Like all good sequels it took the ideas and set
pieces of the first film and made them bigger and properly raised the stakes.
Not exact matches
Having already directed the
first two (and superior) X-Men
films, Singer shows a level
of comfort with both the material and the cast, and he contributes at least one brilliant comic set
piece in which new mutant Quicksilver (Evan Peters) lays waste to a kitchen full
of security guards in languorous, Matrix - style bullet time (it looks gorgeous and has the slapstick choreography
of a Three Stooges routine).
The
first half
of Hallows was the most visually impressive Potter
film to date, and I have to think the second half is
of a
piece.
From the poster and an early
first glimpse
of the
film, it looks to be another
piece of brutal, bloody, stylized mayhem from the man who brought us the Pusher Trilogy, Bronson, and Valhalla Rising, and won best director at Cannes (where he could be returning this year) for Drive.
It's not only an introduction to Waititi's wit and sense
of style, it also produces the
film's
first action set
piece.
The
first half
of this post war - time drama is a straight propaganda
piece,
filmed in newsreel style, showing how the plucky ladies and chaps
of the OSS were trained to sock it to the dreaded hun.
If you're wondering why there are shouts
of jubilation from
film buffs and aficionados
of pre-swing-era music it's because the Criterion Collection has released a beautiful Blu - ray and DVD
of King
of Jazz (1930), The movie features Bing Crosby's
first appearance onscreen, as part
of the Rhythm Boys trio, jazz giants Joe Venuti and Eddie Lang, and a spectacular rendition
of George Gershwin's «Rhapsody in Blue» by Paul Whiteman, the orchestra leader who commissioned the
piece just six years earlier.
Johnson turned in a
piece of studio entertainment that for the
first time in its franchise's ten -
film history was actually about something, yet never skimps on entertainment.
Of course, if you're not a Northern Californian, these insignificant amusements will be lost on you completely — in which case the movie has even less to offer, save this one piece of trivia: Heather Donahue, in her first film role since «The Blair Witch Project,» shows a little range in a small part, doing a tittering Annette Bening riff as a pretty blonde preppy Prinze dates while he and Forlani are in mutual denia
Of course, if you're not a Northern Californian, these insignificant amusements will be lost on you completely — in which case the movie has even less to offer, save this one
piece of trivia: Heather Donahue, in her first film role since «The Blair Witch Project,» shows a little range in a small part, doing a tittering Annette Bening riff as a pretty blonde preppy Prinze dates while he and Forlani are in mutual denia
of trivia: Heather Donahue, in her
first film role since «The Blair Witch Project,» shows a little range in a small part, doing a tittering Annette Bening riff as a pretty blonde preppy Prinze dates while he and Forlani are in mutual denial.
It only ever bothers to ask the question posed at the beginning
of this
piece an hour into the
film, making the
first two acts setup.
Ghost Protocol is solid action cinema that thanks to several thrilling, if over long set
pieces, plus a healthy sense
of irony is almost on a par with the
first film.
Its earthy tones might have something to do with the many years - 17 to be precise - since Rickman and Dublin - born writer Alison Deegan
first conspired to
film the latter's tale, lots
of time to fine - tune ideas on how such a genre
piece might stand apart.
Also, there's reportedly a sneak peek at Ant - Man & The Wasp, as well as a
piece called «Marvel Studios the
First Ten Years: Connecting the Universe» that will likely offer a pretty cool look at all
of the
films released so far and how they work together.
Ridley Scott, who directed «Prometheus» also directed the
first film, «Alien,» argues that «Prometheus» «carries the DNA
of «Alien,» but is an original
piece of science fiction» (imdb.com/news).
«
Pieces» is an indie crime drama and is based on a short
film of the same name that Taylor made which was
first shown in 2014 at the Palm Springs International ShortFest.
Though Let the Sunshine In may be a star vehicle, Denis, in her
first collaboration with Binoche, seems to have instructed her lead to think
of the
film as an ensemble
piece, even if that group often consists
of its smallest unit, the dyad.
