Not exact matches
The formula is very
pigmented and you get opaque
color in a
single coat only.
It is the most
pigmented shade from all three blushes, it gives a soft pink
color to cheeks
in single swipe and this
color can be made even more intense by adding it some more.
Follow our foolproof user's manual to help choose non-toxic natural makeup palettes, snag the best cruelty free brushes for the job, and give you an up - close and personal breakdown of every
single color in each and every fruit
pigmented ® makeup palette!
Rich
in luxurious
pigments, Le Rouge coats lips with intense, lasting
color in a
single stroke.
Calypso is a highly
pigmented lip
color and it goes opaque
in one
single swipe but I like to apply it twice to make everything look even.
Among the works included will be four new drawings made by Jasper Johns after his Catenary work, which was exhibited at Matthew Marks Gallery this past spring; the largest
single drawing Roni Horn has ever made, executed
in yellow - green
pigment and collage; a suite of five new plant drawings and a collage of
colored geometric forms by Ellsworth Kelly; two new folios by Brice Marden, each consisting of a group of seven drawings on handmade paper; and several large - scale, brightly -
colored ink drawings by Charles Ray.
[3] Typically, Margo would «line up variously
colored inks onto a plate, apply a roller to the
colors to mix them, ink the cellocut with the blended
pigments, and print the now multicolored plate
in a
single run through the press.»
We will show a new work by Stanley Whitney, who has spent the majority of his career exploring the possibilities of a
single compositional strategy: since the 1980s, the artist has cobbled his paintings from blocks of brilliant
color, assembled
in horizontal rows, and separated by thin bands of
pigment.
Back
in Washington, Noland and Louis began experimenting with the «soak - stain» technique, pouring
pigment into schematic patterns that reduced painting to a
single element -
color - and helped usher
in the «
color - field» school of painting.
(Diane Upright, Morris Louis: The Complete Paintings, New York, 1985, p. 49 - 58) As art historian Michael Fried comments, «Louis discovered that if successive waves of thinned
pigment, each a different
color, were stained into a length of canvas, what was produced was a
single, visually continuous configuration within which the individual configurations left by each wave
in turn — or, perhaps more accurately, the limits of these configuration — were still visible.
She directed her work to a study of
pigments and their material supports, which led to
single -
color paintings made
in series and intended to be installed
in such a way that each wall and each exhibition becomes a work of art
in itself.