Sentences with phrase «pieces out of everyday»

He is known for creating poetic pieces out of everyday objects through a variety of media, including drawing, photography, text, and sculpture.

Not exact matches

As if they ever really went out of style... Wear them with wide leg jeans and a blazer for a sophisticated everyday look or wear them with Menswear pieces for a preppy weekend look.

This necklace from Swarovski could be worn as a special everyday piece of jewellery or for those rare but special nights out once baby arrives.

I can take this printed skirt out from the back of my closet and add it to my everyday pieces because it finally fits and the weather is skirt - friendly.

Pieces like this rust - brown colored satchel (I think the rust color is out of stock but this gray / taupe satchel is lovely and a good everyday color as well!)

Manoosh pieces increase exposure for local artists by bringing art out of the galleries and into the everyday.

Since taking the reins at Balenciaga, Demna Gvasalia has turned out irresistible, everyday pieces, rethought for a modern woman through the lens of the house's innovative originator, Cristóbal Balenciaga.

Do you have special reasons as to why you pick out certain pieces of jewelry and clothing everyday?

While there's nothing wrong with investing in well - made, practical, seasonless clothing — or the occasional trendy piece emblazoned with a super-hyped brand name — many everyday staples can start to feel monotonous, especially when one label after another continues to turn out collections of hoodies, denim and sneakers.

My layered necklaces are from Nordstrom... I love a simple horizontal bar necklace to layer with any piece and of course my star necklace which has been a favorite of my for a while now While I am not a big drinker, I like heading out east to wine country simply for the atmosphere, like I mentioned in yesterday's post, sometimes you just need to get away from the stress of everyday life!

Since I've invested so much money into these clothes, I try to incorporate «work» pieces into my everyday outfits to get the most out of them and instantly add a sophisticated element to the look.

One of the best trends that I really liked but I've some points on it there is hair jewelry, and I may not be the one who will wear it everyday, but I'm in for it for a special occasion... Okay maybe one day of the week — imagining myself with a messy hair, shirt half unbuttoned / half in - half out, skinny jeans and big sunglasses to cover my - fu * k - off - I'm - still - sleep - face - but I didn't forget to add my little piece with such dimensional care even if the whole look doesn't say so, because I'm effortless Parisian woman bear.

In the pictures I'm wearing a black silk shirt instead of a white which makes the look a bit dressier and easier to transition to a night out, not to mention I wore heels instead of boots so my point is, with the change with just a few pieces you can create a total different vibe, so invest on quality everyday pieces;) Item featured: Tommy Hilfiger puffy vest in camel about $ 79 with Blanknyc sknny jeans $ 99 (sure you can find a better deal!)

In the pictures I'm wearing a black silk shirt instead of a white which makes the look a bit dressier and easier to transition to a night out, not to mention I wore heels instead of boots so my point is, with the change with just a few pieces you can create a total different vibe, so invest on quality everyday pieces

All of these pieces highlighted are things I have purchased in the last 4 months and I have tried to get as much wear out of them without feeling like I wear the same thing everyday.

Its a great game and yay lets praise that its you morons who start crap everyday that makes this site a piece of crap sometimes with all your nonsense and crap that falls out of your mouth on a consistent basis....

Mach, a former Turner Prize nominee, has long used unusual but everyday materials in his work: previous projects have included matchstick sculptures (which were later set alight), pieces made of coat hangers, and a 1989 public artwork in Kingston called Out of Order, formed of 12 red phone boxes tipped onto their sides.

In these works, everyday objects take on uncanny properties, as in Two Holes of Water No. 3, 1966, where suburban station wagons wrapped in plastic become mobile TV and film projectors, or in Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstage.

January 12 — March 1, 2008 Jac Leirner creates installations, sculptures, and mixed media pieces using everyday objects like business cards, plastic bags, cigarette packs and banknotes, which are meant to live in transit; they circulate within our society with their final purpose to be destroyed and taken out of circulation.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Following Orange House Action Clinic at Portland's S1 earlier this year and First Water to Tripoli at London's Jupiter Woods last year, We Are The People We Have Been Waiting For is the final piece of the artist's ongoing research, focused on «taking everyday subliminal surfaces and utterances out of their typical scenes».

It felt so calm in the studio sessions, we were all sharing and building this piece together and all taking time out of our everyday lives to talk and sew, which felt very special.