Sentences with phrase «pigment print face»
dismal, life file, crystal, get lost at a glance, 2017 Archival pigment print face mounted to acrylic with custom engraving, 46 1/2 h x 32 3/4 w in
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crying like a baby city, plastic idea, 2017 Archival pigment print face mounted to acrylic with custom engraving, 46 1/2 h x 32 3/4 w in
peel, year, nothing else, 2017 Archival pigment print face mounted to acrylic with custom engraving, 46 1/2 h x 32 3/4 w in
upset, gloomy, wonderful, sunset of moon, 2017 Archival pigment print face mounted to acrylic with custom engraving, 46 1/2 h x 32 3/4 w in
gasoline, fires of god wandering, line of Peru, 2017 Archival pigment print face mounted to acrylic with custom engraving, 46 1/2 h x 32 3/4 w in
Not exact matches
The primary tool and subject of these works is her own body; using a messy oil - and - pigment technique gleaned from the «Body Prints» of David Hammons, she has been making process - rich self - portraits that feel simultaneously intimate and in - your - face.
The artist imprinted her face sequentially on 14 pieces of paper in sanguinary vermillion, tracking her disturbances over 17 hours of sleep; beneath these wall - mounted anthropometries lie rows of stolen bed sheets, printed with the name of a local hospital interspersed with drifts of red pigment.
© Justin Levesque, 1 Day at Sea Feels Like 3 Days on Land: 13.02 LG 1/3, 13.02 LG 2/3, 13.02 LG 3/3, archival pigment print with acrylic face mount, 7» x 7 ″ each, 2017
© Justin Levesque, 1 Day at Sea Feels Like 3 Days on Land: 13.03 LM 1/3, 13.03 LM 2/3, 13.03 LM 3/3, archival pigment print with acrylic face mount, 7» x 7 ″ each, 2017
Facing the Darkness, Bedford - Stuyvesant, Brooklyn, NY, January 18, 2016 Archival pigment print on metallic paper, printed 2016 35 x 35 in
The Face of the Revolution (Love +1 Series), 789 Macdonough Street, Brooklyn, NY, May 15, 2015 Archival pigment print on metallic paper, printed 2016 35 x 35 in
The notoriously fickle Jerry Seinfeld would never stay with any of his girlfriends for long, their transience was as predictable as the generic features on the white, hopeful face staring back at us from his pigment print.
Uta BARTH In the Light & Shadow of Morandi (17.02) 2017 Face mounted, raised, shaped, Archival Pigment print in artist frame 48 3/4 x 52 3/4 inches; 123.8 x 134 cm Edition of 6; 2 APs
Ruddy Roye, Face Value (Ex-Cop), Clinton - Washington Avenue, Brooklyn, NY, December 23, 2015 Archival pigment print on metallic paper, printed 2016, 35 x 35 in Edition of 10; Signed by photographer verso
Ruddy Roye, Facing the Darkness, Bedford - Stuyvesant, Brooklyn, NY, January 18, 2016 Archival pigment print on metallic paper, printed 2016, 35 x 35 in Edition of 10; Signed by photographer verso
Ann Hamilton, «face to face • 2,» from the series of 67 pinhole photographs, «face to face,» 2001, pigment print.