First, a seven - minute
piece called «The Spirit
of the Ride» has the director and various other cast and crew discussing how they drew on the amusement park ride for ideas and general atmosphere for the
film; the 14 - minute mini-documentary «Dead Men Tell No Tales» (also available in the DVD - ROM content in the two - disc edition) gives a history
of the «Pirates
of the Caribbean» ride, complete with lots
of behind - the - scenes looks at the animatronic pirates and nostalgia - inducing footage from the ride itself.
First of all, this
film is by no means a feel good, popcorn popping
piece of cinema.
The
first action set
piece, in Greenwich Village, stands as a highlight
of all the Marvel
films, a witty world - outside - your - window dustup full
of team - ups, tech upgrades, and a wizard fighting space aliens at high noon in Washington Square Park.
Rest assured, this isn't a biting satire or message -
piece about racism or class in America, as many
of the
first film's traits (drugs, sex, swears, Flash Gordon) remain embedded in proceedings.
Every
piece of the frame is alive with details that can go unnoticed on a
first viewing, and I urge a second viewing to really see this
film.
This is Grunberg's
first feature
film, but he has worked as an assistant director for the likes
of Peter Weir, Oliver Stone, Tony Scott and even Gibson himself, which equipped him with the experience to craft impressive set -
pieces.
The romantic angle is what drives the narrative
of the
film, but this is
first and foremost a character
piece that is clearly built around its tremendous leading lady.
The
first act is admittedly a bit messy as director Colin Trevorrow gets all
of his
pieces on the board, but the story really picks up once the Indominus Rex breaks free from confinement, turning into a full - fledged adventure
film with no shortage
of dinosaur - caused destruction.
Surprisingly subtle as it builds up, the
piece explodes into an orchestral tour - de-force with spectacular action music for brass and strings, a
first - rate
piece of film music.
The thing is, although I personally have already seen the
film six times (if you've been to MNPP at any point in the past three months you're more than aware
of my obsession but if you missed my
first take on the movie out
of NYFF it's one
of the most meaningful
pieces of writing I've ever done, says me), it seems that some
of you have not seen the
film six times yet.
Unlike the found - footage monster mayhem
of Cloverfield, Trachtenberg's
film (his
first) is an intimate chamber
piece set in an underground bunker, played out with only three characters.
1 An absolutely enthralling
piece of cinematic merriment — a veritable orgy
of directorial high - wire acts — Quentin Tarantino's
first segment
of his marital arts revenge
film is easily the most entertaining
film of the year.
Whedon returns as the
film's writer and director in this once - in - a-lifetime opportunity to revive his epic space tale, and as the
first installment in a possible franchise, «Serenity» is without a doubt one
of the best
pieces of fan service in the history
of the sci - fi genre.
One
of Newton's
first roles was in the
film adaptation
of one
of the most powerful
pieces of American literature, Toni Morrison's Beloved.
PETER KUBELKA By Alexander Horwath An Austrian avant - garde pioneer returns after a 26 - year break with a new
film, Poetry and Truth, an excursion into the anthropology
of consumerism and the magic
of «perfectly found» footage is his
first piece of «metaphysical cinema.»
We know from Singer's brief teases
of the next
film that it'll be an»80s period
piece (
First Class was in the»60s and Days
of Future Past takes place mostly in the»70s) meaning we're going to again see slightly aged versions
of Jennifer Lawrence's Mystique, Michael Fassbender's Magneto, James McAvoy's Professor X and Nicholas Hoult's Beast.
Next Movie feels much more like the deleted scenes
of their
first and much funnier
film, Up In Smoke, than it does as a stand alone
piece.
Director Cary Joji Fukunaga is the sole director for all eight episodes
of the series»
first season, and the shot is a long, intricate
piece of action choreography that feels lifted straight from a Michael Mann
film.
