is visible above the surface, but we can only guess at the shape
of the vast chambers
of meaning below.»
In
other pieces in the show, everyday objects such as books are transformed by applying to them the geometry
of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space
of the photograph, thus relating those specific daily life situations with the idealistic
language of modernist geometric abstraction (Popular Geometry).
In
other pieces, Stark plays with the physical form
of language.
26 will include three
of Tuttle's galvanized tin «letters» — early examples
of the artist's commitment to
language — as well as a wire
piece, a notebook drawing, a textile work, a selection
of wall - bound assemblages, and
other works that reveal the artist's enduring focus
of what he has referred to as «making something which looks like itself.»
I've long intended writing a
piece with the provocative title
of «the Nazi Thing» on the puzzling question
of what it is about the climate debate which makes people on both sides resort to using
language like «denier,» «death trains» on the one hand, and «eco-fascism» on the
other, when it's so obviously counterproductive.
(But scientists being as argumentative as they are, the debate may not be over: see the featured comment — and
others chauvinistically boosterish about Indians, Arabs, Chinese, etc. etc.) There's a brief description
of the method in the Economist
piece, and associated with the article in Science a list
of words whose cognates in
other languages point to a common ancestor and to a location for that ancestor.
In
other words, it is not the behavior per se that is the damning
piece of evidence as to whether a player is a gold farmer, but rather, whether they are fluent in the English
language.