Sentences with phrase «pieces of the action during»

Keep in mind that your arms already get a piece of the action during your chest, back and shoulder workouts, so don't push it too far with excessive isolation work on top of that.

With the shoulder and triceps getting large pieces of the action during a bench press, there simply isn't a better upper body exercise for muscle gain.

Not exact matches

Still, with so much focus on Jones this year during the 75th anniversary of his Grand Slam, it is appropriate that Hagen gets a piece of the action.

It is a beautiful piece of verse, cunningly placed during an action sequence, which is to the British secret service what the Olympic Opening Ceremony was to British self - identity.

During the 2011 election campaign while running against a strong advocate for Term Limits, Republican Ralph Sabatini, Supervisor Gromack defended his action by saying that the citizens petitioning him belonged to the «Tea Party fringe group» and then implied that Clarkstown citizens were so stupid that they would «sign a piece of paper just to get on with their lives.»

From the clickety - clack of Lego pieces during the assembly sequences to the crystal clear dialogue and action sequences, this is a reference - grade audio presentation.

Yeoh's leading man, Chow Yun - Fat only gets his say in the disc's token «making - of» documentary, Unleashing the Dragon, but considering it had aired on Bravo during the film's theatrical release, it's less an informational piece than a glorified infomercial, offering too shallow a look at, among other things, gravity - defying action scenes.

He talked about how Thor: Ragnarok is a Taika Waititi movie set in the Marvel universe, how excited he was to work with Cate Blanchett, how his armor and look in the film were designed by WETA (the same people that did Lord of the Rings), the challenges of filming the ending action set piece during additional photography, and a lot more.

Justin Lin (Tokyo Drift, Better Luck Tomorrow) returns yet again to take the helm as director, letting the action go way over the top, as whole books on the laws of physics are ignored during the lengthy set pieces for the sake of wowing the audience in their seats.

The latest version of this argument came courtesy of AFT President Randi Weingarten, in an e-mail response to a piece by Thomas B. Fordham Institute research czar Michael Petrilli naming Karen Lewis, the notorious and tragedy - politicizing head of the union's notoriously bellicose Chicago affiliate, as «Education Person of the Year» for rallying the more - radical of traditionalist forces to her side during the union's strike action earlier this year.

One fun piece came out during the very - human live - action Quidditch World Cup, a game in which actual people run around a «pitch» with capes and brooms, reenacting the game from the world of Harry Potter.

During the keynote presentation at the PlayStation Expereince, we were all given a peak at 2 pieces of gameplay footage, one of the normal shooting action of the game and one of the melee combat.

During the piece, GameSpy's Gabe Graziani discusses variety of combat moves as particularly vital, though he does choose a bit of a repetitive fighting game to prove his point: «The reason that an action game needs to have combos implemented into the combat system is that you have to keep the «action» that we're continually engaging in fresh and exciting.

We won't spoil exactly what happens but there's a moment during a particularly rapid and frantically paced set piece where the game slows the action to hammer home how Lara's actions in Shadow of the Tomb Raider will affect innocent people.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

They range from pre-Gutai works, painted by Shiraga during the Zero - Kai period, to the action painting that characterized the early years of the movement, including both small and large pieces by Jiro Yoshihara (Gutai's founder), Shozo Shimamoto, Chiyu Uemae, and Takesada Matsutani.

Part II at The Studio Museum in Harlem includes an array of video, performance - based photography, and documentation, alongside set pieces or objects used during or remnants resulting from the artists» actions, marking the many methods employed in making performance.

Radical Presence at the Studio Museum will feature an array of video, performance - based photography, and documentation, alongside set pieces or objects used during or remnants resulting from the artists» actions, marking the many methods employed in making performance.