The Men in Black reboot, directed by Straight Outta Compton, Friday and Fate
of the Furious director F. Gary Gray, will feature brand new Agents as opposed to series protagonists J and K. Unlike the
first three
films, which were set in and around New York, the spinoff will be much more global, and more
of an ensemble
piece.
Granted, the
first half
of the
film moves like molasses as Tarantino gets all
of his
pieces on the board, but the pacing is intentional, slowly building to a boil that spills out into a flurry
of violence in the final hour.
The sensation
of being caught in an endless loop is reinforced by the main musical theme, by Kitano regular Joe Hisaishi, a
piece of treacle featuring piano and orchestra that's repeated so many times it drills its way into your skull, like one
of the elevator - music themes
of a comedy by Jacques Tati (or, perhaps closer to the mark, Ryuichi Sakamoto's main theme for Nagisa Oshima's Merry Christmas, Mr. Lawrence, which featured Kitano's
first film performance).
Disney
films do villains better than any other company, so it feels right that Sanders
first port
of call is making sure that Ravena is a memorable, nasty
piece of work.
New to this disc is the four - minute «In Walt's Words: Snow White and the Seven Dwarfs,» an audio - only interview with Walt Disney discussing the
film set to an image track, the seven - minute featurette «Iconography» that explores the
film's influences on popular culture, art, and fashion, «@DisneyAnimation: Designing Disney's
First Princess» with four contemporary animators discussing the design
of Snow White, and an «Alternate Sequence: The Prince Meets Snow White,» plus the breezy promo - style
pieces «The Fairest Facts
of Them All: 7 Facts You May Now Know About Snow White» with Disney Channel star Sofia Carson and the rap retelling «Snow White in Seventy Seconds.»
The six all - powerful stones (originally known as gems in the Marvel comics) have popped up in nine
of the franchise's fourteen
films, movies ranging in scope and tone from the World War II period
piece «Captain America: The
First Avenger» to the outer space adventure
film «Guardians
of the Galaxy.»
Eddie's
first flop
of the new year is, as unlikely as it seems, somehow more listless and boring than his previous three
films, taking its inspiration from the Bush economy and our failed childcare system and making
of it a saccharine puff -
piece heavy on manufactured epiphanies and potty humour.
The
first of Shakur's lead roles in six
films, the final three
of which were released after his September 1996 death, Juice remains the
piece of acting he is best remembered for a quarter - century later.
The
first is the giallo,
films indicated by their impossibly convoluted mystery plots and elaborate set -
piece murders; the second,
of which Suspiria is one, is the «supernatural,» distinguished by their surreality and lack
of a traditional narrative.
David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form
of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind
of the creator and his audience.A
film is a dream
of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that
film in Lynch's
piece), and a movie's characters therefore become projections
of its maker's sublimated longing (clarifying too the auteur's use
of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those
of his
first collaboration with inamorata Tippi Hedren, The Birds).
Although the
first two
films also had some nice action set
pieces, people had a good time because
of what the stars said to each other, as well as to the bad guys, that is done for our benefit.
Some
of the jokes in the
film's
first trailer do fall a little flat, but the animation is impeccable and there's something about that LEGO
piece clicking sound that make the appeal
of going on an adventure in that realm undeniably appealing.
Those expecting something similar to the
first movie will be mostly let down, as this
film is very much a one - location thriller that relies more on character
piece than big Statue
Of Liberty lobbing monsters.
This is the way the
film hit me when I
first saw it as a
film - obsessed youth, the precision
of the
piece, and
of course, the brilliant back - and - forth
of the
film's featured actors.
Just over ten days ago we learned via producer Jason Blum that a
first cut
of director David Gordon Green's new Halloween
film should be complete within 6 weeks, which fits perfectly with today's latest
piece of news.
Best - case scenario: You show up an hour late, missing the endless don't - these - ugly - Americans - suck portion
of the evening, and arrive just in time for the
first big kill — the
film's one and only memorable set
piece.