A typical Cordy Ryman
lies in a hybridized zone between sculpture and painting;
pieces of wood or perhaps canvas may be isolated like small geometric paintings or even extended into the full expanse
of the rooms in which they are installed, following a kind
of modular accumulation strategy.
Two structures with found
wood and rust
lie across from one another on opposite sides
of the display, and a third
piece roughly equidistant from the two, also contains rust.