Working with 1
piece at a time and keeping remaining dough
wrapped in
plastic as you work, flatten dough into a narrow rectangle (no wider than mouth
of machine); pass through rollers.
In these works, everyday objects take on uncanny properties,
as in Two Holes
of Water No. 3, 1966, where suburban station wagons
wrapped in
plastic become mobile TV and film projectors, or in Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the
piece's projected 16 - mm footage and restoring three - dimensionality to the world onstage.